15-second cinematic action sequence aboard a magnetic levitation war train speeding through a dystopian night desert, electric storms illuminating giant industrial ruins in the distance. 0.0–3.0s: Low tracking shot races along the side of the train as a cyber samurai runs across the magnetic exterior panels, sparks erupting beneath his boots. 3.0–6.0s: A chrome-armored assassin descends from a hovering drone transport onto the train roof, neon katana igniting blue light through the storm. 6.0–9.0s: First sword clash sends electrical arcs across the train roof while lightning flashes overhead in slow motion. 9.0–12.0s: High-speed duel across unstable train cars, both fighters nearly thrown off balance as the train tears through debris and collapsing structures. 12.0–15.0s: Massive aerial pull-back reveals the glowing train cutting across the dark wasteland while the duel continues atop the final car.
Vehicle
استكشف مطالبات فيديو مجانية ضمن فئة Vehicle من مكتبة YouMind، والمجمعة تحت الموضوعات. كل مطالبة مختارة من مسارات عمل إبداعية حقيقية وجاهزة للنسخ والتعديل وإعادة الاستخدام.
beautiful blonde African American tattoo woman in a car with her cat, bright green eyes, kawaii art style, light orange and light bronze overlay, animated illustrations, daz3d, realistic
Cinematic high-octane action sequence in a vast red-rock desert canyon under bright blue sky. A heavily customized bright magenta/pink off-road truck with spiked armor, heavy chains, and a massive metal skull front grille with glowing headlights and long fangs speeds through dusty terrain. Dynamic camera work: low-angle undercarriage shot as the truck launches over a dirt ramp kicking up dust and debris; side tracking shot of the spiked truck racing; close-up inside the cab of a stern woman in a traditional yellow hanbok-style outfit smoking a cigarette while gripping the wheel; rear gunner platform with a young woman in digital camouflage military uniform (name patch visible), long hair flying, sunglasses on head, enthusiastically firing a large mounted heavy machine gun with muzzle flashes while shouting; POV from the truck’s spiked hood racing toward a charging herd of massive armored metallic rhinoceros-like beasts with mechanical plating and horns kicking up dust; side and frontal shots of the pink skull-truck barreling through the stampeding armored rhinos as the gunner keeps firing; high aerial overhead shot of the truck weaving among the herd leaving dust trails; final rear tracking shot of the truck speeding away down the canyon with the gun still elevated. Fast-paced, dusty, intense Mad Max-inspired post-apocalyptic energy mixed with Korean action-comedy flair, bright desert lighting, motion blur, practical dust and debris effects, 15-second continuous action sequence.
clay crab trying to ride a bicycle on the beach, flopping dramatically, beach boardwalk made of plastilina 16:9
FORMAT 15 seconds | 16:9 | live-action military documentary footage Fictional aircraft-carrier emergency at sea. Hyper-realistic raw footage. Fast multi-shot storytelling across handheld, telephoto and deck cameras. STORY A carrier-based fighter returns over rough open water with an apparent mechanical problem. The flight deck enters emergency recovery mode. Crew clear the landing area as the fighter approaches and lands safely. 00–03s — EMERGENCY Wide handheld footage on an active carrier deck under heavy overcast skies. Strong sea wind, grey ocean, wet worn deck. Crew receive an alert and urgently clear the landing area. One crew member signals others away as the camera quickly turns toward the ocean. 03–06s — FINAL APPROACH Hard cut to long telephoto footage. A fictional fighter approaches low over the ocean, landing gear down. Aircraft makes subtle roll and yaw corrections against turbulent air. Heat distortion behind engines. Camera operator struggles slightly to maintain framing. 06–09s — DECK SCRAMBLE Shoulder-mounted footage among crew. Personnel rapidly move equipment and take safe positions. One crew member crosses foreground, briefly blocking the lens. Camera pans toward the approaching fighter. Controlled professional urgency, no theatrical panic. 09–12s — TOUCHDOWN Low deck camera from a safe side position. Fighter touches down firmly. Landing gear compresses, tyres produce a small realistic puff, aircraft rapidly decelerates. Camera makes a fast imperfect pan following it. No explosion or exaggerated sparks. 12–15s — SAFE STOP Three-quarter handheld footage. Aircraft reaches a controlled stop, engine still running and heat haze visible. Crew cautiously approach, signal toward the cockpit and inspect the aircraft. Final frame holds briefly on the fighter surrounded by responding crew with rough ocean behind. CAMERA Real military documentation/news footage. Mix handheld deck camera, shoulder-mounted footage, long telephoto tracking and fixed low deck camera. Hard cuts. Reactive pans. Foreground obstruction. Autofocus corrections. Telephoto compression. Wind-induced micro-shake. Natural motion blur. Camera operators react to events rather than anticipating them. ENVIRONMENT Working aircraft carrier in rough open ocean. Wet non-slip deck, painted markings, deck equipment, parked fictional aircraft, heavy clouds and strong maritime wind. PHYSICS Aircraft has convincing mass, momentum and aerodynamic behaviour. Approach remains aligned with the carrier. Landing gear compresses naturally. Deceleration has believable inertia. Crew clothing and straps react continuously to wind. Jet engines produce realistic heat distortion. AUDIO Powerful wind, ocean ambience, carrier machinery, shouted instructions, approaching jet roar, tyre contact, aircraft deceleration and crew communication. Sound perspective changes naturally between shots.
The woman and the armored companion are now clearly an alien being with subtle non-human features and ornate armor, sitting side by side on the rocky ledge holding hands between them as they watch the sleek spaceship lift off and ascend into the glow...
Create a video of a rocket floating in the ocean. Then arrives a man, attaching a motor to the back of it and rides it to the shore while seating on top of that rocket. Please make that rocket float horizontally.
A quiet luxury automotive commercial for a classic Mercedes-Benz 190 SL featuring a Kodak film look.
[CONDITION DEFINITION] 15 seconds, 1:1 square, for sharing, no reference image. The battleship Yamato is depicted as one of the largest super-dreadnought battleships of the WWII era, with a total length of approximately 263 meters and a width of 39 meters. From the first frame, it is in the midst of a wave-like general attack by US Navy carrier-based aircraft. Damage from numerous bombs, torpedoes, and proximity explosions accumulates, finally resulting in a single fatal massive explosion originating from the center of the hull, deciding the sinking. Bright and clear high-quality live-action war movie footage. Clearly separate colors for the vibrant blue sky, blue to blue-green sea, dark gray steel hull, white water pillars, orange explosive flames, and thick black smoke. [SUBJECT / SCALE] The main subject is the battleship Yamato. A full-scale super-dreadnought with a long and wide hull, massive main turrets, a tall tower-shaped bridge, and numerous anti-aircraft guns. The carrier-based aircraft are clearly smaller than Yamato and attack one after another from multiple directions. Yamato does not sink from a single attack, but reaches its final fatal blow through the accumulation of a general assault. [SHOT / FLOW] 0.0-2.1s: High diagonal overhead wide shot from the front-left. Showing the long overall length of the battleship Yamato large in the center of the screen. Numerous small carrier-based aircraft cross at high speed from the left, right, and overhead, with anti-aircraft fire, bomb hits, and irregular water pillars occurring over a wide area. The camera does not follow the aircraft. 2.1-4.2s: Medium-altitude diagonal overhead wide shot closer to the right side. Maintaining an angle where the hull from bow to stern is readable, with multiple formations from different directions crossing the foreground, middle ground, and background at high speed. Attacks on the deck and surrounding the hull continue, with fires and black smoke increasing. 4.2-5.8s: High-altitude super overhead wide shot. Fixed camera. Only one small dive bomber descends at high speed toward Yamato from the top of the screen, drops a bomb, and then exits to the side in an instant. Maintain Yamato's full length and the small size of the aircraft in the same frame. 5.8-8.3s: Super low altitude just above the sea surface. The camera moves at a furious speed directly above the crests of the waves, with sea spray splashing violently toward the front of the screen and beside the lens. Rapidly approaching the giant Yamato in front; the torpedo body is not shown large, but approaches below the port waterline along with a white torpedo wake on the sea surface. A massive water pillar taller than the hull rises upon impact. 8.3-12.2s: Maintaining a high diagonal overhead wide shot closer to the left side as a single continuous shot. Yamato is the maximum target within the frame, with carrier aircraft groups crossing continuously at high speed from the front, sides, and overhead. Torpedo wakes, direct bomb hits, proximity explosions, irregular water pillars, and anti-aircraft fire concentrate across the long hull. Do not stop the attack; increase only fire, black smoke, damage, and speed reduction. No fatal massive explosion until 12.2 seconds. 12.2-15.0s: Maintaining the same diagonal side wide shot and battle flow. As the attack continues, the accumulated damage reaches its limit, and a single fatal massive explosion occurs starting from a final direct hit to the center of the hull. Do not make it independent spherical fireballs or multi-stage explosions; integrate the orange-white explosive flames, thick black smoke, shockwaves, and water splashes erupting horizontally from the hull center. Keep Yamato's hull and the explosion's origin in the same frame; the camera does not move much, ending with a slightly wider panorama. [CAMERA / EDITING] Front-left diagonal overhead → right-side diagonal overhead → fixed super overhead dive attack → sea surface super low-altitude torpedo tracking → front-left diagonal overhead continuous general attack → fatal massive explosion in the same shot. Do not use rear diagonal overhead. Do not track aircraft; represent speed by having them cross the screen in an instant. The camera moves violently in a straight line only in the torpedo scene. [SOUND] Sound effects only. Sounds of numerous aircraft, whistling wind, anti-aircraft fire, exploding bombs, torpedo hits, splashing water, creaking steel, continuous hits, and the final giant explosion. No BGM, dialogue, or narration. [NEGATIVE] Rear diagonal overhead, camera following aircraft, straight tracking except for the torpedo scene, angle of view too close, composition where aircraft look larger than Yamato, repetition of similar overhead cuts, changing cut order, omitting the torpedo scene, fatal massive explosion before 12.2s, development where the attack stops midway, listing, capsizing, hull breaking, multi-stage spherical fireballs, explosions separated from the hull, night battle, dark and dull tones, modern fighters, jets, missiles, kamikaze, text, subtitles, logo, human injury, corpses, miniature feel, toy feel, cheap CG representation.
The SpaceX starship floating in the ocean with the rockets tuned on like a speed boat
[Overall Style] Cinematic realistic restrained reversal comedy, using elegant Xianxia cinematic language and precise spatial staging. Humor comes from status reversal. Designed for Seedance 2.0's character locking, multi-prop coordination, and native audio-visual synchronization. [Characters] Character A: 25-30 year old East Asian Sword Immortal Sister from @Image 1. Strict adherence to face, hair, and white silk Hanfu. She floats half a meter above ground with a sword rotating around her. Character B: 25-30 year old East Asian Bike Sister from @Image 2. Strict adherence to identity and bicycle. [Shot 1 | 0-5s | Low Angle Wide Slow Tracking] Modern Chinese city rooftop bike platform at sunset. Character A is floating proudly. Character B enters pushing her bike, looking in awe. [Shot 2 | 5-10s | Medium Shot] Camera orbits slowly. Character B asks: "Sister, can you really ride a sword?" Character A replies calmly: "A little." Character B rings her bike bell once. In the background, six bikes vibrate and ring back rhythmically. [Shot 3 | 10-15s | Wide to Close-up] The six bikes rise into a giant circular "Bicycle Sword Array" behind Character B. She steps onto her floating bike and says: "I usually commute with this," then glides away. Character A's sword hides behind her legs. Extreme close-up of Character A's frozen smile and twitching eyelid. [Technical Requirements] Strict 15s, three clean shots, stable faces/clothes, realistic physics for bikes/fabric, accurate Mandarin lip-sync, precise bell synchronization, no subtitles. [Negative Prompts] blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props
[Style] Weekly OOTD Car Edition, 16:9 Cinematic Photorealistic, shallow depth of field, Anamorphic Look, with lighting and atmosphere switching per car, smooth rhythmic transitions. [Duration] 15 seconds. [Scene] The interiors of five different cars. The camera is positioned at the passenger seat facing the female lead. The scenery outside the window is blurred and moving; the interior, lighting, and environment switch entirely with each outfit change. [Character] Female lead @Image 1 (face and hairstyle remain consistent with the character card, long black hair draped over shoulders). [Camera Lock] Consistent composition throughout: camera fixed on the passenger side, medium-close side profile of the female lead driving. Hands and body orientation remain consistent between segments. Each segment features a signature small gesture, ending with a hard cut to the next outfit and car. [00:00-00:03] Monday: German Sedan x Business Style. Black leather interior, morning light from the side window, dashboard glowing with amber ambient light. White shirt with grey vest, one hand on the wheel, the other sipping coffee. Subtitle: "Monday". [00:03-00:06] Tuesday: Vintage Car x Hepburn Style. Beige cloth seats, wooden steering wheel, warm afternoon light. Black dress, scarf, cat-eye sunglasses. Subtitle: "Tuesday". [00:06-00:09] Wednesday: Off-roader x Workwear Style. Mechanical interior, noon sunlight, slight vehicle bouncing. Khaki tank top, denim shorts, baseball cap, turning the wheel. Subtitle: "Wednesday". [00:09-00:12] Thursday: Convertible at Sunset x Vacation Style. Open top, golden-red sunset light, hair blowing back. Apricot strap dress, gold-rimmed sunglasses, reaching hand out of the window. Subtitle: "Thursday". [00:12-00:15] Friday: Supercar at Night x Red Dress Finale. Carbon fiber interior, red ambient light, neon streaks outside. Red deep-V dress, pushing the gear lever, smiling at the camera, freeze frame. Subtitle: "Friday". [Sound Effects] Engine sounds changing per car style (low sedan idle -> vintage engine click -> off-road tire noise -> convertible wind -> supercar roar), layered with upbeat BGM and click transitions.
a rider cutting through misty pine trees on a dirt trail, camera specs detailed enough to include panning, low-angle tracking, and mud kicking up in slow motion.
Ultra-realistic cinematic luxury lifestyle ad of a fit blonde woman arriving in a premium electric car at a modern hillside villa during blue hour. She steps out confidently, walks through the elegant outdoor space, drinks from a stainless steel bottle, and enjoys a peaceful evening. Warm cinematic lighting, shallow depth of field, smooth gimbal tracking shots, soft bokeh, natural body movement, luxury atmosphere, 4K HDR, ARRI Alexa 35, premium commercial quality.
A futuristic black-and-yellow armored military gunship hovers above a stormy battlefield, with a burning industrial base below covered in smoke. The aircraft transforms as a massive rotary cannon deploys from its nose, charging with a powerful blue energy core. It unleashes a devastating energy beam toward the enemy shoreline, creating shockwaves and a massive explosion that destroys the base. The gunship then pivots through the smoke, retracts its weapon, and flies away with glowing thrusters. Ultra-realistic sci-fi action, cinematic lighting, dramatic atmosphere, high-detail VFX.
Vehicle identity locked to @snowcar. Color grade and mood matched to @snowcar grade. Hyper-realistic cinematic action sequence. A futuristic racer blasts through razor-thin ice canyons on a frozen alien moon while an avalanche of collapsing glaciers
SEEDANCE 2.0 — LIVE-ACTION AIRPLANE CRASH FORMAT 15 seconds | 16:9 | live-action disaster drama Fictional scenario. Photorealistic, grounded visual realism. 5 sequential shots with continuous event progression. SETTING A commercial passenger aircraft approaching a large coastal city during severe storm conditions. Late afternoon. Heavy cloud cover, turbulent wind, rain, wet surfaces and reduced visibility. Aircraft design remains fictional with no real airline branding. 00–03s — SOMETHING IS WRONG Interior passenger cabin. Medium handheld shot from aisle height. The aircraft suddenly shudders through severe turbulence. Overhead lights flicker. Passengers instinctively grip armrests and look toward one another. Loose objects vibrate naturally. Camera shakes because the aircraft moves, not through artificial cinematic shake. AUDIO: deep engine rumble, cabin rattling, rain against fuselage, nervous breathing. 03–06s — LOSS OF CONTROL Exterior telephoto shot from ground level. The passenger aircraft emerges beneath dark clouds at unusually low altitude, descending rapidly with a slight unstable bank. Rain trails across the fuselage. Wings react subtly to turbulent airflow. Camera operator struggles to keep the aircraft centred while tracking it. AUDIO: distant aircraft roar, wind, rain. 06–09s — CABIN Close handheld aisle perspective. The aircraft banks harder. Passengers lean naturally with inertia. A bag falls from an open overhead compartment. Cabin crew brace themselves against fixed structures. Lighting changes as the aircraft rotates relative to the storm outside. No exaggerated screaming or theatrical performances. 09–12s — FINAL DESCENT Long ground-level shot. Aircraft passes behind foreground buildings and trees, partially obscuring the view. Camera rapidly pans to follow. The aircraft disappears beyond the distant structures. AUDIO: engine noise grows louder, then becomes partially muffled after the aircraft disappears. 12–15s — IMPACT IMPLIED Camera remains on the distant skyline. A powerful impact occurs beyond the visible horizon. A delayed plume of dark smoke and dust rises behind the buildings. Nearby birds scatter. The camera operator instinctively lowers the camera slightly before reframing toward the smoke. Sound reaches the camera after a physically believable delay: distant low impact → environmental echo → car alarms beginning nearby. No visible bodies. No graphic injuries. CAMERA REALISM Observational disaster footage. Believable camera placement for every shot. Natural handheld micro-movement. Imperfect reframing. Realistic autofocus adjustments. Natural motion blur during rapid pans. No impossible camera movement. PHYSICS Aircraft maintains believable scale, mass, momentum and forward velocity. Passengers react according to aircraft acceleration and banking. Rain, clothing, loose objects and smoke respond naturally. Impact remains geographicall
Feudal Japan at dusk, mist over pine-covered mountains. An armored war-train of wooden supply wagons and a mounted shogun escort races along a cliffside road. A masked samurai (character reference "HANA": black hair in a high topknot, crimson eyes,
15-second cinematic action sequence aboard a magnetic levitation war train speeding through a dystopian night desert, electric storms illuminating giant industrial ruins in the distance. 0.0–3.0s: Low tracking shot races along the side of the train as a cyber samurai runs across the magnetic exterior panels, sparks erupting beneath his boots. 3.0–6.0s: A chrome-armored assassin descends from a hovering drone transport onto the train roof, neon katana igniting blue light through the storm. 6.0–9.0s: First sword clash sends electrical arcs across the train roof while lightning flashes overhead in slow motion. 9.0–12.0s: High-speed duel across unstable train cars, both fighters nearly thrown off balance as the train tears through debris and collapsing structures. 12.0–15.0s: Massive aerial pull-back reveals the glowing train cutting across the dark wasteland while the duel continues atop the final car.
Cinematic high-octane action sequence in a vast red-rock desert canyon under bright blue sky. A heavily customized bright magenta/pink off-road truck with spiked armor, heavy chains, and a massive metal skull front grille with glowing headlights and long fangs speeds through dusty terrain. Dynamic camera work: low-angle undercarriage shot as the truck launches over a dirt ramp kicking up dust and debris; side tracking shot of the spiked truck racing; close-up inside the cab of a stern woman in a traditional yellow hanbok-style outfit smoking a cigarette while gripping the wheel; rear gunner platform with a young woman in digital camouflage military uniform (name patch visible), long hair flying, sunglasses on head, enthusiastically firing a large mounted heavy machine gun with muzzle flashes while shouting; POV from the truck’s spiked hood racing toward a charging herd of massive armored metallic rhinoceros-like beasts with mechanical plating and horns kicking up dust; side and frontal shots of the pink skull-truck barreling through the stampeding armored rhinos as the gunner keeps firing; high aerial overhead shot of the truck weaving among the herd leaving dust trails; final rear tracking shot of the truck speeding away down the canyon with the gun still elevated. Fast-paced, dusty, intense Mad Max-inspired post-apocalyptic energy mixed with Korean action-comedy flair, bright desert lighting, motion blur, practical dust and debris effects, 15-second continuous action sequence.
The woman and the armored companion are now clearly an alien being with subtle non-human features and ornate armor, sitting side by side on the rocky ledge holding hands between them as they watch the sleek spaceship lift off and ascend into the glow...
A quiet luxury automotive commercial for a classic Mercedes-Benz 190 SL featuring a Kodak film look.
[CONDITION DEFINITION] 15 seconds, 1:1 square, for sharing, no reference image. The battleship Yamato is depicted as one of the largest super-dreadnought battleships of the WWII era, with a total length of approximately 263 meters and a width of 39 meters. From the first frame, it is in the midst of a wave-like general attack by US Navy carrier-based aircraft. Damage from numerous bombs, torpedoes, and proximity explosions accumulates, finally resulting in a single fatal massive explosion originating from the center of the hull, deciding the sinking. Bright and clear high-quality live-action war movie footage. Clearly separate colors for the vibrant blue sky, blue to blue-green sea, dark gray steel hull, white water pillars, orange explosive flames, and thick black smoke. [SUBJECT / SCALE] The main subject is the battleship Yamato. A full-scale super-dreadnought with a long and wide hull, massive main turrets, a tall tower-shaped bridge, and numerous anti-aircraft guns. The carrier-based aircraft are clearly smaller than Yamato and attack one after another from multiple directions. Yamato does not sink from a single attack, but reaches its final fatal blow through the accumulation of a general assault. [SHOT / FLOW] 0.0-2.1s: High diagonal overhead wide shot from the front-left. Showing the long overall length of the battleship Yamato large in the center of the screen. Numerous small carrier-based aircraft cross at high speed from the left, right, and overhead, with anti-aircraft fire, bomb hits, and irregular water pillars occurring over a wide area. The camera does not follow the aircraft. 2.1-4.2s: Medium-altitude diagonal overhead wide shot closer to the right side. Maintaining an angle where the hull from bow to stern is readable, with multiple formations from different directions crossing the foreground, middle ground, and background at high speed. Attacks on the deck and surrounding the hull continue, with fires and black smoke increasing. 4.2-5.8s: High-altitude super overhead wide shot. Fixed camera. Only one small dive bomber descends at high speed toward Yamato from the top of the screen, drops a bomb, and then exits to the side in an instant. Maintain Yamato's full length and the small size of the aircraft in the same frame. 5.8-8.3s: Super low altitude just above the sea surface. The camera moves at a furious speed directly above the crests of the waves, with sea spray splashing violently toward the front of the screen and beside the lens. Rapidly approaching the giant Yamato in front; the torpedo body is not shown large, but approaches below the port waterline along with a white torpedo wake on the sea surface. A massive water pillar taller than the hull rises upon impact. 8.3-12.2s: Maintaining a high diagonal overhead wide shot closer to the left side as a single continuous shot. Yamato is the maximum target within the frame, with carrier aircraft groups crossing continuously at high speed from the front, sides, and overhead. Torpedo wakes, direct bomb hits, proximity explosions, irregular water pillars, and anti-aircraft fire concentrate across the long hull. Do not stop the attack; increase only fire, black smoke, damage, and speed reduction. No fatal massive explosion until 12.2 seconds. 12.2-15.0s: Maintaining the same diagonal side wide shot and battle flow. As the attack continues, the accumulated damage reaches its limit, and a single fatal massive explosion occurs starting from a final direct hit to the center of the hull. Do not make it independent spherical fireballs or multi-stage explosions; integrate the orange-white explosive flames, thick black smoke, shockwaves, and water splashes erupting horizontally from the hull center. Keep Yamato's hull and the explosion's origin in the same frame; the camera does not move much, ending with a slightly wider panorama. [CAMERA / EDITING] Front-left diagonal overhead → right-side diagonal overhead → fixed super overhead dive attack → sea surface super low-altitude torpedo tracking → front-left diagonal overhead continuous general attack → fatal massive explosion in the same shot. Do not use rear diagonal overhead. Do not track aircraft; represent speed by having them cross the screen in an instant. The camera moves violently in a straight line only in the torpedo scene. [SOUND] Sound effects only. Sounds of numerous aircraft, whistling wind, anti-aircraft fire, exploding bombs, torpedo hits, splashing water, creaking steel, continuous hits, and the final giant explosion. No BGM, dialogue, or narration. [NEGATIVE] Rear diagonal overhead, camera following aircraft, straight tracking except for the torpedo scene, angle of view too close, composition where aircraft look larger than Yamato, repetition of similar overhead cuts, changing cut order, omitting the torpedo scene, fatal massive explosion before 12.2s, development where the attack stops midway, listing, capsizing, hull breaking, multi-stage spherical fireballs, explosions separated from the hull, night battle, dark and dull tones, modern fighters, jets, missiles, kamikaze, text, subtitles, logo, human injury, corpses, miniature feel, toy feel, cheap CG representation.
[Style] Weekly OOTD Car Edition, 16:9 Cinematic Photorealistic, shallow depth of field, Anamorphic Look, with lighting and atmosphere switching per car, smooth rhythmic transitions. [Duration] 15 seconds. [Scene] The interiors of five different cars. The camera is positioned at the passenger seat facing the female lead. The scenery outside the window is blurred and moving; the interior, lighting, and environment switch entirely with each outfit change. [Character] Female lead @Image 1 (face and hairstyle remain consistent with the character card, long black hair draped over shoulders). [Camera Lock] Consistent composition throughout: camera fixed on the passenger side, medium-close side profile of the female lead driving. Hands and body orientation remain consistent between segments. Each segment features a signature small gesture, ending with a hard cut to the next outfit and car. [00:00-00:03] Monday: German Sedan x Business Style. Black leather interior, morning light from the side window, dashboard glowing with amber ambient light. White shirt with grey vest, one hand on the wheel, the other sipping coffee. Subtitle: "Monday". [00:03-00:06] Tuesday: Vintage Car x Hepburn Style. Beige cloth seats, wooden steering wheel, warm afternoon light. Black dress, scarf, cat-eye sunglasses. Subtitle: "Tuesday". [00:06-00:09] Wednesday: Off-roader x Workwear Style. Mechanical interior, noon sunlight, slight vehicle bouncing. Khaki tank top, denim shorts, baseball cap, turning the wheel. Subtitle: "Wednesday". [00:09-00:12] Thursday: Convertible at Sunset x Vacation Style. Open top, golden-red sunset light, hair blowing back. Apricot strap dress, gold-rimmed sunglasses, reaching hand out of the window. Subtitle: "Thursday". [00:12-00:15] Friday: Supercar at Night x Red Dress Finale. Carbon fiber interior, red ambient light, neon streaks outside. Red deep-V dress, pushing the gear lever, smiling at the camera, freeze frame. Subtitle: "Friday". [Sound Effects] Engine sounds changing per car style (low sedan idle -> vintage engine click -> off-road tire noise -> convertible wind -> supercar roar), layered with upbeat BGM and click transitions.
Ultra-realistic cinematic luxury lifestyle ad of a fit blonde woman arriving in a premium electric car at a modern hillside villa during blue hour. She steps out confidently, walks through the elegant outdoor space, drinks from a stainless steel bottle, and enjoys a peaceful evening. Warm cinematic lighting, shallow depth of field, smooth gimbal tracking shots, soft bokeh, natural body movement, luxury atmosphere, 4K HDR, ARRI Alexa 35, premium commercial quality.
Vehicle identity locked to @snowcar. Color grade and mood matched to @snowcar grade. Hyper-realistic cinematic action sequence. A futuristic racer blasts through razor-thin ice canyons on a frozen alien moon while an avalanche of collapsing glaciers
Feudal Japan at dusk, mist over pine-covered mountains. An armored war-train of wooden supply wagons and a mounted shogun escort races along a cliffside road. A masked samurai (character reference "HANA": black hair in a high topknot, crimson eyes,
beautiful blonde African American tattoo woman in a car with her cat, bright green eyes, kawaii art style, light orange and light bronze overlay, animated illustrations, daz3d, realistic
clay crab trying to ride a bicycle on the beach, flopping dramatically, beach boardwalk made of plastilina 16:9
FORMAT 15 seconds | 16:9 | live-action military documentary footage Fictional aircraft-carrier emergency at sea. Hyper-realistic raw footage. Fast multi-shot storytelling across handheld, telephoto and deck cameras. STORY A carrier-based fighter returns over rough open water with an apparent mechanical problem. The flight deck enters emergency recovery mode. Crew clear the landing area as the fighter approaches and lands safely. 00–03s — EMERGENCY Wide handheld footage on an active carrier deck under heavy overcast skies. Strong sea wind, grey ocean, wet worn deck. Crew receive an alert and urgently clear the landing area. One crew member signals others away as the camera quickly turns toward the ocean. 03–06s — FINAL APPROACH Hard cut to long telephoto footage. A fictional fighter approaches low over the ocean, landing gear down. Aircraft makes subtle roll and yaw corrections against turbulent air. Heat distortion behind engines. Camera operator struggles slightly to maintain framing. 06–09s — DECK SCRAMBLE Shoulder-mounted footage among crew. Personnel rapidly move equipment and take safe positions. One crew member crosses foreground, briefly blocking the lens. Camera pans toward the approaching fighter. Controlled professional urgency, no theatrical panic. 09–12s — TOUCHDOWN Low deck camera from a safe side position. Fighter touches down firmly. Landing gear compresses, tyres produce a small realistic puff, aircraft rapidly decelerates. Camera makes a fast imperfect pan following it. No explosion or exaggerated sparks. 12–15s — SAFE STOP Three-quarter handheld footage. Aircraft reaches a controlled stop, engine still running and heat haze visible. Crew cautiously approach, signal toward the cockpit and inspect the aircraft. Final frame holds briefly on the fighter surrounded by responding crew with rough ocean behind. CAMERA Real military documentation/news footage. Mix handheld deck camera, shoulder-mounted footage, long telephoto tracking and fixed low deck camera. Hard cuts. Reactive pans. Foreground obstruction. Autofocus corrections. Telephoto compression. Wind-induced micro-shake. Natural motion blur. Camera operators react to events rather than anticipating them. ENVIRONMENT Working aircraft carrier in rough open ocean. Wet non-slip deck, painted markings, deck equipment, parked fictional aircraft, heavy clouds and strong maritime wind. PHYSICS Aircraft has convincing mass, momentum and aerodynamic behaviour. Approach remains aligned with the carrier. Landing gear compresses naturally. Deceleration has believable inertia. Crew clothing and straps react continuously to wind. Jet engines produce realistic heat distortion. AUDIO Powerful wind, ocean ambience, carrier machinery, shouted instructions, approaching jet roar, tyre contact, aircraft deceleration and crew communication. Sound perspective changes naturally between shots.
Create a video of a rocket floating in the ocean. Then arrives a man, attaching a motor to the back of it and rides it to the shore while seating on top of that rocket. Please make that rocket float horizontally.
The SpaceX starship floating in the ocean with the rockets tuned on like a speed boat
[Overall Style] Cinematic realistic restrained reversal comedy, using elegant Xianxia cinematic language and precise spatial staging. Humor comes from status reversal. Designed for Seedance 2.0's character locking, multi-prop coordination, and native audio-visual synchronization. [Characters] Character A: 25-30 year old East Asian Sword Immortal Sister from @Image 1. Strict adherence to face, hair, and white silk Hanfu. She floats half a meter above ground with a sword rotating around her. Character B: 25-30 year old East Asian Bike Sister from @Image 2. Strict adherence to identity and bicycle. [Shot 1 | 0-5s | Low Angle Wide Slow Tracking] Modern Chinese city rooftop bike platform at sunset. Character A is floating proudly. Character B enters pushing her bike, looking in awe. [Shot 2 | 5-10s | Medium Shot] Camera orbits slowly. Character B asks: "Sister, can you really ride a sword?" Character A replies calmly: "A little." Character B rings her bike bell once. In the background, six bikes vibrate and ring back rhythmically. [Shot 3 | 10-15s | Wide to Close-up] The six bikes rise into a giant circular "Bicycle Sword Array" behind Character B. She steps onto her floating bike and says: "I usually commute with this," then glides away. Character A's sword hides behind her legs. Extreme close-up of Character A's frozen smile and twitching eyelid. [Technical Requirements] Strict 15s, three clean shots, stable faces/clothes, realistic physics for bikes/fabric, accurate Mandarin lip-sync, precise bell synchronization, no subtitles. [Negative Prompts] blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props
a rider cutting through misty pine trees on a dirt trail, camera specs detailed enough to include panning, low-angle tracking, and mud kicking up in slow motion.
A futuristic black-and-yellow armored military gunship hovers above a stormy battlefield, with a burning industrial base below covered in smoke. The aircraft transforms as a massive rotary cannon deploys from its nose, charging with a powerful blue energy core. It unleashes a devastating energy beam toward the enemy shoreline, creating shockwaves and a massive explosion that destroys the base. The gunship then pivots through the smoke, retracts its weapon, and flies away with glowing thrusters. Ultra-realistic sci-fi action, cinematic lighting, dramatic atmosphere, high-detail VFX.
SEEDANCE 2.0 — LIVE-ACTION AIRPLANE CRASH FORMAT 15 seconds | 16:9 | live-action disaster drama Fictional scenario. Photorealistic, grounded visual realism. 5 sequential shots with continuous event progression. SETTING A commercial passenger aircraft approaching a large coastal city during severe storm conditions. Late afternoon. Heavy cloud cover, turbulent wind, rain, wet surfaces and reduced visibility. Aircraft design remains fictional with no real airline branding. 00–03s — SOMETHING IS WRONG Interior passenger cabin. Medium handheld shot from aisle height. The aircraft suddenly shudders through severe turbulence. Overhead lights flicker. Passengers instinctively grip armrests and look toward one another. Loose objects vibrate naturally. Camera shakes because the aircraft moves, not through artificial cinematic shake. AUDIO: deep engine rumble, cabin rattling, rain against fuselage, nervous breathing. 03–06s — LOSS OF CONTROL Exterior telephoto shot from ground level. The passenger aircraft emerges beneath dark clouds at unusually low altitude, descending rapidly with a slight unstable bank. Rain trails across the fuselage. Wings react subtly to turbulent airflow. Camera operator struggles to keep the aircraft centred while tracking it. AUDIO: distant aircraft roar, wind, rain. 06–09s — CABIN Close handheld aisle perspective. The aircraft banks harder. Passengers lean naturally with inertia. A bag falls from an open overhead compartment. Cabin crew brace themselves against fixed structures. Lighting changes as the aircraft rotates relative to the storm outside. No exaggerated screaming or theatrical performances. 09–12s — FINAL DESCENT Long ground-level shot. Aircraft passes behind foreground buildings and trees, partially obscuring the view. Camera rapidly pans to follow. The aircraft disappears beyond the distant structures. AUDIO: engine noise grows louder, then becomes partially muffled after the aircraft disappears. 12–15s — IMPACT IMPLIED Camera remains on the distant skyline. A powerful impact occurs beyond the visible horizon. A delayed plume of dark smoke and dust rises behind the buildings. Nearby birds scatter. The camera operator instinctively lowers the camera slightly before reframing toward the smoke. Sound reaches the camera after a physically believable delay: distant low impact → environmental echo → car alarms beginning nearby. No visible bodies. No graphic injuries. CAMERA REALISM Observational disaster footage. Believable camera placement for every shot. Natural handheld micro-movement. Imperfect reframing. Realistic autofocus adjustments. Natural motion blur during rapid pans. No impossible camera movement. PHYSICS Aircraft maintains believable scale, mass, momentum and forward velocity. Passengers react according to aircraft acceleration and banking. Rain, clothing, loose objects and smoke respond naturally. Impact remains geographicall
15-second cinematic action sequence aboard a magnetic levitation war train speeding through a dystopian night desert, electric storms illuminating giant industrial ruins in the distance. 0.0–3.0s: Low tracking shot races along the side of the train as a cyber samurai runs across the magnetic exterior panels, sparks erupting beneath his boots. 3.0–6.0s: A chrome-armored assassin descends from a hovering drone transport onto the train roof, neon katana igniting blue light through the storm. 6.0–9.0s: First sword clash sends electrical arcs across the train roof while lightning flashes overhead in slow motion. 9.0–12.0s: High-speed duel across unstable train cars, both fighters nearly thrown off balance as the train tears through debris and collapsing structures. 12.0–15.0s: Massive aerial pull-back reveals the glowing train cutting across the dark wasteland while the duel continues atop the final car.
clay crab trying to ride a bicycle on the beach, flopping dramatically, beach boardwalk made of plastilina 16:9
Create a video of a rocket floating in the ocean. Then arrives a man, attaching a motor to the back of it and rides it to the shore while seating on top of that rocket. Please make that rocket float horizontally.
[Overall Style] Cinematic realistic restrained reversal comedy, using elegant Xianxia cinematic language and precise spatial staging. Humor comes from status reversal. Designed for Seedance 2.0's character locking, multi-prop coordination, and native audio-visual synchronization. [Characters] Character A: 25-30 year old East Asian Sword Immortal Sister from @Image 1. Strict adherence to face, hair, and white silk Hanfu. She floats half a meter above ground with a sword rotating around her. Character B: 25-30 year old East Asian Bike Sister from @Image 2. Strict adherence to identity and bicycle. [Shot 1 | 0-5s | Low Angle Wide Slow Tracking] Modern Chinese city rooftop bike platform at sunset. Character A is floating proudly. Character B enters pushing her bike, looking in awe. [Shot 2 | 5-10s | Medium Shot] Camera orbits slowly. Character B asks: "Sister, can you really ride a sword?" Character A replies calmly: "A little." Character B rings her bike bell once. In the background, six bikes vibrate and ring back rhythmically. [Shot 3 | 10-15s | Wide to Close-up] The six bikes rise into a giant circular "Bicycle Sword Array" behind Character B. She steps onto her floating bike and says: "I usually commute with this," then glides away. Character A's sword hides behind her legs. Extreme close-up of Character A's frozen smile and twitching eyelid. [Technical Requirements] Strict 15s, three clean shots, stable faces/clothes, realistic physics for bikes/fabric, accurate Mandarin lip-sync, precise bell synchronization, no subtitles. [Negative Prompts] blurry, bad quality, low quality, low resolution, noisy, jpeg artifacts, watermark, text, error; deformed, mutated, bad anatomy, poorly drawn hands, bad composition, out of frame, disfigured; inconsistent character, changing clothes, face morphing, background shift, glitching cuts, disappearing props
Ultra-realistic cinematic luxury lifestyle ad of a fit blonde woman arriving in a premium electric car at a modern hillside villa during blue hour. She steps out confidently, walks through the elegant outdoor space, drinks from a stainless steel bottle, and enjoys a peaceful evening. Warm cinematic lighting, shallow depth of field, smooth gimbal tracking shots, soft bokeh, natural body movement, luxury atmosphere, 4K HDR, ARRI Alexa 35, premium commercial quality.
SEEDANCE 2.0 — LIVE-ACTION AIRPLANE CRASH FORMAT 15 seconds | 16:9 | live-action disaster drama Fictional scenario. Photorealistic, grounded visual realism. 5 sequential shots with continuous event progression. SETTING A commercial passenger aircraft approaching a large coastal city during severe storm conditions. Late afternoon. Heavy cloud cover, turbulent wind, rain, wet surfaces and reduced visibility. Aircraft design remains fictional with no real airline branding. 00–03s — SOMETHING IS WRONG Interior passenger cabin. Medium handheld shot from aisle height. The aircraft suddenly shudders through severe turbulence. Overhead lights flicker. Passengers instinctively grip armrests and look toward one another. Loose objects vibrate naturally. Camera shakes because the aircraft moves, not through artificial cinematic shake. AUDIO: deep engine rumble, cabin rattling, rain against fuselage, nervous breathing. 03–06s — LOSS OF CONTROL Exterior telephoto shot from ground level. The passenger aircraft emerges beneath dark clouds at unusually low altitude, descending rapidly with a slight unstable bank. Rain trails across the fuselage. Wings react subtly to turbulent airflow. Camera operator struggles to keep the aircraft centred while tracking it. AUDIO: distant aircraft roar, wind, rain. 06–09s — CABIN Close handheld aisle perspective. The aircraft banks harder. Passengers lean naturally with inertia. A bag falls from an open overhead compartment. Cabin crew brace themselves against fixed structures. Lighting changes as the aircraft rotates relative to the storm outside. No exaggerated screaming or theatrical performances. 09–12s — FINAL DESCENT Long ground-level shot. Aircraft passes behind foreground buildings and trees, partially obscuring the view. Camera rapidly pans to follow. The aircraft disappears beyond the distant structures. AUDIO: engine noise grows louder, then becomes partially muffled after the aircraft disappears. 12–15s — IMPACT IMPLIED Camera remains on the distant skyline. A powerful impact occurs beyond the visible horizon. A delayed plume of dark smoke and dust rises behind the buildings. Nearby birds scatter. The camera operator instinctively lowers the camera slightly before reframing toward the smoke. Sound reaches the camera after a physically believable delay: distant low impact → environmental echo → car alarms beginning nearby. No visible bodies. No graphic injuries. CAMERA REALISM Observational disaster footage. Believable camera placement for every shot. Natural handheld micro-movement. Imperfect reframing. Realistic autofocus adjustments. Natural motion blur during rapid pans. No impossible camera movement. PHYSICS Aircraft maintains believable scale, mass, momentum and forward velocity. Passengers react according to aircraft acceleration and banking. Rain, clothing, loose objects and smoke respond naturally. Impact remains geographicall
beautiful blonde African American tattoo woman in a car with her cat, bright green eyes, kawaii art style, light orange and light bronze overlay, animated illustrations, daz3d, realistic
FORMAT 15 seconds | 16:9 | live-action military documentary footage Fictional aircraft-carrier emergency at sea. Hyper-realistic raw footage. Fast multi-shot storytelling across handheld, telephoto and deck cameras. STORY A carrier-based fighter returns over rough open water with an apparent mechanical problem. The flight deck enters emergency recovery mode. Crew clear the landing area as the fighter approaches and lands safely. 00–03s — EMERGENCY Wide handheld footage on an active carrier deck under heavy overcast skies. Strong sea wind, grey ocean, wet worn deck. Crew receive an alert and urgently clear the landing area. One crew member signals others away as the camera quickly turns toward the ocean. 03–06s — FINAL APPROACH Hard cut to long telephoto footage. A fictional fighter approaches low over the ocean, landing gear down. Aircraft makes subtle roll and yaw corrections against turbulent air. Heat distortion behind engines. Camera operator struggles slightly to maintain framing. 06–09s — DECK SCRAMBLE Shoulder-mounted footage among crew. Personnel rapidly move equipment and take safe positions. One crew member crosses foreground, briefly blocking the lens. Camera pans toward the approaching fighter. Controlled professional urgency, no theatrical panic. 09–12s — TOUCHDOWN Low deck camera from a safe side position. Fighter touches down firmly. Landing gear compresses, tyres produce a small realistic puff, aircraft rapidly decelerates. Camera makes a fast imperfect pan following it. No explosion or exaggerated sparks. 12–15s — SAFE STOP Three-quarter handheld footage. Aircraft reaches a controlled stop, engine still running and heat haze visible. Crew cautiously approach, signal toward the cockpit and inspect the aircraft. Final frame holds briefly on the fighter surrounded by responding crew with rough ocean behind. CAMERA Real military documentation/news footage. Mix handheld deck camera, shoulder-mounted footage, long telephoto tracking and fixed low deck camera. Hard cuts. Reactive pans. Foreground obstruction. Autofocus corrections. Telephoto compression. Wind-induced micro-shake. Natural motion blur. Camera operators react to events rather than anticipating them. ENVIRONMENT Working aircraft carrier in rough open ocean. Wet non-slip deck, painted markings, deck equipment, parked fictional aircraft, heavy clouds and strong maritime wind. PHYSICS Aircraft has convincing mass, momentum and aerodynamic behaviour. Approach remains aligned with the carrier. Landing gear compresses naturally. Deceleration has believable inertia. Crew clothing and straps react continuously to wind. Jet engines produce realistic heat distortion. AUDIO Powerful wind, ocean ambience, carrier machinery, shouted instructions, approaching jet roar, tyre contact, aircraft deceleration and crew communication. Sound perspective changes naturally between shots.
A quiet luxury automotive commercial for a classic Mercedes-Benz 190 SL featuring a Kodak film look.
The SpaceX starship floating in the ocean with the rockets tuned on like a speed boat
a rider cutting through misty pine trees on a dirt trail, camera specs detailed enough to include panning, low-angle tracking, and mud kicking up in slow motion.
Vehicle identity locked to @snowcar. Color grade and mood matched to @snowcar grade. Hyper-realistic cinematic action sequence. A futuristic racer blasts through razor-thin ice canyons on a frozen alien moon while an avalanche of collapsing glaciers
Cinematic high-octane action sequence in a vast red-rock desert canyon under bright blue sky. A heavily customized bright magenta/pink off-road truck with spiked armor, heavy chains, and a massive metal skull front grille with glowing headlights and long fangs speeds through dusty terrain. Dynamic camera work: low-angle undercarriage shot as the truck launches over a dirt ramp kicking up dust and debris; side tracking shot of the spiked truck racing; close-up inside the cab of a stern woman in a traditional yellow hanbok-style outfit smoking a cigarette while gripping the wheel; rear gunner platform with a young woman in digital camouflage military uniform (name patch visible), long hair flying, sunglasses on head, enthusiastically firing a large mounted heavy machine gun with muzzle flashes while shouting; POV from the truck’s spiked hood racing toward a charging herd of massive armored metallic rhinoceros-like beasts with mechanical plating and horns kicking up dust; side and frontal shots of the pink skull-truck barreling through the stampeding armored rhinos as the gunner keeps firing; high aerial overhead shot of the truck weaving among the herd leaving dust trails; final rear tracking shot of the truck speeding away down the canyon with the gun still elevated. Fast-paced, dusty, intense Mad Max-inspired post-apocalyptic energy mixed with Korean action-comedy flair, bright desert lighting, motion blur, practical dust and debris effects, 15-second continuous action sequence.
The woman and the armored companion are now clearly an alien being with subtle non-human features and ornate armor, sitting side by side on the rocky ledge holding hands between them as they watch the sleek spaceship lift off and ascend into the glow...
[CONDITION DEFINITION] 15 seconds, 1:1 square, for sharing, no reference image. The battleship Yamato is depicted as one of the largest super-dreadnought battleships of the WWII era, with a total length of approximately 263 meters and a width of 39 meters. From the first frame, it is in the midst of a wave-like general attack by US Navy carrier-based aircraft. Damage from numerous bombs, torpedoes, and proximity explosions accumulates, finally resulting in a single fatal massive explosion originating from the center of the hull, deciding the sinking. Bright and clear high-quality live-action war movie footage. Clearly separate colors for the vibrant blue sky, blue to blue-green sea, dark gray steel hull, white water pillars, orange explosive flames, and thick black smoke. [SUBJECT / SCALE] The main subject is the battleship Yamato. A full-scale super-dreadnought with a long and wide hull, massive main turrets, a tall tower-shaped bridge, and numerous anti-aircraft guns. The carrier-based aircraft are clearly smaller than Yamato and attack one after another from multiple directions. Yamato does not sink from a single attack, but reaches its final fatal blow through the accumulation of a general assault. [SHOT / FLOW] 0.0-2.1s: High diagonal overhead wide shot from the front-left. Showing the long overall length of the battleship Yamato large in the center of the screen. Numerous small carrier-based aircraft cross at high speed from the left, right, and overhead, with anti-aircraft fire, bomb hits, and irregular water pillars occurring over a wide area. The camera does not follow the aircraft. 2.1-4.2s: Medium-altitude diagonal overhead wide shot closer to the right side. Maintaining an angle where the hull from bow to stern is readable, with multiple formations from different directions crossing the foreground, middle ground, and background at high speed. Attacks on the deck and surrounding the hull continue, with fires and black smoke increasing. 4.2-5.8s: High-altitude super overhead wide shot. Fixed camera. Only one small dive bomber descends at high speed toward Yamato from the top of the screen, drops a bomb, and then exits to the side in an instant. Maintain Yamato's full length and the small size of the aircraft in the same frame. 5.8-8.3s: Super low altitude just above the sea surface. The camera moves at a furious speed directly above the crests of the waves, with sea spray splashing violently toward the front of the screen and beside the lens. Rapidly approaching the giant Yamato in front; the torpedo body is not shown large, but approaches below the port waterline along with a white torpedo wake on the sea surface. A massive water pillar taller than the hull rises upon impact. 8.3-12.2s: Maintaining a high diagonal overhead wide shot closer to the left side as a single continuous shot. Yamato is the maximum target within the frame, with carrier aircraft groups crossing continuously at high speed from the front, sides, and overhead. Torpedo wakes, direct bomb hits, proximity explosions, irregular water pillars, and anti-aircraft fire concentrate across the long hull. Do not stop the attack; increase only fire, black smoke, damage, and speed reduction. No fatal massive explosion until 12.2 seconds. 12.2-15.0s: Maintaining the same diagonal side wide shot and battle flow. As the attack continues, the accumulated damage reaches its limit, and a single fatal massive explosion occurs starting from a final direct hit to the center of the hull. Do not make it independent spherical fireballs or multi-stage explosions; integrate the orange-white explosive flames, thick black smoke, shockwaves, and water splashes erupting horizontally from the hull center. Keep Yamato's hull and the explosion's origin in the same frame; the camera does not move much, ending with a slightly wider panorama. [CAMERA / EDITING] Front-left diagonal overhead → right-side diagonal overhead → fixed super overhead dive attack → sea surface super low-altitude torpedo tracking → front-left diagonal overhead continuous general attack → fatal massive explosion in the same shot. Do not use rear diagonal overhead. Do not track aircraft; represent speed by having them cross the screen in an instant. The camera moves violently in a straight line only in the torpedo scene. [SOUND] Sound effects only. Sounds of numerous aircraft, whistling wind, anti-aircraft fire, exploding bombs, torpedo hits, splashing water, creaking steel, continuous hits, and the final giant explosion. No BGM, dialogue, or narration. [NEGATIVE] Rear diagonal overhead, camera following aircraft, straight tracking except for the torpedo scene, angle of view too close, composition where aircraft look larger than Yamato, repetition of similar overhead cuts, changing cut order, omitting the torpedo scene, fatal massive explosion before 12.2s, development where the attack stops midway, listing, capsizing, hull breaking, multi-stage spherical fireballs, explosions separated from the hull, night battle, dark and dull tones, modern fighters, jets, missiles, kamikaze, text, subtitles, logo, human injury, corpses, miniature feel, toy feel, cheap CG representation.
[Style] Weekly OOTD Car Edition, 16:9 Cinematic Photorealistic, shallow depth of field, Anamorphic Look, with lighting and atmosphere switching per car, smooth rhythmic transitions. [Duration] 15 seconds. [Scene] The interiors of five different cars. The camera is positioned at the passenger seat facing the female lead. The scenery outside the window is blurred and moving; the interior, lighting, and environment switch entirely with each outfit change. [Character] Female lead @Image 1 (face and hairstyle remain consistent with the character card, long black hair draped over shoulders). [Camera Lock] Consistent composition throughout: camera fixed on the passenger side, medium-close side profile of the female lead driving. Hands and body orientation remain consistent between segments. Each segment features a signature small gesture, ending with a hard cut to the next outfit and car. [00:00-00:03] Monday: German Sedan x Business Style. Black leather interior, morning light from the side window, dashboard glowing with amber ambient light. White shirt with grey vest, one hand on the wheel, the other sipping coffee. Subtitle: "Monday". [00:03-00:06] Tuesday: Vintage Car x Hepburn Style. Beige cloth seats, wooden steering wheel, warm afternoon light. Black dress, scarf, cat-eye sunglasses. Subtitle: "Tuesday". [00:06-00:09] Wednesday: Off-roader x Workwear Style. Mechanical interior, noon sunlight, slight vehicle bouncing. Khaki tank top, denim shorts, baseball cap, turning the wheel. Subtitle: "Wednesday". [00:09-00:12] Thursday: Convertible at Sunset x Vacation Style. Open top, golden-red sunset light, hair blowing back. Apricot strap dress, gold-rimmed sunglasses, reaching hand out of the window. Subtitle: "Thursday". [00:12-00:15] Friday: Supercar at Night x Red Dress Finale. Carbon fiber interior, red ambient light, neon streaks outside. Red deep-V dress, pushing the gear lever, smiling at the camera, freeze frame. Subtitle: "Friday". [Sound Effects] Engine sounds changing per car style (low sedan idle -> vintage engine click -> off-road tire noise -> convertible wind -> supercar roar), layered with upbeat BGM and click transitions.
A futuristic black-and-yellow armored military gunship hovers above a stormy battlefield, with a burning industrial base below covered in smoke. The aircraft transforms as a massive rotary cannon deploys from its nose, charging with a powerful blue energy core. It unleashes a devastating energy beam toward the enemy shoreline, creating shockwaves and a massive explosion that destroys the base. The gunship then pivots through the smoke, retracts its weapon, and flies away with glowing thrusters. Ultra-realistic sci-fi action, cinematic lighting, dramatic atmosphere, high-detail VFX.
Feudal Japan at dusk, mist over pine-covered mountains. An armored war-train of wooden supply wagons and a mounted shogun escort races along a cliffside road. A masked samurai (character reference "HANA": black hair in a high topknot, crimson eyes,