Product

Research Distilbook. Make a dynamic 40-second motion graphics video on Distilbook that shows what an incredible motion designer you are. Like it's your showreel - Go all out.

I want you to create a highly professional SaaS product launch video. Go and find some SaaS, preferably just one that people know, so it's easier to identify with it. Pick that, and then make sure to get actual assets and images and all of that stuff from the internet. Turn it into these typical, very professionally edited, motion-graphics-styled product launch videos that you see people making on Twitter when they launch new SaaS products (which are showing off the features, the benefits, and all of these things)

Make a dynamic 20s motion graphics video that shows what an incredible motion designer you are, like it's your showreel for this app commotion, highlighting tiling layout, auto model classifier and other features you deem fit to be in video. Go all out.

<inputs> Ask me for: 8 to 12 UI states I want the shape to become (e.g. button, loader, player, slider, toggle, tabs, chart, command palette, toast), pure black and white or one accent color, and a royalty-free song around 120 BPM (e.g. Mixkit, free for commercial use). </inputs>

Create a dynamic 15-second motion graphics video introducing this product. Pour all your available skills into it so that it proves your high technical ability like a showreel for a portfolio.

make a 15 second motion graphics video. personify yourself in the video as introducing opus 5.5.

Drop every country's population as marbles. 1 marble = 1 million people. + sound effects 8,144 marbles. Real 2024 population data. Every clink is synced to a simulated collision.

I want you to create a highly professional SaaS product launch video for Easy-Peasy AI. Make sure to get actual assets and images and all of that stuff from the internet. Turn it into these typical, very professionally edited, motion-graphics-styled product launch videos that you see people making on Twitter when they launch new SaaS products (which are showing off the features, the benefits, and all of these things). That's all. I have not uploaded any materials.

Create an animated sequence that starts in a room, zooms into a MacBook, then into an Apple M4 chip, followed by atoms, and finally quarks. Use HTML and Three.js for rendering.

create a self contained aesthetically pleasing, breathtaking animation of the Sahi Trading Terminal. it should start with a single dot on a black screen and then have multiple windows show up on the screen such as Charts, Positons , Option Chain, Watchlist. And zoom into and out at multiple scales. Finally the camera zooms out to make the desktop look like a point in space. And then it zooms back in to reveal a mobile screen in landscape mode with a chart in one half and an option chain in another. The video ends in Sjngle Screen Trading on SAHI use javascript for it. be detailed and accurate. it should be visually stunning

Create an animation of building instructions for a real LEGO model of Doctor Doom based on the provided picture. The model should consist of approximately 3,144 pieces, be 46 cm tall, and ensure every piece clicks onto the one below without overlapping or tipping over. Build the mask as a separate sub-assembly snapped onto the face. Animate the assembly process in 850 steps using Three.js in a single web page.

I want you to create a highly professional SaaS product promotion video for Hedy. make sure to get actual assets and images and all of that stuff from the internet. Turn it into these typical, very professionally edited, motion-graphics-styled product launch videos that you see people making on Twitter when they promote SaaS products (which are showing off the features, the benefits, and all of these things).

30 seconds | 16:9 | premium Apple product film / cinematic lifestyle advertisement | 2026 commercial grade | MULTISHOT CORE CONCEPT A young traveler experiences a visually rich day through an energetic but natural sequence of movement, city life, architecture, food, people and landscapes — captured through the Apple iPhone 18 Pro Max in a sophisticated burgundy finish. The film feels like a flagship Apple product campaign combined with an elite cinematic travel film. The iPhone is always physically present and naturally used throughout the journey. Every location feels photographed rather than generated. Music drives the edit, but the footage retains the imperfections and spontaneity of real travel photography. CHARACTER ONE TRAVELER — young adult international traveler wearing a contemporary minimal travel outfit: premium charcoal overshirt, neutral trousers, clean sneakers, compact crossbody bag. Natural hair, realistic skin texture, minimal accessories. Same face, clothing, hairstyle, proportions and accessories throughout the entire film. The traveler carries the burgundy Apple iPhone 18 Pro Max naturally throughout the journey. Do not invent additional Apple products, accessories or branding. SETTING Modern urban environments and natural landscapes: early-morning apartment, busy city streets, contemporary café, food market, elevated viewpoint, high-speed train platform, golden-hour landscape, vibrant nighttime district and illuminated riverside skyline. Real pedestrians, vendors, commuters, vehicles and local activity. Locations feel naturally connected through the journey. The environments provide realistic opportunities for the traveler to photograph, record and experience the world with the iPhone. STORY — MUSIC-DRIVEN MULTISHOT VISUALS 00:00–02.5 — CLOSE-UP HOOK 85mm close-up of the burgundy iPhone 18 Pro Max resting beside a window in soft early-morning sunlight. Light travels naturally across the glass and metallic edges. The traveler reaches into frame, picks up the phone and looks toward the bright city outside. The burgundy finish catches a subtle warm reflection as the first beat begins. 02.5–05 — MORNING CAPTURE 24mm wide shot as the traveler walks through a lively city street during early morning. Sunlight breaks between buildings. The traveler naturally raises the iPhone and captures the moment. Cut briefly to the phone display showing the same scene being framed. The traveler lowers the phone and continues walking. Cut precisely with the music. 05–07.5 — MOVEMENT 35mm handheld follow shot as the traveler moves through a busy intersection. Real pedestrians cross naturally. Bicycles, taxis and buses move through the background. The traveler begins recording video on the iPhone while walking. The camera follows slightly behind rather than perfectly framing the subject. The traveler turns toward a passing subject while keeping the phone naturally in use. 07.5–10 — STREET LIFE 50mm observational shot. Traveler moves through a crowded neighborhood while a food vendor prepares steaming food nearby. Traveler briefly stops, raises the iPhone and records the preparation. Steam passes across the foreground. The traveler checks the captured footage for a moment, smiles naturally and continues moving. 10–12.5 — HUMAN MOMENT 50mm close-up. The traveler meets a local person at a café and naturally raises the iPhone to capture a portrait. Cut briefly to the captured image on the phone display. Natural skin texture, realistic hair strands and soft environmental separation. The traveler lowers the phone as the subject laughs naturally. Shallow depth of field, warm skin tones, authentic background activity and subtle handheld movement. 12.5–15 — LANDSCAPE REVEAL 24mm deep-focus landscape. Traveler walks up a long stone staircase through dense greenery. Camera follows from behind. As the traveler reaches the top, a vast landscape emerges through cool atmospheric mist. The traveler raises the iPhone and frames the entire valley. Brief phone-display perspective reveals the landscape composed naturally before returning to the real-world wide shot. 15–17.5 — PRODUCT MOMENT 50mm side-tracking shot in golden sunlight. Traveler walks along the elevated viewpoint holding the burgundy iPhone naturally at their side. Golden rim light catches the hair, shoulders and subtle metallic edges of the phone. Natural wind moves clothing. The burgundy finish contrasts against deep green vegetation without feeling artificially highlighted. 17.5–20 — ACTION CAPTURE 24mm wide shot from a realistic elevated platform as a high-speed train begins moving through the scene. Traveler raises the iPhone and records the passing train. Cut briefly to the phone display as the train moves rapidly through frame. Reflections slide across the train windows while realistic motion blur follows the movement. Return to the traveler as the train disappears into the distance. 20–22.5 — NIGHT TRANSITION 50mm handheld street shot at blue hour. Traveler enters a lively nighttime district. Warm lanterns, cool ambient light, scooters and pedestrians create layered depth. The traveler raises the iPhone to photograph the illuminated street. Music increases in intensity while authentic street ambience remains underneath. 22.5–25 — LOW-LIGHT MOMENT 35mm tracking shot as the traveler walks beside a modern riverside district. Reflections ripple across the water. Modern towers illuminate behind them while boats move naturally through the frame. Traveler stops briefly and uses the iPhone to capture the skyline. The burgundy phone catches small reflections from surrounding city lights. 25–27.5 — CITY ENERGY 50mm close-up of the traveler checking the captured images while walking through the nighttime district. Screen light subtly illuminates the face. The traveler smiles naturally, locks the phone and continues walking. Camera moves alongside them as practical lights, pedestrians and reflections create layered cinematic depth. 27.5–30 — FINAL REVEAL 24mm wide composition from behind the traveler. They stop briefly at the riverside and raise the burgundy iPhone 18 Pro Max toward the illuminated skyline. Camera slowly moves backward rather than flying upward. Traveler captures one final image, lowers the phone and continues walking as the music reaches its final beat. The burgundy iPhone remains naturally visible in hand as the city fills the background. CAMERA 35mm and 50mm for portraits and human moments, 24mm for landscapes, architecture and movement, occasional 85mm compression on faces and product details. Shallow DOF on close-ups, deep focus on landscape wides. Handheld and physically motivated tracking movement. Natural camera micro-movement, imperfect framing, subtle autofocus adjustment, realistic exposure adaptation and occasional foreground obstruction. No impossible camera movement, no floating drone aesthetic. VISUAL / COLOR SETTING Premium Apple product film / cinematic lifestyle campaign, 2026 commercial grade. Look: photoreal cinema, slight filmic grain, mild halation on highlights, neutral-to-cool city tones, sophisticated burgundy accents, deep forest greens, warm skin, controlled blacks and natural environmental color. COLOR GRADE Cinematic neutral-and-warm, greens slightly natural and restrained, burgundy iPhone remains rich and sophisticated against neutral environments, golden rim on faces and product edges in sunlight, cool atmosphere during blue hour and nighttime scenes. Maintain realistic skin tones and natural environmental color. No excessive saturation or artificial HDR. MOTION 180-degree cinematic shutter, natural motion blur on hair, clothing and moving vehicles, 24fps. No soap-opera 60fps look. Movement should retain the subtle imperfections of real location photography. Smartphone interaction must feel physically accurate, w

Use only: JavaScript, Playwright, and FFmpeg. Make a modern, elegant, and impactful video for my product (https://t.co/Lv7w1nzKzq)

Build a single self-contained HTML file: a 3D marble computer, in the spirit of Wintergatan's marble machine and the Digi-Comp II, that adds two 4-bit numbers using nothing but marbles falling through mechanical toggles. Hard rules: 1. One HTML file. Three.js from https://t.co/KCQbEZLusb via an import map, plus its OrbitControls addon. No other libraries, no physics engine, no external assets. 2. The mechanism is the computer. Each bit of the result is stored in a two-state toggle (flip-flop) that a marble physically flips as it passes. Carries happen because a marble leaving one toggle rolls on to the next. Do not compute the answer in JavaScript arithmetic anywhere. The displayed result must be read from the toggle states after the last marble stops. 3. Marbles move along tracks with believable gravity and timing. Nothing teleports. You may script motion along paths, but every toggle flip must be caused by a marble arriving at it. 4. Input: two rows of four switches (A and B, 0 to 15), set by clicking. A lever labelled RUN releases the marbles. A counter shows how many marbles have fallen. 5. Output: a row of five result toggles, most significant bit on the left, and a readout that shows the binary and decimal value read from those toggles. 6. A DEMO button runs 5+6, then 9+7, then 15+15, resetting between runs, so it can be screen-recorded without touching anything. 7. Looks: a wooden board, brass toggles, glass marbles, warm studio lighting, soft shadows, a slow camera that follows the busiest part of the machine. It should look good in a square 1080x1080 recording. 8. Short click sounds via the Web Audio API when a toggle flips, started only after the first user click. 9. It must run at 60 fps on a normal laptop and have no console errors. Output only the complete HTML file.

Create a 30-second vertical 9:16 ultra-photorealistic miniature chocolate factory time-lapse. Hundreds of tiny realistic workers operate a massive industrial factory producing thousands of chocolate bars in bulk. Production flow: 0–3s — Workers unload cocoa beans → conveyor → roasting. 3–6s — Roasted beans → crushing → grinding into chocolate paste. 6–9s — Paste → mixing tanks → smooth liquid chocolate. 9–12s — Fillings added → tempering machines. 12–15s — Liquid chocolate fills hundreds of molds. 15–18s — Leveling → inspection → cooling tunnel. 18–21s — Solid bars emerge → demolding → quality control. 21–24s — Bars enter high-speed wrapping machines. 24–27s — Wrapped bars → cardboard cartons → pallets. 27–30s — Forklifts load pallets into trucks → camera rapidly pulls back to reveal the entire busy factory. Style: Photorealistic live-action miniature, hundreds of workers, realistic stainless-steel machinery, conveyors, glossy chocolate, macro cinematography, natural industrial lighting, 4K HDR, 24fps, shallow DOF. Rules: Every ingredient must physically move through each stage. Fast but clearly readable production. No magical appearance, teleportation, floating objects, disappearing chocolate, worker glitches, duplicated workers, cartoon/CGI/toy appearance, text, logos or watermark. Final shot: Huge factory running at full capacity with thousands of finished chocolate bars.

Create a realistic 10-second vertical beauty product video showing hands opening a small elegant cardboard package containing a premium pink lip gloss. The hands carefully remove the gloss from the box and reveal its sleek reflective silver cap and transparent pink body. The applicator is taken out smoothly and the glossy pink product is swatched on the back of the hand, showing its creamy, shiny texture. Then transition to a close-up of a woman naturally applying the gloss to her lips with precise, gentle movements and realistic skin texture. Finish with the lip gloss standing beautifully on a wooden café table beside two cups of latte with artistic foam, creating a warm lifestyle beauty-ad atmosphere. Use soft natural lighting, realistic shadows, shallow depth of field, smooth handheld camera movement, premium commercial quality, natural skin texture, accurate product details, and seamless transitions.

make a modern slick and punchy video for a modern startup that works on enabling people to grow on X, use our X Vision theme and website purpose.