Make your motion design showreel based on "The Beautiful Theft" by [Artist Name]. Quiet sadness for four seconds. Then the drop.
كل مطالبات فيديو
تصفح مطالبات فيديو المجانية من مكتبة YouMind، والمجمعة حسب الأنماط. كل مطالبة مختارة من مسارات عمل إبداعية حقيقية وجاهزة للنسخ والتعديل وإعادة الاستخدام.
Combine with local environment style to make a story about time, 5 minutes long. Requires complete video, audio, and subtitles. Configure necessary tools in devshell yourself; after rendering, keep only the final video file and clean up everything else.
Research Distilbook. Make a dynamic 40-second motion graphics video on Distilbook that shows what an incredible motion designer you are. Like it's your showreel - Go all out.
create the most impressive demo of yourself possible using three.js. You fail if the video does not get at least 100 likes on twitter.
I want you to create a highly professional SaaS product launch video. Go and find some SaaS, preferably just one that people know, so it's easier to identify with it. Pick that, and then make sure to get actual assets and images and all of that stuff from the internet. Turn it into these typical, very professionally edited, motion-graphics-styled product launch videos that you see people making on Twitter when they launch new SaaS products (which are showing off the features, the benefits, and all of these things)
Create a 20.00-second kinetic spoken-word film titled “BUILD THE FLOOR.” Treat this as an original miniature speech staged entirely through typography. Every line changes the architecture of the frame. The final declaration must stand on something the earlier words physically constructed. Deliver one self-contained HTML file, 1080×1080, targeting 60fps, using SVG and/or Canvas. Embed all required assets. ART DIRECTION Background #102820. Paper #F4E9D5. Structural accent #F2B544. A literary editorial world with the scale and confidence of a public monument. Use a high-contrast serif for the speech, a heavy grotesque for load-bearing words, and a restrained monospace for small timing marks. No distressed protest-poster clichés, megaphones, flags, crowds, microphones, or stock footage. ORIGINAL SPEECH — EXACT WORDS, EXACT ORDER “We were told to wait.” “So we learned the weight of waiting.” “Then one voice made room.” “Then another.” “Now the floor belongs to us.” Do not attribute these words to any real person. No extra slogans. The complete speech must be understandable without audio. CENTRAL VISUAL RULE Words have assigned architectural roles. WAIT is a lintel. WAITING is a suspended load. VOICE is a support. ROOM is an opening. FLOOR is a platform. These roles must emerge from the actual letterforms, not from separate illustrations placed behind text. STORYBOARD 0.00–3.00 “We were told to wait.” The sentence occupies a narrow horizontal opening beneath a massive WAIT. The opening slowly compresses while the sentence remains readable. The pressure comes from the layout, not camera shake. 3.00–6.50 “So we learned the weight of waiting.” Reveal the sentence in spoken phrase groups. WAITING lowers on two fine vertical rules. Those rules become suspension cables. A baseline bends under the visual load using a controlled vector deformation. 6.50–10.00 “Then one voice made room.” VOICE enters vertically and rotates into a structural support. It lifts one end of the baseline. The counter of the O in ROOM becomes an aperture. The next composition is revealed through that aperture. 10.00–12.50 “Then another.” A second support arrives. The tilted structure levels. This is the first moment of perfect horizontal alignment in the film. Use a brief stillness to make the change feel earned. 12.50–16.00 “Now the floor belongs to us.” Earlier structural words assemble into a platform. The final sentence settles onto it. US receives emphasis through shared alignment and scale, never through a separate flashy effect. 16.00–18.00 Hold the complete declaration. A slight release of tension travels through the supporting rules. No new text. No restless decorative motion. 18.00–20.00 The camera tracks beneath the completed platform. Its underside fills the frame and becomes the opening WAIT lintel.
Make a dynamic 20s motion graphics video that shows what an incredible motion designer you are, like it's your showreel for this app commotion, highlighting tiling layout, auto model classifier and other features you deem fit to be in video. Go all out.
<inputs> Ask me for: 8 to 12 UI states I want the shape to become (e.g. button, loader, player, slider, toggle, tabs, chart, command palette, toast), pure black and white or one accent color, and a royalty-free song around 120 BPM (e.g. Mixkit, free for commercial use). </inputs>
Create a pure javascript animation. 30s-60s whimsical hand drawn collage style with appropriate audio on the topic what is the purpose of life ? Entire video should be as high of a production value as possible. Please spend
Make a 60 second video out of stick men that seem surprisingly similar to @sama @DarioAmodei and @elonmusk (but for legal reasons not actually them), where they all start out as friends and then eventually start fighting each other and the video ends with robots taking
1. I want to make a 30-second CM-style video using remotion + three.js, so please think about the structure. (It's better to write the image you want to create! This time, I gave a rough instruction: 'I want to convey that it is a typing game where you can practice enjoyably, rather than just a boring typing game where you just type.') 2. Please dig deeper into the technology, investigate what can be made and which skills might be useful. Please reconsider the structure and think about it in detail. 3. Based on what you have thought about, please actually create the video.
An orbital lounge to loop behind a 10 hour lofi coding stream, write a story for the window and score it.
Create a bold, cinematic 30 sec motion graphics showreel that feels like a high end designer resume brought to life....mixing kinetic typography, fluid 3D motion, sharp graphic transitions, abstract geometry, expressive compositing, and unexpected visual transformations. Keep the pacing fast, rhythmic and constantly evolving, with every shot revealing a new technique while maintaining a cohesive art direction. Make it feel premium, inventive, technically precise and unforgettable
Please create a flashy, 16:9 hand-drawn style animation with a touch of flamboyance that maximally expresses your capabilities. It is a high-quality, beautifully designed, flashy motion animation that explains "what happens when the human brain dies" clearly to middle school students in 60 seconds.
Create a dynamic 15-second motion graphics video introducing this product. Pour all your available skills into it so that it proves your high technical ability like a showreel for a portfolio.
Make a dynamic 20-second motion graphics and animation video that shows what an incredible motion designer and animator you are, like it's your showreel for a résumé. Make it about the cycle of life showing the same individual going from childhood to adolescence to the 9-5 cycle, to family life to elder life and death, then cutting ready to loop to the beginning. Go all out, use whatever you need.
Create a dynamic 15-second motion graphics video showing how wonderful a motion designer you are. Make it feel like a showreel for a résumé, and go all out.
Let Opus 5.5 list all the tech stacks itself! Remotion handles the visuals, Python handles the music, and finally Remotion calls ffmpeg to compose the final film. Visuals The project uses Remotion 4.0.528, which is a React-based...
Make your motion design showreel based on "The Beautiful Theft" by [Artist Name]. Quiet sadness for four seconds. Then the drop.
Research Distilbook. Make a dynamic 40-second motion graphics video on Distilbook that shows what an incredible motion designer you are. Like it's your showreel - Go all out.
I want you to create a highly professional SaaS product launch video. Go and find some SaaS, preferably just one that people know, so it's easier to identify with it. Pick that, and then make sure to get actual assets and images and all of that stuff from the internet. Turn it into these typical, very professionally edited, motion-graphics-styled product launch videos that you see people making on Twitter when they launch new SaaS products (which are showing off the features, the benefits, and all of these things)
Make a dynamic 20s motion graphics video that shows what an incredible motion designer you are, like it's your showreel for this app commotion, highlighting tiling layout, auto model classifier and other features you deem fit to be in video. Go all out.
Create a pure javascript animation. 30s-60s whimsical hand drawn collage style with appropriate audio on the topic what is the purpose of life ? Entire video should be as high of a production value as possible. Please spend
1. I want to make a 30-second CM-style video using remotion + three.js, so please think about the structure. (It's better to write the image you want to create! This time, I gave a rough instruction: 'I want to convey that it is a typing game where you can practice enjoyably, rather than just a boring typing game where you just type.') 2. Please dig deeper into the technology, investigate what can be made and which skills might be useful. Please reconsider the structure and think about it in detail. 3. Based on what you have thought about, please actually create the video.
Please create a flashy, 16:9 hand-drawn style animation with a touch of flamboyance that maximally expresses your capabilities. It is a high-quality, beautifully designed, flashy motion animation that explains "what happens when the human brain dies" clearly to middle school students in 60 seconds.
Make a dynamic 20-second motion graphics and animation video that shows what an incredible motion designer and animator you are, like it's your showreel for a résumé. Make it about the cycle of life showing the same individual going from childhood to adolescence to the 9-5 cycle, to family life to elder life and death, then cutting ready to loop to the beginning. Go all out, use whatever you need.
Let Opus 5.5 list all the tech stacks itself! Remotion handles the visuals, Python handles the music, and finally Remotion calls ffmpeg to compose the final film. Visuals The project uses Remotion 4.0.528, which is a React-based...
Combine with local environment style to make a story about time, 5 minutes long. Requires complete video, audio, and subtitles. Configure necessary tools in devshell yourself; after rendering, keep only the final video file and clean up everything else.
create the most impressive demo of yourself possible using three.js. You fail if the video does not get at least 100 likes on twitter.
Create a 20.00-second kinetic spoken-word film titled “BUILD THE FLOOR.” Treat this as an original miniature speech staged entirely through typography. Every line changes the architecture of the frame. The final declaration must stand on something the earlier words physically constructed. Deliver one self-contained HTML file, 1080×1080, targeting 60fps, using SVG and/or Canvas. Embed all required assets. ART DIRECTION Background #102820. Paper #F4E9D5. Structural accent #F2B544. A literary editorial world with the scale and confidence of a public monument. Use a high-contrast serif for the speech, a heavy grotesque for load-bearing words, and a restrained monospace for small timing marks. No distressed protest-poster clichés, megaphones, flags, crowds, microphones, or stock footage. ORIGINAL SPEECH — EXACT WORDS, EXACT ORDER “We were told to wait.” “So we learned the weight of waiting.” “Then one voice made room.” “Then another.” “Now the floor belongs to us.” Do not attribute these words to any real person. No extra slogans. The complete speech must be understandable without audio. CENTRAL VISUAL RULE Words have assigned architectural roles. WAIT is a lintel. WAITING is a suspended load. VOICE is a support. ROOM is an opening. FLOOR is a platform. These roles must emerge from the actual letterforms, not from separate illustrations placed behind text. STORYBOARD 0.00–3.00 “We were told to wait.” The sentence occupies a narrow horizontal opening beneath a massive WAIT. The opening slowly compresses while the sentence remains readable. The pressure comes from the layout, not camera shake. 3.00–6.50 “So we learned the weight of waiting.” Reveal the sentence in spoken phrase groups. WAITING lowers on two fine vertical rules. Those rules become suspension cables. A baseline bends under the visual load using a controlled vector deformation. 6.50–10.00 “Then one voice made room.” VOICE enters vertically and rotates into a structural support. It lifts one end of the baseline. The counter of the O in ROOM becomes an aperture. The next composition is revealed through that aperture. 10.00–12.50 “Then another.” A second support arrives. The tilted structure levels. This is the first moment of perfect horizontal alignment in the film. Use a brief stillness to make the change feel earned. 12.50–16.00 “Now the floor belongs to us.” Earlier structural words assemble into a platform. The final sentence settles onto it. US receives emphasis through shared alignment and scale, never through a separate flashy effect. 16.00–18.00 Hold the complete declaration. A slight release of tension travels through the supporting rules. No new text. No restless decorative motion. 18.00–20.00 The camera tracks beneath the completed platform. Its underside fills the frame and becomes the opening WAIT lintel.
<inputs> Ask me for: 8 to 12 UI states I want the shape to become (e.g. button, loader, player, slider, toggle, tabs, chart, command palette, toast), pure black and white or one accent color, and a royalty-free song around 120 BPM (e.g. Mixkit, free for commercial use). </inputs>
Make a 60 second video out of stick men that seem surprisingly similar to @sama @DarioAmodei and @elonmusk (but for legal reasons not actually them), where they all start out as friends and then eventually start fighting each other and the video ends with robots taking
An orbital lounge to loop behind a 10 hour lofi coding stream, write a story for the window and score it.
Create a bold, cinematic 30 sec motion graphics showreel that feels like a high end designer resume brought to life....mixing kinetic typography, fluid 3D motion, sharp graphic transitions, abstract geometry, expressive compositing, and unexpected visual transformations. Keep the pacing fast, rhythmic and constantly evolving, with every shot revealing a new technique while maintaining a cohesive art direction. Make it feel premium, inventive, technically precise and unforgettable
Create a dynamic 15-second motion graphics video introducing this product. Pour all your available skills into it so that it proves your high technical ability like a showreel for a portfolio.
Create a dynamic 15-second motion graphics video showing how wonderful a motion designer you are. Make it feel like a showreel for a résumé, and go all out.
Make your motion design showreel based on "The Beautiful Theft" by [Artist Name]. Quiet sadness for four seconds. Then the drop.
create the most impressive demo of yourself possible using three.js. You fail if the video does not get at least 100 likes on twitter.
Make a dynamic 20s motion graphics video that shows what an incredible motion designer you are, like it's your showreel for this app commotion, highlighting tiling layout, auto model classifier and other features you deem fit to be in video. Go all out.
Make a 60 second video out of stick men that seem surprisingly similar to @sama @DarioAmodei and @elonmusk (but for legal reasons not actually them), where they all start out as friends and then eventually start fighting each other and the video ends with robots taking
Create a bold, cinematic 30 sec motion graphics showreel that feels like a high end designer resume brought to life....mixing kinetic typography, fluid 3D motion, sharp graphic transitions, abstract geometry, expressive compositing, and unexpected visual transformations. Keep the pacing fast, rhythmic and constantly evolving, with every shot revealing a new technique while maintaining a cohesive art direction. Make it feel premium, inventive, technically precise and unforgettable
Make a dynamic 20-second motion graphics and animation video that shows what an incredible motion designer and animator you are, like it's your showreel for a résumé. Make it about the cycle of life showing the same individual going from childhood to adolescence to the 9-5 cycle, to family life to elder life and death, then cutting ready to loop to the beginning. Go all out, use whatever you need.
Combine with local environment style to make a story about time, 5 minutes long. Requires complete video, audio, and subtitles. Configure necessary tools in devshell yourself; after rendering, keep only the final video file and clean up everything else.
I want you to create a highly professional SaaS product launch video. Go and find some SaaS, preferably just one that people know, so it's easier to identify with it. Pick that, and then make sure to get actual assets and images and all of that stuff from the internet. Turn it into these typical, very professionally edited, motion-graphics-styled product launch videos that you see people making on Twitter when they launch new SaaS products (which are showing off the features, the benefits, and all of these things)
<inputs> Ask me for: 8 to 12 UI states I want the shape to become (e.g. button, loader, player, slider, toggle, tabs, chart, command palette, toast), pure black and white or one accent color, and a royalty-free song around 120 BPM (e.g. Mixkit, free for commercial use). </inputs>
1. I want to make a 30-second CM-style video using remotion + three.js, so please think about the structure. (It's better to write the image you want to create! This time, I gave a rough instruction: 'I want to convey that it is a typing game where you can practice enjoyably, rather than just a boring typing game where you just type.') 2. Please dig deeper into the technology, investigate what can be made and which skills might be useful. Please reconsider the structure and think about it in detail. 3. Based on what you have thought about, please actually create the video.
Create a dynamic 15-second motion graphics video introducing this product. Pour all your available skills into it so that it proves your high technical ability like a showreel for a portfolio.
Let Opus 5.5 list all the tech stacks itself! Remotion handles the visuals, Python handles the music, and finally Remotion calls ffmpeg to compose the final film. Visuals The project uses Remotion 4.0.528, which is a React-based...
Research Distilbook. Make a dynamic 40-second motion graphics video on Distilbook that shows what an incredible motion designer you are. Like it's your showreel - Go all out.
Create a 20.00-second kinetic spoken-word film titled “BUILD THE FLOOR.” Treat this as an original miniature speech staged entirely through typography. Every line changes the architecture of the frame. The final declaration must stand on something the earlier words physically constructed. Deliver one self-contained HTML file, 1080×1080, targeting 60fps, using SVG and/or Canvas. Embed all required assets. ART DIRECTION Background #102820. Paper #F4E9D5. Structural accent #F2B544. A literary editorial world with the scale and confidence of a public monument. Use a high-contrast serif for the speech, a heavy grotesque for load-bearing words, and a restrained monospace for small timing marks. No distressed protest-poster clichés, megaphones, flags, crowds, microphones, or stock footage. ORIGINAL SPEECH — EXACT WORDS, EXACT ORDER “We were told to wait.” “So we learned the weight of waiting.” “Then one voice made room.” “Then another.” “Now the floor belongs to us.” Do not attribute these words to any real person. No extra slogans. The complete speech must be understandable without audio. CENTRAL VISUAL RULE Words have assigned architectural roles. WAIT is a lintel. WAITING is a suspended load. VOICE is a support. ROOM is an opening. FLOOR is a platform. These roles must emerge from the actual letterforms, not from separate illustrations placed behind text. STORYBOARD 0.00–3.00 “We were told to wait.” The sentence occupies a narrow horizontal opening beneath a massive WAIT. The opening slowly compresses while the sentence remains readable. The pressure comes from the layout, not camera shake. 3.00–6.50 “So we learned the weight of waiting.” Reveal the sentence in spoken phrase groups. WAITING lowers on two fine vertical rules. Those rules become suspension cables. A baseline bends under the visual load using a controlled vector deformation. 6.50–10.00 “Then one voice made room.” VOICE enters vertically and rotates into a structural support. It lifts one end of the baseline. The counter of the O in ROOM becomes an aperture. The next composition is revealed through that aperture. 10.00–12.50 “Then another.” A second support arrives. The tilted structure levels. This is the first moment of perfect horizontal alignment in the film. Use a brief stillness to make the change feel earned. 12.50–16.00 “Now the floor belongs to us.” Earlier structural words assemble into a platform. The final sentence settles onto it. US receives emphasis through shared alignment and scale, never through a separate flashy effect. 16.00–18.00 Hold the complete declaration. A slight release of tension travels through the supporting rules. No new text. No restless decorative motion. 18.00–20.00 The camera tracks beneath the completed platform. Its underside fills the frame and becomes the opening WAIT lintel.
Create a pure javascript animation. 30s-60s whimsical hand drawn collage style with appropriate audio on the topic what is the purpose of life ? Entire video should be as high of a production value as possible. Please spend
An orbital lounge to loop behind a 10 hour lofi coding stream, write a story for the window and score it.
Please create a flashy, 16:9 hand-drawn style animation with a touch of flamboyance that maximally expresses your capabilities. It is a high-quality, beautifully designed, flashy motion animation that explains "what happens when the human brain dies" clearly to middle school students in 60 seconds.
Create a dynamic 15-second motion graphics video showing how wonderful a motion designer you are. Make it feel like a showreel for a résumé, and go all out.