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تصفح مطالبات فيديو المجانية من مكتبة YouMind، والمجمعة حسب حالات الاستخدام. كل مطالبة مختارة من مسارات عمل إبداعية حقيقية وجاهزة للنسخ والتعديل وإعادة الاستخدام.

10959 مطالبةمختارات اليوم
Claude Opus 5.5
عرض المطالبة كاملة ونسخها

I want you to create a highly professional SaaS product launch video. Go and find some SaaS, preferably just one that people know, so it's easier to identify with it. Pick that, and then make sure to get actual assets and images and all of that stuff from the internet. Turn it into these typical, very professionally edited, motion-graphics-styled product launch videos that you see people making on Twitter when they launch new SaaS products (which are showing off the features, the benefits, and all of these things)

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بواسطة @Gadgetify
Claude Opus 5.5
عرض المطالبة كاملة ونسخها

Create a 20.00-second kinetic spoken-word film titled “BUILD THE FLOOR.” Treat this as an original miniature speech staged entirely through typography. Every line changes the architecture of the frame. The final declaration must stand on something the earlier words physically constructed. Deliver one self-contained HTML file, 1080×1080, targeting 60fps, using SVG and/or Canvas. Embed all required assets. ART DIRECTION Background #102820. Paper #F4E9D5. Structural accent #F2B544. A literary editorial world with the scale and confidence of a public monument. Use a high-contrast serif for the speech, a heavy grotesque for load-bearing words, and a restrained monospace for small timing marks. No distressed protest-poster clichés, megaphones, flags, crowds, microphones, or stock footage. ORIGINAL SPEECH — EXACT WORDS, EXACT ORDER “We were told to wait.” “So we learned the weight of waiting.” “Then one voice made room.” “Then another.” “Now the floor belongs to us.” Do not attribute these words to any real person. No extra slogans. The complete speech must be understandable without audio. CENTRAL VISUAL RULE Words have assigned architectural roles. WAIT is a lintel. WAITING is a suspended load. VOICE is a support. ROOM is an opening. FLOOR is a platform. These roles must emerge from the actual letterforms, not from separate illustrations placed behind text. STORYBOARD 0.00–3.00 “We were told to wait.” The sentence occupies a narrow horizontal opening beneath a massive WAIT. The opening slowly compresses while the sentence remains readable. The pressure comes from the layout, not camera shake. 3.00–6.50 “So we learned the weight of waiting.” Reveal the sentence in spoken phrase groups. WAITING lowers on two fine vertical rules. Those rules become suspension cables. A baseline bends under the visual load using a controlled vector deformation. 6.50–10.00 “Then one voice made room.” VOICE enters vertically and rotates into a structural support. It lifts one end of the baseline. The counter of the O in ROOM becomes an aperture. The next composition is revealed through that aperture. 10.00–12.50 “Then another.” A second support arrives. The tilted structure levels. This is the first moment of perfect horizontal alignment in the film. Use a brief stillness to make the change feel earned. 12.50–16.00 “Now the floor belongs to us.” Earlier structural words assemble into a platform. The final sentence settles onto it. US receives emphasis through shared alignment and scale, never through a separate flashy effect. 16.00–18.00 Hold the complete declaration. A slight release of tension travels through the supporting rules. No new text. No restless decorative motion. 18.00–20.00 The camera tracks beneath the completed platform. Its underside fills the frame and becomes the opening WAIT lintel.

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Claude Opus 5.5
عرض المطالبة كاملة ونسخها

1. I want to make a 30-second CM-style video using remotion + three.js, so please think about the structure. (It's better to write the image you want to create! This time, I gave a rough instruction: 'I want to convey that it is a typing game where you can practice enjoyably, rather than just a boring typing game where you just type.') 2. Please dig deeper into the technology, investigate what can be made and which skills might be useful. Please reconsider the structure and think about it in detail. 3. Based on what you have thought about, please actually create the video.

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بواسطة @Subhojit Karmakar
Claude Opus 5.5
عرض المطالبة كاملة ونسخها

Create a bold, cinematic 30 sec motion graphics showreel that feels like a high end designer resume brought to life....mixing kinetic typography, fluid 3D motion, sharp graphic transitions, abstract geometry, expressive compositing, and unexpected visual transformations. Keep the pacing fast, rhythmic and constantly evolving, with every shot revealing a new technique while maintaining a cohesive art direction. Make it feel premium, inventive, technically precise and unforgettable

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بواسطة @Loïc
Claude Opus 5.5
عرض المطالبة كاملة ونسخها

Make a dynamic 20-second motion graphics and animation video that shows what an incredible motion designer and animator you are, like it's your showreel for a résumé. Make it about the cycle of life showing the same individual going from childhood to adolescence to the 9-5 cycle, to family life to elder life and death, then cutting ready to loop to the beginning. Go all out, use whatever you need.

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الأسئلة الشائعة

من أين تأتي مطالبات YouMind؟
تختار YouMind أمثلة عالية الجودة لمطالبات الذكاء الاصطناعي من مجتمعات المبدعين ومسارات العمل الإبداعية العامة. تركز المكتبة على المطالبات المفيدة للدراسة وإعادة الاستخدام والتعديل.
كيف تُنظم فئات مطالبات الفيديو؟
تُجمع مطالبات الفيديو حسب حالات الاستخدام والأنماط والموضوعات. تغطي حالات الاستخدام هدف الإنتاج، وتغطي الأنماط لغة الحركة أو التصيير، بينما تصف الموضوعات المشهد أو العنصر الرئيسي.
كيف تُسند المطالبات إلى الفئات؟
تستخدم YouMind الذكاء الاصطناعي لتحليل كل مطالبة من نوع فيديو وعنوانها وبياناتها الوصفية والنتيجة المنشأة عند توفرها، ثم تسندها إلى أقرب الفئات. ويمكن للمحررين تحسين الفئات مع تطور نظام التصنيف.
ما YouMind؟
YouMind مساحة عمل مدعومة بالذكاء الاصطناعي لتحويل الأبحاث والأفكار والمراجع الإبداعية إلى مخرجات قابلة للاستخدام. مكتبة المطالبات جزء عام من هذا المسار، وقد صُممت لمساعدة المبدعين على التعلم بسرعة من الأمثلة القوية.