Create a highly realistic cinematic winter video of a peaceful woman staying in a cozy wooden cabin surrounded by a beautiful snow-covered mountain landscape. Start with an intimate close-up of the woman resting peacefully indoors as warm golden sunlight softly falls across her face through the window. Transition to a wide cinematic view of the snowy cabin balcony, tall pine trees, distant mountains, and a warm sunrise glowing over the landscape. Show small birds flying and landing on the snow-covered wooden railing as the woman gently reaches out to feed them. Capture detailed snow textures, natural bird movements, soft winter wind, and realistic sunlight. Then show her inside the cabin preparing a warm cup of tea beside a traditional kettle near the window. Focus on her hands, the steaming cup, the cozy knitted sweater, and the peaceful snowy scenery outside. Follow her as she walks slowly through a snow-covered wooden pathway wearing a warm cream sweater and dark pants. End with a wide cinematic aerial-style view of the quiet snow-covered cabins, pine forest, mountains, and glowing sunset or sunrise in the distance. Use photorealistic textures, natural human movement, realistic lighting, subtle depth of field, smooth camera motion, atmospheric winter details, and authentic cinematic color grading, making the entire video feel like real-life footage rather than AI-generated.
Animal / Pet
استكشف مطالبات فيديو مجانية ضمن فئة Animal / Pet من مكتبة YouMind، والمجمعة تحت الموضوعات. كل مطالبة مختارة من مسارات عمل إبداعية حقيقية وجاهزة للنسخ والتعديل وإعادة الاستخدام.
Create a cinematic 3D animated short film in a cute, high-quality family-animation style, vertical 9:16. Scene: A small adorable green baby lizard-like creature sits beside a tiny chili pepper plant on a warm sandy riverbank. The character has soft rounded features, expressive sleepy eyes, tiny hands and feet, and a cute slightly grumpy expression. The environment is lush and natural, with tall grass, a calm blue-green river, rocks, and warm golden sunlight. The little green creature gently looks at the chili peppers growing on the plant, blinking slowly and reacting with subtle facial expressions. Use detailed soft fur/skin textures, realistic shadows, beautiful cinematic lighting, shallow depth of field, and a warm magical atmosphere. Gradually introduce a cute orange-red baby creature that joins the green character. They sit together near the chili plant and interact with funny, expressive reactions. Their expressions should feel playful and comedic, with natural blinking, head movements, small gestures, and exaggerated animated facial expressions. Then reveal a cute brown beaver/otter-like character approaching from the riverside. Show a close-up of its adorable face, big nose, round cheeks, prominent front teeth, and expressive eyes. It looks curiously at the chili plant and the other characters. The characters begin reacting to each other and laughing together. Keep the animation charming and humorous, with natural body movement and expressive eyes. Near the end, several tiny black fluffy creatures suddenly appear around the chili plant and riverbank. They stare curiously at the group, creating a funny unexpected ending. Camera direction: Start with a medium close-up of the green character and chili plant, slowly push in toward the character, then cut to close-ups of the orange character and the beaver. Use smooth cinematic camera movements, gentle pans, subtle handheld-style motion, and shallow depth of field. Visual style: High-end 3D animated movie quality, adorable stylized characters, detailed textures, soft volumetric sunlight, cinematic depth of field, realistic environmental lighting, vibrant natural colors, polished character animation, expressive facial acting, whimsical comedy, family-friendly atmosphere, ultra-detailed, 4K. Motion: Natural blinking, subtle breathing, head turns, small hand movements, gentle body motion, realistic character interaction, expressive reactions, smooth transitions, cinematic timing. Aspect ratio: 9:16 vertical. Duration: approximately 30 seconds. No text, no subtitles, no watermark.
a rat-like lady with big eyes looking side eye at the camera and facing perpendicular to it to the right, grinning.... it turns to the camera and transforms into a possum with big teeth
Make a dope polished 30 second video for our Mackenzie Club fox chase event using whatever tools you think are best. tessaract, etc. it should be all code (that's what people on X are saying). Cool music. Hype video. Use Tessaract or Remotion or whatever you think is best. Make it amazing and interesting.
Every time a new model comes out, everyone asks it to draw 'a pelican riding a bicycle' to judge its spatial capabilities, usually using HTML or SVG for animations. I am tired of seeing standard versions, so I want you to create the most complex, detailed, and beautiful 'pelican riding a bicycle' animation video. You can use any technology; take your time, even if it takes a day.
{ "project_title": "UFC Octagon Championship - The Underdog Canine Knockout", "total_duration": "00:20.00", "aspect_ratio": "9:16 (Vertical TikTok / Reels / Shorts Format)", "frame_rate": "60 fps", "visual_style": "Broadcast television realism, UFC Pay-Per-View live event aesthetic, photorealistic CGI character integration, hyper-detailed musculature, dynamic broadcast lighting, genuine arena atmosphere, 8K ultra-sharp resolution", "setting_and_environment": { "venue": "Packed arena (MGM Grand / T-Mobile Arena style) surrounded by 20,000 screaming fans", "octagon_details": { "mat": "Light gray high-friction canvas covered in official sponsors (Monster Energy, Bud Light, https://t.co/XZUEQWQqbR, Prime, Modelo, Toyo Tires), lightly scuffed with sweat and foot skids[cite: 9]", "cage": "Black vinyl-coated steel chain-link fence, padded Octagon posts wrapped with UFC and sponsor foam bumpers[cite: 9]", "lighting": "Overhead high-intensity arena spotlight rig casting realistic hard key lighting and rim lights across the fighters, soft fill light bounced from the canvas, flashing spectator cameras in the dark stands[cite: 9]" }, "officials": "Standard UFC referee in black polo shirt, black athletic trousers, and disposable black nitrile gloves hovering nearby, actively monitoring the action[cite: 9]" }, "characters": { "fighter_a_the_canine": { "identity": "Anthropomorphic Italian Greyhound / Whippet MMA Fighter", "anatomy": "Slender, hyper-lean, sinewy canine torso standing upright on digitized digitigrade hind legs; short smooth fawn-tan coat with glistening perspiration; pointed erect ears reacting to head motion; focused, fierce fighting expression[cite: 9]", "attire": "Custom black-and-gold Venum fight shorts with Monster Energy claw logo on the left thigh; regulation open-finger 4oz UFC fight gloves taped securely at the wrists with red tape; no footwear[cite: 9]" }, "fighter_b_heavyweight_human": { "identity": "Massive Heavyweight Human Fighter", "anatomy": "Gigantic, broad-shouldered Caucasian heavyweight male with thick muscular build, reddish-brown full beard, shaved/short buzzcut head, heavily taped hands with blue corner tape[cite: 9]", "attire": "Standard black UFC Venum fight shorts with white trim; barefoot[cite: 9]" } }, "shot_by_shot_timeline": [ { "segment": "Scene 1: The Feint and the Explosive Takedown", "timestamp": "00:00 - 00:05", "camera": { "type": "Low-angle broadcast track camera moving counter-clockwise around the fighters", "lens": "35mm prime, shallow depth-of-field keeping fighters razor sharp while arena crowd blurs naturally", "movement": "Dynamic shoulder-rig whip as the strike occurs" }, "visual_action": "The bipedal Italian Greyhound bounces lightly on his slender digitigrade paw-pads, bobbing his long neck and weaving with high guard hands raised[cite: 9]. The heavyweight human steps forward throwing an aggressive, heavy right hook[cite: 9]. The canine fighter instantly dips under the punch with supernatural twitch reflex speed, shoots deep for a double-leg takedown, driving his shoulder squarely into the heavyweight's midsection and slamming him against the black chain-link cage wall[cite: 9].", "audio_effects": { "foley": "Sharp mat squeaks, visceral impact thud of shoulder hitting midsection, heavy chain-link cage clatter and vibration rattling against metal posts", "crowd": "Deafening sudden roar from the arena crowd reacting to the speed of the shoot", "commentary": "'Casper doing a good job cutting off the cage! There's the level change! He drives him straight to the fence!'[cite: 9]" } }, { "segment": "Scene 2: Cage Grind and Transition", "timestamp": "00:05 - 00:10", "camera": { "type": "Tight ringside profile shot through the hexagonal chain-link fence", "lens": "85mm telephoto lens focusing through the wire fence with slight lens flare from arena spotlights", "movement": "Slow drift upward, maintaining intense facial focus" }, "visual_action": "The human heavyweight grimaces under the fence pressure, attempting to wrap an overhook and stuff the takedown, his massive frame towering over the slender dog[cite: 9]. The canine fighter displays incredible leverage: planting one rear foot, spinning out to take the heavyweight's back, and breaking his posture downward with rapid collar-ties and knee strikes into the thigh.", "audio_effects": { "foley": "Heavy ragged breathing, visceral grunts of exertion, skin-on-skin squeaks against canvas and cage mesh", "crowd": "Sustained rhythmic chanting and screaming building in intensity", "commentary": "'Beautiful trip! Excellent balance from Casper and he transitions right into top position!'[cite: 9]" } }, { "segment": "Scene 3: The Spectacular Knockout Blow", "timestamp": "00:10 - 00:14", "camera": { "type": "Ultra slow-motion (slomo 120fps) dramatic tracking arc", "lens": "50mm broadcast cinema lens", "movement": "Rapid zoom-in on the exact moment of impact, followed by immediate real-time snap back" }, "visual_action": "As the heavyweight tries to scramble and posture up, the canine slips around the guard, coils his hind legs, and unloads a lightning-fast, bone-crushing overhand right hook flush on the jaw. Sweat and spit spray across the lens in slow motion. The heavyweight's eyes roll back instantly into his head, his legs turn to jelly, and his massive 260-pound frame violently ragdolls face-first onto the canvas, knocking him completely unconscious.", "audio_effects": { "foley": "Bone-splintering impact snap, followed by a thunderous floor thud as the heavyweight collapses limp on the mat", "referee": "Referee frantically blowing his whistle and diving between them waving his arms in pure urgency", "crowd": "The arena erupts in an ear-splitting shockwave of pandemonium, people grabbing their heads in disbelief", "commentary": "'OHHH MY GOODNESS! OH MY GOD! HE SLEPT HIM COLD! HE IS OUT! HE IS COMPLETELY OUT! HE PUT HIM TO SLEEP! CALL THE COPS! CALL THE PARAMEDICS! UNBELIEVABLE!'" } }, { "segment": "Scene 4: The Triumphant Cage Climb & Celebration", "timestamp": "00:14 - 00:20", "camera": { "type": "Wide stadium crane shot pushing up towards the top of the cage rim, looking dramatically upward", "lens": "24mm wide angle capturing the full grandeur of the arena, spotlights cutting through arena haze", "movement": "Dramatic cinematic tilt-up and powerful push-in" }, "visual_action": "While the referee tends to the unconscious giant on the mat, the victorious canine fighter sprints up the chain-link fence in two swift bounds. He balances upright on two hind feet directly atop the narrow, padded upper railing of the Octagon cage. Puffed out chest, head tilted back, he thrusts one gloved fist straight up into the air in pure, triumphant victory as golden spotlights wash over him. Digital UFC lower-third graphic flashes: 'WINNER BY KO - ROUND 1'.", "audio_effects": { "foley": "Metallic clinking of the fence mesh, solid stomp as paws balance on the top padded rim", "crowd": "20,000 fans roaring at deafening levels, horns, whistles, screaming chants", "commentary": "'LOOK AT HIM ON TOP OF THE CAGE! HE IS STANDING ON THE RAILING WITH ONE FIST IN THE AIR! ARE YOU INSANE?! HE JUST KNOCKED OUT A 260-POUND MONSTER! JOE! DC! I AM LOSING MY MIND RIG" } } ] }
A cute, fluffy baby otter character with soft brown-and-cream fur and a blue scarf stands beside a vintage instant camera in a beautiful sunny lakeside park. The otter gently operates the large camera, looks toward the lens with big expressive eyes, then happily poses and smiles with its tiny paws on its cheeks. The scene transitions to the otter holding a white photo frame showing its own adorable portrait, followed by the otter holding a freshly printed photograph. Bright blue sky, sparkling lake, modern city skyline in the background, warm golden sunlight, soft cinematic lighting, shallow depth of field, realistic fur detail, adorable 3D animated style, smooth natural character movements, subtle camera motion, cinematic composition, wholesome and heartwarming mood, ultra-detailed, high quality, 4K.
I asked @claudeai for a 10-second film about a moose living in a code editor. No animation software. Just one HTML file.
Create a realistic, funny, heartwarming handheld phone video of a real-looking black crow and a realistic fluffy gray cat inside a simple apartment hallway. The gray cat wears a small pink bow attached naturally to the top of her head. The bow stays securely in place throughout the entire video. 0–3 sec: The crow stands in the middle of the hallway, looking around naturally. The gray cat appears in the distance and notices the crow. She immediately runs toward him with excited, playful energy. 3–6 sec: The cat reaches the crow. The crow turns toward her and gently spreads both wings around the cat, creating the appearance of a sweet little hug. The cat leans into the crow affectionately. Their interaction should feel spontaneous and physically believable. 6–10 sec: After the hug, the crow starts walking forward down the hallway while the gray cat walks closely beside him. They move together like an unlikely little pair of friends. The crow occasionally looks toward the cat while walking. 10–12 sec: The cat briefly looks up at the crow, then they continue walking away together. Visual style Extremely realistic animals Real crow anatomy, feathers, feet and beak Realistic fluffy gray cat fur and natural movement Small pink bow on the cat's head Ordinary apartment hallway Handheld smartphone camera Slight camera shake and imperfect framing Natural indoor lighting Slightly compressed, 144p/low-quality viral social-media video aesthetic Mild motion blur and phone-camera autofocus No cinematic color grading No CGI appearance No cartoon look No exaggerated facial expressions No human hands Keep the animals anatomically realistic while making the hug physically believable Spontaneous, funny, wholesome internet-video feeling Single continuous shot, no cuts or transitions
make an animated short that felt like Hedgehog in the Fog. I didn’t want to copy Yuri Norstein’s film, so we went with a new story. It runs for 6.5 minutes. All 9363 frames are drawn by JavaScript code written by Opus. No video or image generation models, just canvas. It follows a little mouse in a red scarf. Her grandfather, an old mole, is out fishing when fog rolls over the lake. She goes looking for him with a walnut-shell lantern and a sleeping firefly inside. They have a secret knock to help them find each other: short, short, long. It means "I’m here". Norstein used paper cutouts on layers of glass, filmed frame by frame. I wanted some of that paper texture to come through in code. So the scenes use different styles: torn-paper collage, chalk on black paper, tissue paper underwater. There’s even sand on a light table and a pop-up book. Opus wrote the music too. It found Steinway piano samples in my Logic library and used Python to compose the score around the rhythm of that knock.
Create a 15-second vertical 9:16 cinematic photorealistic live-action video. MAIN CHARACTER: Use the supplied character reference. Preserve exact facial identity, swept-back dark hair, full beard, skin tone, body proportions and black long-sleeve outfit throughout. No identity, hairstyle or clothing changes. ENVIRONMENT: Vast sky above massive white-gray volumetric clouds, distant landscape below, natural daylight, atmospheric haze, strong high-altitude wind. 0:00–1:50 — Medium-wide frontal aerial shot. Man flies horizontally above clouds, arms extended. Smooth tracking camera, wind moving hair and clothing. 1:50–3:00 — Camera slowly pushes closer. Stable free-fall position, realistic cloud parallax, serious focused expression. 3:00–4:30 — Close frontal aerial shot. Face becomes dominant, realistic skin and wind-blown hair. 4:30–5:40 — Extreme close-up of face and upper torso. He looks forward, subtle breathing and natural wind movement. 5:40–6:20 — A large realistic eagle suddenly enters from the RIGHT side, rapidly approaching his face. Powerful wing movement, detailed feathers. 6:20–7:20 — SLOW MOTION: Eagle passes extremely close and its soft wing/feather tip lightly brushes his cheek. Show realistic feather flex, subtle facial wobble, eyes immediately closing and hair reacting to the wing airflow. Gentle, accidental contact, no injury. 7:20–8:40 — Return to normal speed. Eagle remains beside his face. Eyes stay closed briefly, then he reacts naturally. 8:40–9:70 — Tight two-subject close-up. Eagle flies parallel beside him. He opens his eyes and looks toward the eagle with controlled surprise. 9:70–11:00 — He turns his head slightly toward the eagle. Camera shifts smoothly to a three-quarter angle. 11:00–12:30 — Camera pulls wider. Eagle spreads its wings beside him as both fly above the clouds. 12:30–13:70 — Wider aerial shot. Eagle gradually moves away while remaining visible. 13:70–15:00 — Smooth cinematic pull-back. Eagle moves farther away and the man continues flying alone above the massive cloudscape. End on a powerful wide aerial shot. STYLE: Premium Hollywood live-action, photorealistic skin, realistic eagle and feathers, natural hair movement, volumetric clouds, HDR, atmospheric depth, subtle film grain, realistic daylight. CAMERA: Smooth stabilized aerial tracking, gradual push-in, extreme close-up, controlled slow-motion impact, three-quarter tracking, final wide pull-back. Realistic parallax, no shaky camera. AUDIO: Strong high-altitude wind, cinematic tension music building during eagle approach, subtle low-frequency contact sound during slow motion, realistic wing sounds, atmospheric music during final pull-back. NEGATIVE: identity change, different face/hair/clothes, beard change, distorted anatomy, extra
Create a 28–30 second vertical 9:16 cinematic 3D animated short film with a stylized family-friendly cartoon aesthetic. The story follows a brave, expressive brown hen trying to protect her chicks from a dangerous hawk. Keep the same character designs, colors, proportions, facial features, and visual style throughout the entire video. Scene 1 — Mountain cliff: At golden hour, a brown hen with detailed layered feathers, a red comb, expressive eyes, and a large rounded body carefully walks along the edge of a high rocky mountain carrying a large beige cloth sack on her back. The sky is filled with soft pink and orange clouds, warm sunlight creates beautiful rim lighting around her feathers, and the camera slowly tracks beside her. She looks tired but determined. Scene 2 — Climbing the cliff: The hen struggles while climbing a steep rocky cliff using a thick twisted rope covered with small green leaves. She holds the rope tightly with her wings and feet while looking upward with a worried but determined expression. Use a dramatic vertical camera angle showing the huge height of the cliff and the clouds far below. Her feathers and the sack move naturally with her movement. Scene 3 — Emotional close-up: Cut to an extreme close-up of the hen's face. Her large golden-brown eyes, long eyelashes, beak, comb, and detailed feathers are clearly visible. She looks directly ahead with a serious, slightly exhausted expression. Use shallow depth of field and warm cinematic lighting. Scene 4 — The nest: Reveal a large nest made from branches on the mountain. Several tiny fluffy baby chicks are inside the nest, happily looking upward. The hen approaches them carrying the beige sack. Suddenly, a large aggressive hawk appears behind them with powerful wings spread wide. The hawk has sharp yellow eyes, a hooked beak, realistic feather details, and an intimidating expression. Scene 5 — Hawk steals the food: The hawk lands near the nest and grabs the large cloth sack with its powerful talons. The hen looks shocked and terrified. The hawk lifts the sack and pours golden grain/food into the nest while the baby chicks excitedly look at the falling food. The hen watches in disbelief, creating a funny unexpected moment rather than violence. Scene 6 — Hen's reaction: Cut to a dramatic close-up of the hen. Her eyes become wide with surprise and frustration, then her expression changes into an exaggerated angry cartoon expression. Her eyebrows lower, her beak opens as if she is shouting, and her wings move dramatically. Use a quick cinematic push-in toward her face. Scene 7 — Hawk confrontation: Show the hawk flying directly toward the hen with its enormous wings fully spread. The hen stands in front of her chicks, raising one wing defensively to protect them. Behind them is a rustic dark wooden barn/farm building with stacked hay bales. The sky has become slightly darker and more dramatic. Use dynamic camera movement and strong wind
A cozy modern apartment kitchen on a warm sunny morning. A young Western woman with loose dark-brown hair, wearing a cream oversized T-shirt and gray lounge pants, sits at a wooden breakfast table. She spreads butter on a crispy slice of toast while a hot cup of coffee sits beside her. Her orange-and-white cat notices the toast and slowly walks toward the table, watching it closely. The cat jumps naturally onto a chair and then onto the table, carefully approaching the breakfast. It reaches out with one paw, pulls the toast closer, grabs it with its mouth, and tries to escape. The woman reacts with surprise and reaches for the toast, then laughs as the cat proudly runs away with its prize. Photorealistic cinematic style, realistic feline movement, natural gravity, friction and momentum, accurate body weight and balance, consistent character appearance, realistic fur and skin, soft morning sunlight, natural shadows, smooth camera movement, realistic facial expressions, authentic everyday-life atmosphere.
## Unified Generation Settings - Mode: Pure Text-to-Video - Do not upload reference videos - Do not upload reference images - Do not upload voiceovers or any audio - Aspect Ratio: 9:16 Vertical - Suggested Duration: 10 seconds per segment - Output: Visuals only, silent - Post-production: Original Doubao narration and subtitles will be re-added locally - Highest Priority: Absolutely no text, subtitles, titles, calligraphy, seals, plaque text, watermarks, logos, UI, pseudo-characters, garbled code, English, or numbers from the first frame to the last. --- ## Part 1 | "Seeing Off a Friend" Opening: Farewell Outside the City Generate a 10-second, 9:16 vertical Chinese ancient-style animation. Outside the city walls of the Tang Dynasty, an open landscape farewell scene. Distant continuous green mountains lie horizontally; nearby, clear rivers wind around the ancient city. The city walls, riverbanks, ancient roads, and distant mountains create distinct depth. There are two Tang Dynasty scholars in their thirties in the scene. Li Bai: A slender, natural East Asian male face, dark hair tied up, wearing a blue-gray cross-collar long robe with an off-white inner lining, cloth shoes, possessing a free-spirited and calm temperament. Friend: An East Asian male around thirty years old, wearing a plain brown cross-collar long robe, dark hair tied up, carrying a simple travel bag, accompanied by a brown horse. The camera starts with a wide view of the green mountains, rivers, and city walls, slowly pushing forward. The two scholars walk side by side along the ancient road by the riverbank, about to part ways. A breeze moves their sleeves, leaves, and horse manes; subtle ripples appear on the river surface. Then the two stop by the ancient road, with the path extending towards the mountains in the distance, creating an atmosphere of departure as the friend is about to travel far. The overall emotion is not grief, but implicit, restrained, and free-spirited with underlying reluctance to part. Chinese classical ink wash colored animation style, pale cyan-green landscapes, delicate rice paper texture, cinematic composition, natural lighting and shadows, realistic character proportions, natural and restrained movements, stable and slow camera work. Must maintain the complete 9:16 frame without cropping character heads or important scenery. Pure visual animation. No voiceover. Characters do not speak. No lip-syncing. No music. No ambient sound. No sound effects. Absolutely prohibited throughout: Any appearance of text. No subtitles, titles, poems, author names, calligraphy, seals, plaque text, flag text, scrolls, stone tablet inscriptions, watermarks, logos, UI, pseudo-characters, garbled code, English, or numbers. Plaques on buildings must be blank or completely absent. Maintain a pure text-free screen from the first frame to the last. --- ## Part 2 | Green Mountains and White Water Generate a 10-second, 9:16 vertical Chinese ancient-style animation. Continue the worldview of the farewell outside the Tang Dynasty city. The opening is a grand distant view of green mountains, the ancient city, and rivers. Green mountains lie horizontally north of the ancient city, with spreading slopes, layered peaks, and faint clouds moving slowly among the mountains. The camera pans steadily, gradually revealing a clear river winding past the east side of the ancient city. The river water is bright and clean, reflecting the sky, city walls, and distant mountains, with only slight ripples on the surface. By the ancient road on the riverbank, the two Tang Dynasty scholars appear in the frame at a smaller scale. Li Bai wears a blue-gray cross-collar long robe, the friend wears a plain brown long robe, accompanied by a brown horse. The characters remain quiet, not speaking, expressing the situation of impending separation only by stopping to gaze at the landscape. In the second half, the camera moves slowly along the river, allowing the green mountains, white water, ancient city, and ancient road to form a complete Chinese landscape composition. Pale cyan-green Chinese ink wash colored style, delicate rice paper texture, realistic spatial layers, cinematic feel, steady slow motion, no fast transitions. Pure visuals. No voiceover, no music, no ambient sound, no sound effects. Characters do not speak and do not perform reading lip-syncs. The screen must be 100% text-free. No subtitles, no poems, no calligraphy, no titles, no plaque text, no seals, no scrolls, no stone tablet inscriptions, no watermarks, no logos, no pseudo-characters or garbled code. Any architecture or objects where text might appear must remain completely blank. --- ## Part 3 | Parting Here, Lone Weed Traveling Far Generate a 10-second, 9:16 vertical Tang Dynasty ancient-style farewell animation. By the ancient road on the riverbank, two Tang Dynasty scholars in their thirties stand facing each other. Li Bai maintains his blue-gray cross-collar long robe, dark tied-up hair, and slender natural face. The departing friend maintains his plain brown long robe, dark tied-up hair, accompanied by a brown horse with only a simple travel bag on its back. At the start, the two look at each other quietly by the ancient road. Then they bid farewell with restrained clasped-hands greetings, nodding gently, without hugging, crying, or exaggerated acting. The friend turns around, leading the horse towards the distant ancient road. The camera gradually pulls back. The ancient road extends deep into the mountains. A clean, natural tumbleweed is blown by the wind, rolling or swaying lightly in the wilderness, using natural scenery to imply drifting and traveling far. Do not turn the character into a tumbleweed; do not use magic or fantasy special effects. In the second half, focus on the backs of the friend and horse gradually disappearing, while Li Bai stays closer, watching them go. The mountain wilds are vast, and the figures become smaller, reinforcing the sense of space for a journey of ten thousand miles. Chinese classical ink wash colored animation, pale cyan-green and earthy brown tones, rice paper texture, cinematic composition, realistic character proportions, sleeves and horse manes fluttering lightly in the wind, slow and natural camera movement. Pure visuals, no sound. Characters do not speak and do not lip-sync. Absolutely do not generate any text. Prohibited: Subtitles, poems, titles, calligraphy, seals, plaque text, flag text, scrolls, stone tablet inscriptions, logos, watermarks, English, numbers, pseudo-text, and garbled code. --- ## Part 4 | Floating Clouds for the Wanderer, Setting Sun for the Old Friend Generate a 10-second, 9:16 vertical Chinese ancient-style ink wash animation. The ancient road outside the Tang Dynasty city extends into the distance. The friend has already ridden or led the horse slowly away along the ancient road. Several floating clouds move slowly in the sky. The camera first gently moves upward, following the drifting clouds in the sky, then slowly descends to connect with the back of the departing friend, creating a natural visual echo between the floating clouds and the traveler. Do not use any text or abstract symbols to explain this artistic conception; express it only through the imagery. Then the camera looks back slowly. Li Bai stands alone by the ancient road on the riverbank, wearing a blue-gray long robe, quietly watching his friend disappear into the distance. The setting sun in the west is slowly sinking. Soft golden sunset light illuminates Li Bai's side profile, the river surface, and the distant mountains. Li Bai's expression is calm yet reluctant, without tears, and without exaggerated sad expressions. Finally, a complete picture is formed: floating clouds in the sky, the distant friend, the setting sun, the river, and Li Bai staying behind to watch exist simultaneously in a layered landscape space. Chinese ink wash colored style, combining pale cyan-green with warm sunset glow, rice paper texture, realistic natural lighting and shadows, cinematic feel, slow and smooth camera movement, implicit and restrained actions. Pure visuals. No voiceover, no music, no ambient sound, no sound effects. Characters do not speak and do not lip-sync. Absolutely no text throughout the video. No subtitles, no poems, no titles, no calligraphy, no plaque text, no seals, no scrolls, no logos, no watermarks, no pseudo-characters, no garbled code. --- ## Part 5 | Waving Goodbye, Horse Neighs Long Generate a 10-second, 9:16 vertical Tang Dynasty ancient-style farewell animation. The ancient road outside the city under the setting sun. Li Bai wears a blue-gray cross-collar long robe, standing by the ancient road on the riverbank. The friend wears a plain brown long robe and has already ridden or led the brown horse some distance away. At the start, the friend looks back. Li Bai raises his hand to wave goodbye to his friend; the distant friend also turns back and waves in response. The movements are slow, natural, and restrained. Then the friend continues walking into the distance. The brown horse briefly turns its head back, gently lifting its head, mane fluttering in the wind, expressing the feeling of reluctance to leave the herd through the horse's actions. Here, only show the visual actions of the horse. Do not generate horse neighing sounds, sound waves, or onomatopoeia text. The camera gradually pulls back. The friend and horse get further and further along the ancient road, while Li Bai remains in place watching. The setting sun, distant mountains, river, ancient road, and the two friends gradually separating form the final farewell scene. For the last two seconds, keep the complete scene, with only slight movements of the sunset light, sleeves, leaves, and horse mane. No black screen. No fade out to end card. Do not generate scrolls or ending screen text. Chinese classical ink wash colored animation, pale cyan-green landscapes combined with warm sunset glow, delicate rice paper texture, cinematic composition, realistic character proportions, steady and slow camera movement. Pure visuals, completely silent. No voiceover. No music. No ambient sound. No sound effects. Characters do not speak and do not lip-sync. From the first frame to the last, there must be absolutely no text. Prohibited: Subtitles, poems, titles, author names, calligraphy, seals, plaque text, flag text, stone tablet inscriptions, scroll text, logos, watermarks, UI, numbers, English, pseudo-characters, and garbled code.
Create a cinematic, ultra-detailed animated short film following an anthropomorphic orange tabby cat named Marcus as he begins an unexpected journey into the corporate world. Open inside a warm, cozy home where Marcus sits patiently in the living room while his owner leaves through the front door. Show Marcus preparing for his day, wearing a formal white shirt, dark striped tie, business trousers, and carrying a small briefcase. Transition to Marcus arriving at a massive modern corporate office called Cat Corp. Show an impressive glass-and-steel workplace filled with desks, computer screens, employees, cool blue lighting, and a large illuminated Cat Corp sign. Follow Marcus walking confidently through the office while holding his briefcase and coffee cup, looking slightly serious and determined. Continue with Marcus sitting at his desk surrounded by paperwork, documents, computers, and office supplies. Introduce a sophisticated white female cat colleague joining him for an important business discussion. Show natural interactions, serious expressions, exchanged documents, and subtle gestures as they work together. Move into a dramatic executive office where Marcus stands across from a large gray cat boss sitting behind a luxurious desk. Create a tense corporate atmosphere with nighttime city lights visible through the windows. Show Marcus listening carefully before leaving the office with a more determined expression. Build toward a mysterious ending: Marcus returns home at night, reaches for the door lock, and pauses. Cut to an extreme close-up of his expressive eye reflecting the glowing Cat Corp office, suggesting that something much bigger is about to happen. Maintain strict character consistency throughout: same orange tabby fur pattern, face, eyes, body proportions, red collar, white shirt, striped tie, and business outfit. Preserve the same visual identity for every character across all scenes. Use cinematic 3D animation with realistic fur, detailed facial expressions, believable cat anatomy and movement, realistic office environments, dramatic blue-and-warm lighting contrast, atmospheric depth, soft reflections, polished cinematic textures, and premium animated-film quality. Use smooth tracking shots, wide establishing shots, medium character shots, over-the-shoulder compositions, slow push-ins, dramatic close-ups, and an extreme eye close-up for the final reveal. Include natural walking, tail movement, blinking, ear movement, subtle facial expressions, paper handling, coffee movement, door opening, realistic lighting changes, and believable environmental motion. Create a mysterious, emotional, slightly humorous corporate atmosphere with the feeling of an animated thriller or workplace adventure. Keep the storytelling continuous and cinematic from beginning to end. No dialogue, no narration, no subtitles
Create a 15-second cinematic, ultra-photorealistic fantasy action sequence set in a dense tropical jungle during a violent rainstorm. Show Hulk standing alone on a muddy jungle path, surrounded by towering trees, thick mist, and heavy rain → camera slowly moves toward him as his powerful presence fills the frame → suddenly, a gigantic realistic T-Rex emerges from the dark jungle behind him, shaking water from its massive body → Hulk slowly turns around and looks up at the enormous dinosaur → the T-Rex roars aggressively and charges forward → Hulk braces himself as the ground shakes beneath the creature’s footsteps → show a dramatic face-off between the giant dinosaur and Hulk → end with a wide cinematic shot showing both characters standing in the rain, surrounded by mist and destroyed vegetation. Ultra-realistic live-action VFX, highly detailed skin and muscle textures, realistic dinosaur scales, natural creature movement, realistic rain and water splashes, wet muddy ground, atmospheric fog, dramatic storm clouds, volumetric lighting, cinematic depth of field, dynamic camera movement, subtle handheld camera shake, realistic physics, epic scale, dark green and blue cinematic color grading, blockbuster monster-movie atmosphere, seamless transitions, extremely detailed, photorealistic, 4K cinematic quality. No text, subtitles, logos, watermark, or UI.
Generate a continuous video of anthropomorphic rocker cats performing a live song in English. The mood is psychological and phosphorescent. Three anthropomorphic cats stand as a rock band on a small elevated stage. They retain cat heads, ears, fur, and tails while wearing rock clothing and holding instruments. They perform together as a single group. At the start, the cats face the audience in a dim, phosphorescent club: soft green-cyan glows pulse across their fur, instruments, and the air around them. The lead cat steps to the center microphone and begins singing clearly in English while the other two play guitar and drums in sync. Their mouths move with the English lyrics, eyes intense and slightly wild, bodies rocking with the beat. Phosphorescent light trails and glows intensify around them as the performance builds. At the end, they hold the final note and pose together under the glowing lights. Keep the cats fully anthropomorphic rockers, the English singing, the psychological-phosphorescent atmosphere, and the continuous band performance stable throughout. No subtitles appear on screen.
Create a 10-second, vertical ultra-realistic smartphone recording inside a rally car driven by a dog. ONE continuous shot at normal speed. CAMERA AND CAR A fixed wide-angle view from high beside the front passenger-side windshield pillar, looking diagonally across the cabin. Keep the dog driving, the cat in the front passenger seat, the raccoon between the front seatbacks, the steering wheel, and the gear lever visible together. The recording device is outside the frame. The viewpoint stays attached to the car, vibrating and jolting with the chassis. A worn rally hatchback with turquoise front bucket seats, a bright-green steel roll cage, a simple dashboard, and ONE tall sequential gear lever mounted on the centre tunnel beside the driver. Ordinary daylight through the windows, natural exposure, slight wide-angle distortion, motion blur, and mild phone-video compression. Real fur, skin, upholstery, metal, and glass. ANIMALS DRIVER: a Chinese Crested dog with a mostly hairless pink-grey body and a fluffy white crest. It sits upright in the driver's bucket seat, secured by a fitted harness. The steering wheel and gear lever are within comfortable reach of its front paws. Its expression is intensely focused on the road. FRONT PASSENGER: a brown tabby cat secured in the passenger seat. Wide eyes, ears angled back, front paws braced on the seat cushion. It looks toward the road and occasionally toward the dog, opening its mouth for loud, protesting meows. REAR PASSENGER: a raccoon secured in the centre rear seat, its masked face visible between the front seatbacks. It braces its front paws against the back of the driver's seat while its head and shoulders bob over the bumps. All three retain realistic animal bodies, paws, faces, and proportions. CONTINUOUS ACTION Start immediately with the car ALREADY travelling very fast along a rough gravel rally road. Roadside trees and banks stream rapidly past the windows. High engine revs, tyre noise, and constant suspension movement establish speed immediately. They get shaken violently the whole way; the entire vehicle is bouncing and jolting—it’s total chaos. The dog makes quick, controlled steering corrections. Its fluffy crest shakes with the vibration. Twice during the recording, the dog keeps its LEFT front paw on the steering wheel, moves its RIGHT front paw onto the same gear lever, makes one short, decisive shift, and returns that paw to the wheel. Each shift produces a mechanical click and a brief drop in engine pitch before the revs rise again. The car pounds across successive ruts and bumps. Strong vertical jolts and brief sideways body roll move all three animals in response to the SAME vehicle motion. Their harnesses re
Create a highly realistic cinematic winter video of a peaceful woman staying in a cozy wooden cabin surrounded by a beautiful snow-covered mountain landscape. Start with an intimate close-up of the woman resting peacefully indoors as warm golden sunlight softly falls across her face through the window. Transition to a wide cinematic view of the snowy cabin balcony, tall pine trees, distant mountains, and a warm sunrise glowing over the landscape. Show small birds flying and landing on the snow-covered wooden railing as the woman gently reaches out to feed them. Capture detailed snow textures, natural bird movements, soft winter wind, and realistic sunlight. Then show her inside the cabin preparing a warm cup of tea beside a traditional kettle near the window. Focus on her hands, the steaming cup, the cozy knitted sweater, and the peaceful snowy scenery outside. Follow her as she walks slowly through a snow-covered wooden pathway wearing a warm cream sweater and dark pants. End with a wide cinematic aerial-style view of the quiet snow-covered cabins, pine forest, mountains, and glowing sunset or sunrise in the distance. Use photorealistic textures, natural human movement, realistic lighting, subtle depth of field, smooth camera motion, atmospheric winter details, and authentic cinematic color grading, making the entire video feel like real-life footage rather than AI-generated.
a rat-like lady with big eyes looking side eye at the camera and facing perpendicular to it to the right, grinning.... it turns to the camera and transforms into a possum with big teeth
Every time a new model comes out, everyone asks it to draw 'a pelican riding a bicycle' to judge its spatial capabilities, usually using HTML or SVG for animations. I am tired of seeing standard versions, so I want you to create the most complex, detailed, and beautiful 'pelican riding a bicycle' animation video. You can use any technology; take your time, even if it takes a day.
A cute, fluffy baby otter character with soft brown-and-cream fur and a blue scarf stands beside a vintage instant camera in a beautiful sunny lakeside park. The otter gently operates the large camera, looks toward the lens with big expressive eyes, then happily poses and smiles with its tiny paws on its cheeks. The scene transitions to the otter holding a white photo frame showing its own adorable portrait, followed by the otter holding a freshly printed photograph. Bright blue sky, sparkling lake, modern city skyline in the background, warm golden sunlight, soft cinematic lighting, shallow depth of field, realistic fur detail, adorable 3D animated style, smooth natural character movements, subtle camera motion, cinematic composition, wholesome and heartwarming mood, ultra-detailed, high quality, 4K.
make an animated short that felt like Hedgehog in the Fog. I didn’t want to copy Yuri Norstein’s film, so we went with a new story. It runs for 6.5 minutes. All 9363 frames are drawn by JavaScript code written by Opus. No video or image generation models, just canvas. It follows a little mouse in a red scarf. Her grandfather, an old mole, is out fishing when fog rolls over the lake. She goes looking for him with a walnut-shell lantern and a sleeping firefly inside. They have a secret knock to help them find each other: short, short, long. It means "I’m here". Norstein used paper cutouts on layers of glass, filmed frame by frame. I wanted some of that paper texture to come through in code. So the scenes use different styles: torn-paper collage, chalk on black paper, tissue paper underwater. There’s even sand on a light table and a pop-up book. Opus wrote the music too. It found Steinway piano samples in my Logic library and used Python to compose the score around the rhythm of that knock.
Create a 28–30 second vertical 9:16 cinematic 3D animated short film with a stylized family-friendly cartoon aesthetic. The story follows a brave, expressive brown hen trying to protect her chicks from a dangerous hawk. Keep the same character designs, colors, proportions, facial features, and visual style throughout the entire video. Scene 1 — Mountain cliff: At golden hour, a brown hen with detailed layered feathers, a red comb, expressive eyes, and a large rounded body carefully walks along the edge of a high rocky mountain carrying a large beige cloth sack on her back. The sky is filled with soft pink and orange clouds, warm sunlight creates beautiful rim lighting around her feathers, and the camera slowly tracks beside her. She looks tired but determined. Scene 2 — Climbing the cliff: The hen struggles while climbing a steep rocky cliff using a thick twisted rope covered with small green leaves. She holds the rope tightly with her wings and feet while looking upward with a worried but determined expression. Use a dramatic vertical camera angle showing the huge height of the cliff and the clouds far below. Her feathers and the sack move naturally with her movement. Scene 3 — Emotional close-up: Cut to an extreme close-up of the hen's face. Her large golden-brown eyes, long eyelashes, beak, comb, and detailed feathers are clearly visible. She looks directly ahead with a serious, slightly exhausted expression. Use shallow depth of field and warm cinematic lighting. Scene 4 — The nest: Reveal a large nest made from branches on the mountain. Several tiny fluffy baby chicks are inside the nest, happily looking upward. The hen approaches them carrying the beige sack. Suddenly, a large aggressive hawk appears behind them with powerful wings spread wide. The hawk has sharp yellow eyes, a hooked beak, realistic feather details, and an intimidating expression. Scene 5 — Hawk steals the food: The hawk lands near the nest and grabs the large cloth sack with its powerful talons. The hen looks shocked and terrified. The hawk lifts the sack and pours golden grain/food into the nest while the baby chicks excitedly look at the falling food. The hen watches in disbelief, creating a funny unexpected moment rather than violence. Scene 6 — Hen's reaction: Cut to a dramatic close-up of the hen. Her eyes become wide with surprise and frustration, then her expression changes into an exaggerated angry cartoon expression. Her eyebrows lower, her beak opens as if she is shouting, and her wings move dramatically. Use a quick cinematic push-in toward her face. Scene 7 — Hawk confrontation: Show the hawk flying directly toward the hen with its enormous wings fully spread. The hen stands in front of her chicks, raising one wing defensively to protect them. Behind them is a rustic dark wooden barn/farm building with stacked hay bales. The sky has become slightly darker and more dramatic. Use dynamic camera movement and strong wind
## Unified Generation Settings - Mode: Pure Text-to-Video - Do not upload reference videos - Do not upload reference images - Do not upload voiceovers or any audio - Aspect Ratio: 9:16 Vertical - Suggested Duration: 10 seconds per segment - Output: Visuals only, silent - Post-production: Original Doubao narration and subtitles will be re-added locally - Highest Priority: Absolutely no text, subtitles, titles, calligraphy, seals, plaque text, watermarks, logos, UI, pseudo-characters, garbled code, English, or numbers from the first frame to the last. --- ## Part 1 | "Seeing Off a Friend" Opening: Farewell Outside the City Generate a 10-second, 9:16 vertical Chinese ancient-style animation. Outside the city walls of the Tang Dynasty, an open landscape farewell scene. Distant continuous green mountains lie horizontally; nearby, clear rivers wind around the ancient city. The city walls, riverbanks, ancient roads, and distant mountains create distinct depth. There are two Tang Dynasty scholars in their thirties in the scene. Li Bai: A slender, natural East Asian male face, dark hair tied up, wearing a blue-gray cross-collar long robe with an off-white inner lining, cloth shoes, possessing a free-spirited and calm temperament. Friend: An East Asian male around thirty years old, wearing a plain brown cross-collar long robe, dark hair tied up, carrying a simple travel bag, accompanied by a brown horse. The camera starts with a wide view of the green mountains, rivers, and city walls, slowly pushing forward. The two scholars walk side by side along the ancient road by the riverbank, about to part ways. A breeze moves their sleeves, leaves, and horse manes; subtle ripples appear on the river surface. Then the two stop by the ancient road, with the path extending towards the mountains in the distance, creating an atmosphere of departure as the friend is about to travel far. The overall emotion is not grief, but implicit, restrained, and free-spirited with underlying reluctance to part. Chinese classical ink wash colored animation style, pale cyan-green landscapes, delicate rice paper texture, cinematic composition, natural lighting and shadows, realistic character proportions, natural and restrained movements, stable and slow camera work. Must maintain the complete 9:16 frame without cropping character heads or important scenery. Pure visual animation. No voiceover. Characters do not speak. No lip-syncing. No music. No ambient sound. No sound effects. Absolutely prohibited throughout: Any appearance of text. No subtitles, titles, poems, author names, calligraphy, seals, plaque text, flag text, scrolls, stone tablet inscriptions, watermarks, logos, UI, pseudo-characters, garbled code, English, or numbers. Plaques on buildings must be blank or completely absent. Maintain a pure text-free screen from the first frame to the last. --- ## Part 2 | Green Mountains and White Water Generate a 10-second, 9:16 vertical Chinese ancient-style animation. Continue the worldview of the farewell outside the Tang Dynasty city. The opening is a grand distant view of green mountains, the ancient city, and rivers. Green mountains lie horizontally north of the ancient city, with spreading slopes, layered peaks, and faint clouds moving slowly among the mountains. The camera pans steadily, gradually revealing a clear river winding past the east side of the ancient city. The river water is bright and clean, reflecting the sky, city walls, and distant mountains, with only slight ripples on the surface. By the ancient road on the riverbank, the two Tang Dynasty scholars appear in the frame at a smaller scale. Li Bai wears a blue-gray cross-collar long robe, the friend wears a plain brown long robe, accompanied by a brown horse. The characters remain quiet, not speaking, expressing the situation of impending separation only by stopping to gaze at the landscape. In the second half, the camera moves slowly along the river, allowing the green mountains, white water, ancient city, and ancient road to form a complete Chinese landscape composition. Pale cyan-green Chinese ink wash colored style, delicate rice paper texture, realistic spatial layers, cinematic feel, steady slow motion, no fast transitions. Pure visuals. No voiceover, no music, no ambient sound, no sound effects. Characters do not speak and do not perform reading lip-syncs. The screen must be 100% text-free. No subtitles, no poems, no calligraphy, no titles, no plaque text, no seals, no scrolls, no stone tablet inscriptions, no watermarks, no logos, no pseudo-characters or garbled code. Any architecture or objects where text might appear must remain completely blank. --- ## Part 3 | Parting Here, Lone Weed Traveling Far Generate a 10-second, 9:16 vertical Tang Dynasty ancient-style farewell animation. By the ancient road on the riverbank, two Tang Dynasty scholars in their thirties stand facing each other. Li Bai maintains his blue-gray cross-collar long robe, dark tied-up hair, and slender natural face. The departing friend maintains his plain brown long robe, dark tied-up hair, accompanied by a brown horse with only a simple travel bag on its back. At the start, the two look at each other quietly by the ancient road. Then they bid farewell with restrained clasped-hands greetings, nodding gently, without hugging, crying, or exaggerated acting. The friend turns around, leading the horse towards the distant ancient road. The camera gradually pulls back. The ancient road extends deep into the mountains. A clean, natural tumbleweed is blown by the wind, rolling or swaying lightly in the wilderness, using natural scenery to imply drifting and traveling far. Do not turn the character into a tumbleweed; do not use magic or fantasy special effects. In the second half, focus on the backs of the friend and horse gradually disappearing, while Li Bai stays closer, watching them go. The mountain wilds are vast, and the figures become smaller, reinforcing the sense of space for a journey of ten thousand miles. Chinese classical ink wash colored animation, pale cyan-green and earthy brown tones, rice paper texture, cinematic composition, realistic character proportions, sleeves and horse manes fluttering lightly in the wind, slow and natural camera movement. Pure visuals, no sound. Characters do not speak and do not lip-sync. Absolutely do not generate any text. Prohibited: Subtitles, poems, titles, calligraphy, seals, plaque text, flag text, scrolls, stone tablet inscriptions, logos, watermarks, English, numbers, pseudo-text, and garbled code. --- ## Part 4 | Floating Clouds for the Wanderer, Setting Sun for the Old Friend Generate a 10-second, 9:16 vertical Chinese ancient-style ink wash animation. The ancient road outside the Tang Dynasty city extends into the distance. The friend has already ridden or led the horse slowly away along the ancient road. Several floating clouds move slowly in the sky. The camera first gently moves upward, following the drifting clouds in the sky, then slowly descends to connect with the back of the departing friend, creating a natural visual echo between the floating clouds and the traveler. Do not use any text or abstract symbols to explain this artistic conception; express it only through the imagery. Then the camera looks back slowly. Li Bai stands alone by the ancient road on the riverbank, wearing a blue-gray long robe, quietly watching his friend disappear into the distance. The setting sun in the west is slowly sinking. Soft golden sunset light illuminates Li Bai's side profile, the river surface, and the distant mountains. Li Bai's expression is calm yet reluctant, without tears, and without exaggerated sad expressions. Finally, a complete picture is formed: floating clouds in the sky, the distant friend, the setting sun, the river, and Li Bai staying behind to watch exist simultaneously in a layered landscape space. Chinese ink wash colored style, combining pale cyan-green with warm sunset glow, rice paper texture, realistic natural lighting and shadows, cinematic feel, slow and smooth camera movement, implicit and restrained actions. Pure visuals. No voiceover, no music, no ambient sound, no sound effects. Characters do not speak and do not lip-sync. Absolutely no text throughout the video. No subtitles, no poems, no titles, no calligraphy, no plaque text, no seals, no scrolls, no logos, no watermarks, no pseudo-characters, no garbled code. --- ## Part 5 | Waving Goodbye, Horse Neighs Long Generate a 10-second, 9:16 vertical Tang Dynasty ancient-style farewell animation. The ancient road outside the city under the setting sun. Li Bai wears a blue-gray cross-collar long robe, standing by the ancient road on the riverbank. The friend wears a plain brown long robe and has already ridden or led the brown horse some distance away. At the start, the friend looks back. Li Bai raises his hand to wave goodbye to his friend; the distant friend also turns back and waves in response. The movements are slow, natural, and restrained. Then the friend continues walking into the distance. The brown horse briefly turns its head back, gently lifting its head, mane fluttering in the wind, expressing the feeling of reluctance to leave the herd through the horse's actions. Here, only show the visual actions of the horse. Do not generate horse neighing sounds, sound waves, or onomatopoeia text. The camera gradually pulls back. The friend and horse get further and further along the ancient road, while Li Bai remains in place watching. The setting sun, distant mountains, river, ancient road, and the two friends gradually separating form the final farewell scene. For the last two seconds, keep the complete scene, with only slight movements of the sunset light, sleeves, leaves, and horse mane. No black screen. No fade out to end card. Do not generate scrolls or ending screen text. Chinese classical ink wash colored animation, pale cyan-green landscapes combined with warm sunset glow, delicate rice paper texture, cinematic composition, realistic character proportions, steady and slow camera movement. Pure visuals, completely silent. No voiceover. No music. No ambient sound. No sound effects. Characters do not speak and do not lip-sync. From the first frame to the last, there must be absolutely no text. Prohibited: Subtitles, poems, titles, author names, calligraphy, seals, plaque text, flag text, stone tablet inscriptions, scroll text, logos, watermarks, UI, numbers, English, pseudo-characters, and garbled code.
Create a 15-second cinematic, ultra-photorealistic fantasy action sequence set in a dense tropical jungle during a violent rainstorm. Show Hulk standing alone on a muddy jungle path, surrounded by towering trees, thick mist, and heavy rain → camera slowly moves toward him as his powerful presence fills the frame → suddenly, a gigantic realistic T-Rex emerges from the dark jungle behind him, shaking water from its massive body → Hulk slowly turns around and looks up at the enormous dinosaur → the T-Rex roars aggressively and charges forward → Hulk braces himself as the ground shakes beneath the creature’s footsteps → show a dramatic face-off between the giant dinosaur and Hulk → end with a wide cinematic shot showing both characters standing in the rain, surrounded by mist and destroyed vegetation. Ultra-realistic live-action VFX, highly detailed skin and muscle textures, realistic dinosaur scales, natural creature movement, realistic rain and water splashes, wet muddy ground, atmospheric fog, dramatic storm clouds, volumetric lighting, cinematic depth of field, dynamic camera movement, subtle handheld camera shake, realistic physics, epic scale, dark green and blue cinematic color grading, blockbuster monster-movie atmosphere, seamless transitions, extremely detailed, photorealistic, 4K cinematic quality. No text, subtitles, logos, watermark, or UI.
Create a 10-second, vertical ultra-realistic smartphone recording inside a rally car driven by a dog. ONE continuous shot at normal speed. CAMERA AND CAR A fixed wide-angle view from high beside the front passenger-side windshield pillar, looking diagonally across the cabin. Keep the dog driving, the cat in the front passenger seat, the raccoon between the front seatbacks, the steering wheel, and the gear lever visible together. The recording device is outside the frame. The viewpoint stays attached to the car, vibrating and jolting with the chassis. A worn rally hatchback with turquoise front bucket seats, a bright-green steel roll cage, a simple dashboard, and ONE tall sequential gear lever mounted on the centre tunnel beside the driver. Ordinary daylight through the windows, natural exposure, slight wide-angle distortion, motion blur, and mild phone-video compression. Real fur, skin, upholstery, metal, and glass. ANIMALS DRIVER: a Chinese Crested dog with a mostly hairless pink-grey body and a fluffy white crest. It sits upright in the driver's bucket seat, secured by a fitted harness. The steering wheel and gear lever are within comfortable reach of its front paws. Its expression is intensely focused on the road. FRONT PASSENGER: a brown tabby cat secured in the passenger seat. Wide eyes, ears angled back, front paws braced on the seat cushion. It looks toward the road and occasionally toward the dog, opening its mouth for loud, protesting meows. REAR PASSENGER: a raccoon secured in the centre rear seat, its masked face visible between the front seatbacks. It braces its front paws against the back of the driver's seat while its head and shoulders bob over the bumps. All three retain realistic animal bodies, paws, faces, and proportions. CONTINUOUS ACTION Start immediately with the car ALREADY travelling very fast along a rough gravel rally road. Roadside trees and banks stream rapidly past the windows. High engine revs, tyre noise, and constant suspension movement establish speed immediately. They get shaken violently the whole way; the entire vehicle is bouncing and jolting—it’s total chaos. The dog makes quick, controlled steering corrections. Its fluffy crest shakes with the vibration. Twice during the recording, the dog keeps its LEFT front paw on the steering wheel, moves its RIGHT front paw onto the same gear lever, makes one short, decisive shift, and returns that paw to the wheel. Each shift produces a mechanical click and a brief drop in engine pitch before the revs rise again. The car pounds across successive ruts and bumps. Strong vertical jolts and brief sideways body roll move all three animals in response to the SAME vehicle motion. Their harnesses re
Create a cinematic 3D animated short film in a cute, high-quality family-animation style, vertical 9:16. Scene: A small adorable green baby lizard-like creature sits beside a tiny chili pepper plant on a warm sandy riverbank. The character has soft rounded features, expressive sleepy eyes, tiny hands and feet, and a cute slightly grumpy expression. The environment is lush and natural, with tall grass, a calm blue-green river, rocks, and warm golden sunlight. The little green creature gently looks at the chili peppers growing on the plant, blinking slowly and reacting with subtle facial expressions. Use detailed soft fur/skin textures, realistic shadows, beautiful cinematic lighting, shallow depth of field, and a warm magical atmosphere. Gradually introduce a cute orange-red baby creature that joins the green character. They sit together near the chili plant and interact with funny, expressive reactions. Their expressions should feel playful and comedic, with natural blinking, head movements, small gestures, and exaggerated animated facial expressions. Then reveal a cute brown beaver/otter-like character approaching from the riverside. Show a close-up of its adorable face, big nose, round cheeks, prominent front teeth, and expressive eyes. It looks curiously at the chili plant and the other characters. The characters begin reacting to each other and laughing together. Keep the animation charming and humorous, with natural body movement and expressive eyes. Near the end, several tiny black fluffy creatures suddenly appear around the chili plant and riverbank. They stare curiously at the group, creating a funny unexpected ending. Camera direction: Start with a medium close-up of the green character and chili plant, slowly push in toward the character, then cut to close-ups of the orange character and the beaver. Use smooth cinematic camera movements, gentle pans, subtle handheld-style motion, and shallow depth of field. Visual style: High-end 3D animated movie quality, adorable stylized characters, detailed textures, soft volumetric sunlight, cinematic depth of field, realistic environmental lighting, vibrant natural colors, polished character animation, expressive facial acting, whimsical comedy, family-friendly atmosphere, ultra-detailed, 4K. Motion: Natural blinking, subtle breathing, head turns, small hand movements, gentle body motion, realistic character interaction, expressive reactions, smooth transitions, cinematic timing. Aspect ratio: 9:16 vertical. Duration: approximately 30 seconds. No text, no subtitles, no watermark.
Make a dope polished 30 second video for our Mackenzie Club fox chase event using whatever tools you think are best. tessaract, etc. it should be all code (that's what people on X are saying). Cool music. Hype video. Use Tessaract or Remotion or whatever you think is best. Make it amazing and interesting.
{ "project_title": "UFC Octagon Championship - The Underdog Canine Knockout", "total_duration": "00:20.00", "aspect_ratio": "9:16 (Vertical TikTok / Reels / Shorts Format)", "frame_rate": "60 fps", "visual_style": "Broadcast television realism, UFC Pay-Per-View live event aesthetic, photorealistic CGI character integration, hyper-detailed musculature, dynamic broadcast lighting, genuine arena atmosphere, 8K ultra-sharp resolution", "setting_and_environment": { "venue": "Packed arena (MGM Grand / T-Mobile Arena style) surrounded by 20,000 screaming fans", "octagon_details": { "mat": "Light gray high-friction canvas covered in official sponsors (Monster Energy, Bud Light, https://t.co/XZUEQWQqbR, Prime, Modelo, Toyo Tires), lightly scuffed with sweat and foot skids[cite: 9]", "cage": "Black vinyl-coated steel chain-link fence, padded Octagon posts wrapped with UFC and sponsor foam bumpers[cite: 9]", "lighting": "Overhead high-intensity arena spotlight rig casting realistic hard key lighting and rim lights across the fighters, soft fill light bounced from the canvas, flashing spectator cameras in the dark stands[cite: 9]" }, "officials": "Standard UFC referee in black polo shirt, black athletic trousers, and disposable black nitrile gloves hovering nearby, actively monitoring the action[cite: 9]" }, "characters": { "fighter_a_the_canine": { "identity": "Anthropomorphic Italian Greyhound / Whippet MMA Fighter", "anatomy": "Slender, hyper-lean, sinewy canine torso standing upright on digitized digitigrade hind legs; short smooth fawn-tan coat with glistening perspiration; pointed erect ears reacting to head motion; focused, fierce fighting expression[cite: 9]", "attire": "Custom black-and-gold Venum fight shorts with Monster Energy claw logo on the left thigh; regulation open-finger 4oz UFC fight gloves taped securely at the wrists with red tape; no footwear[cite: 9]" }, "fighter_b_heavyweight_human": { "identity": "Massive Heavyweight Human Fighter", "anatomy": "Gigantic, broad-shouldered Caucasian heavyweight male with thick muscular build, reddish-brown full beard, shaved/short buzzcut head, heavily taped hands with blue corner tape[cite: 9]", "attire": "Standard black UFC Venum fight shorts with white trim; barefoot[cite: 9]" } }, "shot_by_shot_timeline": [ { "segment": "Scene 1: The Feint and the Explosive Takedown", "timestamp": "00:00 - 00:05", "camera": { "type": "Low-angle broadcast track camera moving counter-clockwise around the fighters", "lens": "35mm prime, shallow depth-of-field keeping fighters razor sharp while arena crowd blurs naturally", "movement": "Dynamic shoulder-rig whip as the strike occurs" }, "visual_action": "The bipedal Italian Greyhound bounces lightly on his slender digitigrade paw-pads, bobbing his long neck and weaving with high guard hands raised[cite: 9]. The heavyweight human steps forward throwing an aggressive, heavy right hook[cite: 9]. The canine fighter instantly dips under the punch with supernatural twitch reflex speed, shoots deep for a double-leg takedown, driving his shoulder squarely into the heavyweight's midsection and slamming him against the black chain-link cage wall[cite: 9].", "audio_effects": { "foley": "Sharp mat squeaks, visceral impact thud of shoulder hitting midsection, heavy chain-link cage clatter and vibration rattling against metal posts", "crowd": "Deafening sudden roar from the arena crowd reacting to the speed of the shoot", "commentary": "'Casper doing a good job cutting off the cage! There's the level change! He drives him straight to the fence!'[cite: 9]" } }, { "segment": "Scene 2: Cage Grind and Transition", "timestamp": "00:05 - 00:10", "camera": { "type": "Tight ringside profile shot through the hexagonal chain-link fence", "lens": "85mm telephoto lens focusing through the wire fence with slight lens flare from arena spotlights", "movement": "Slow drift upward, maintaining intense facial focus" }, "visual_action": "The human heavyweight grimaces under the fence pressure, attempting to wrap an overhook and stuff the takedown, his massive frame towering over the slender dog[cite: 9]. The canine fighter displays incredible leverage: planting one rear foot, spinning out to take the heavyweight's back, and breaking his posture downward with rapid collar-ties and knee strikes into the thigh.", "audio_effects": { "foley": "Heavy ragged breathing, visceral grunts of exertion, skin-on-skin squeaks against canvas and cage mesh", "crowd": "Sustained rhythmic chanting and screaming building in intensity", "commentary": "'Beautiful trip! Excellent balance from Casper and he transitions right into top position!'[cite: 9]" } }, { "segment": "Scene 3: The Spectacular Knockout Blow", "timestamp": "00:10 - 00:14", "camera": { "type": "Ultra slow-motion (slomo 120fps) dramatic tracking arc", "lens": "50mm broadcast cinema lens", "movement": "Rapid zoom-in on the exact moment of impact, followed by immediate real-time snap back" }, "visual_action": "As the heavyweight tries to scramble and posture up, the canine slips around the guard, coils his hind legs, and unloads a lightning-fast, bone-crushing overhand right hook flush on the jaw. Sweat and spit spray across the lens in slow motion. The heavyweight's eyes roll back instantly into his head, his legs turn to jelly, and his massive 260-pound frame violently ragdolls face-first onto the canvas, knocking him completely unconscious.", "audio_effects": { "foley": "Bone-splintering impact snap, followed by a thunderous floor thud as the heavyweight collapses limp on the mat", "referee": "Referee frantically blowing his whistle and diving between them waving his arms in pure urgency", "crowd": "The arena erupts in an ear-splitting shockwave of pandemonium, people grabbing their heads in disbelief", "commentary": "'OHHH MY GOODNESS! OH MY GOD! HE SLEPT HIM COLD! HE IS OUT! HE IS COMPLETELY OUT! HE PUT HIM TO SLEEP! CALL THE COPS! CALL THE PARAMEDICS! UNBELIEVABLE!'" } }, { "segment": "Scene 4: The Triumphant Cage Climb & Celebration", "timestamp": "00:14 - 00:20", "camera": { "type": "Wide stadium crane shot pushing up towards the top of the cage rim, looking dramatically upward", "lens": "24mm wide angle capturing the full grandeur of the arena, spotlights cutting through arena haze", "movement": "Dramatic cinematic tilt-up and powerful push-in" }, "visual_action": "While the referee tends to the unconscious giant on the mat, the victorious canine fighter sprints up the chain-link fence in two swift bounds. He balances upright on two hind feet directly atop the narrow, padded upper railing of the Octagon cage. Puffed out chest, head tilted back, he thrusts one gloved fist straight up into the air in pure, triumphant victory as golden spotlights wash over him. Digital UFC lower-third graphic flashes: 'WINNER BY KO - ROUND 1'.", "audio_effects": { "foley": "Metallic clinking of the fence mesh, solid stomp as paws balance on the top padded rim", "crowd": "20,000 fans roaring at deafening levels, horns, whistles, screaming chants", "commentary": "'LOOK AT HIM ON TOP OF THE CAGE! HE IS STANDING ON THE RAILING WITH ONE FIST IN THE AIR! ARE YOU INSANE?! HE JUST KNOCKED OUT A 260-POUND MONSTER! JOE! DC! I AM LOSING MY MIND RIG" } } ] }
I asked @claudeai for a 10-second film about a moose living in a code editor. No animation software. Just one HTML file.
Create a realistic, funny, heartwarming handheld phone video of a real-looking black crow and a realistic fluffy gray cat inside a simple apartment hallway. The gray cat wears a small pink bow attached naturally to the top of her head. The bow stays securely in place throughout the entire video. 0–3 sec: The crow stands in the middle of the hallway, looking around naturally. The gray cat appears in the distance and notices the crow. She immediately runs toward him with excited, playful energy. 3–6 sec: The cat reaches the crow. The crow turns toward her and gently spreads both wings around the cat, creating the appearance of a sweet little hug. The cat leans into the crow affectionately. Their interaction should feel spontaneous and physically believable. 6–10 sec: After the hug, the crow starts walking forward down the hallway while the gray cat walks closely beside him. They move together like an unlikely little pair of friends. The crow occasionally looks toward the cat while walking. 10–12 sec: The cat briefly looks up at the crow, then they continue walking away together. Visual style Extremely realistic animals Real crow anatomy, feathers, feet and beak Realistic fluffy gray cat fur and natural movement Small pink bow on the cat's head Ordinary apartment hallway Handheld smartphone camera Slight camera shake and imperfect framing Natural indoor lighting Slightly compressed, 144p/low-quality viral social-media video aesthetic Mild motion blur and phone-camera autofocus No cinematic color grading No CGI appearance No cartoon look No exaggerated facial expressions No human hands Keep the animals anatomically realistic while making the hug physically believable Spontaneous, funny, wholesome internet-video feeling Single continuous shot, no cuts or transitions
Create a 15-second vertical 9:16 cinematic photorealistic live-action video. MAIN CHARACTER: Use the supplied character reference. Preserve exact facial identity, swept-back dark hair, full beard, skin tone, body proportions and black long-sleeve outfit throughout. No identity, hairstyle or clothing changes. ENVIRONMENT: Vast sky above massive white-gray volumetric clouds, distant landscape below, natural daylight, atmospheric haze, strong high-altitude wind. 0:00–1:50 — Medium-wide frontal aerial shot. Man flies horizontally above clouds, arms extended. Smooth tracking camera, wind moving hair and clothing. 1:50–3:00 — Camera slowly pushes closer. Stable free-fall position, realistic cloud parallax, serious focused expression. 3:00–4:30 — Close frontal aerial shot. Face becomes dominant, realistic skin and wind-blown hair. 4:30–5:40 — Extreme close-up of face and upper torso. He looks forward, subtle breathing and natural wind movement. 5:40–6:20 — A large realistic eagle suddenly enters from the RIGHT side, rapidly approaching his face. Powerful wing movement, detailed feathers. 6:20–7:20 — SLOW MOTION: Eagle passes extremely close and its soft wing/feather tip lightly brushes his cheek. Show realistic feather flex, subtle facial wobble, eyes immediately closing and hair reacting to the wing airflow. Gentle, accidental contact, no injury. 7:20–8:40 — Return to normal speed. Eagle remains beside his face. Eyes stay closed briefly, then he reacts naturally. 8:40–9:70 — Tight two-subject close-up. Eagle flies parallel beside him. He opens his eyes and looks toward the eagle with controlled surprise. 9:70–11:00 — He turns his head slightly toward the eagle. Camera shifts smoothly to a three-quarter angle. 11:00–12:30 — Camera pulls wider. Eagle spreads its wings beside him as both fly above the clouds. 12:30–13:70 — Wider aerial shot. Eagle gradually moves away while remaining visible. 13:70–15:00 — Smooth cinematic pull-back. Eagle moves farther away and the man continues flying alone above the massive cloudscape. End on a powerful wide aerial shot. STYLE: Premium Hollywood live-action, photorealistic skin, realistic eagle and feathers, natural hair movement, volumetric clouds, HDR, atmospheric depth, subtle film grain, realistic daylight. CAMERA: Smooth stabilized aerial tracking, gradual push-in, extreme close-up, controlled slow-motion impact, three-quarter tracking, final wide pull-back. Realistic parallax, no shaky camera. AUDIO: Strong high-altitude wind, cinematic tension music building during eagle approach, subtle low-frequency contact sound during slow motion, realistic wing sounds, atmospheric music during final pull-back. NEGATIVE: identity change, different face/hair/clothes, beard change, distorted anatomy, extra
A cozy modern apartment kitchen on a warm sunny morning. A young Western woman with loose dark-brown hair, wearing a cream oversized T-shirt and gray lounge pants, sits at a wooden breakfast table. She spreads butter on a crispy slice of toast while a hot cup of coffee sits beside her. Her orange-and-white cat notices the toast and slowly walks toward the table, watching it closely. The cat jumps naturally onto a chair and then onto the table, carefully approaching the breakfast. It reaches out with one paw, pulls the toast closer, grabs it with its mouth, and tries to escape. The woman reacts with surprise and reaches for the toast, then laughs as the cat proudly runs away with its prize. Photorealistic cinematic style, realistic feline movement, natural gravity, friction and momentum, accurate body weight and balance, consistent character appearance, realistic fur and skin, soft morning sunlight, natural shadows, smooth camera movement, realistic facial expressions, authentic everyday-life atmosphere.
Create a cinematic, ultra-detailed animated short film following an anthropomorphic orange tabby cat named Marcus as he begins an unexpected journey into the corporate world. Open inside a warm, cozy home where Marcus sits patiently in the living room while his owner leaves through the front door. Show Marcus preparing for his day, wearing a formal white shirt, dark striped tie, business trousers, and carrying a small briefcase. Transition to Marcus arriving at a massive modern corporate office called Cat Corp. Show an impressive glass-and-steel workplace filled with desks, computer screens, employees, cool blue lighting, and a large illuminated Cat Corp sign. Follow Marcus walking confidently through the office while holding his briefcase and coffee cup, looking slightly serious and determined. Continue with Marcus sitting at his desk surrounded by paperwork, documents, computers, and office supplies. Introduce a sophisticated white female cat colleague joining him for an important business discussion. Show natural interactions, serious expressions, exchanged documents, and subtle gestures as they work together. Move into a dramatic executive office where Marcus stands across from a large gray cat boss sitting behind a luxurious desk. Create a tense corporate atmosphere with nighttime city lights visible through the windows. Show Marcus listening carefully before leaving the office with a more determined expression. Build toward a mysterious ending: Marcus returns home at night, reaches for the door lock, and pauses. Cut to an extreme close-up of his expressive eye reflecting the glowing Cat Corp office, suggesting that something much bigger is about to happen. Maintain strict character consistency throughout: same orange tabby fur pattern, face, eyes, body proportions, red collar, white shirt, striped tie, and business outfit. Preserve the same visual identity for every character across all scenes. Use cinematic 3D animation with realistic fur, detailed facial expressions, believable cat anatomy and movement, realistic office environments, dramatic blue-and-warm lighting contrast, atmospheric depth, soft reflections, polished cinematic textures, and premium animated-film quality. Use smooth tracking shots, wide establishing shots, medium character shots, over-the-shoulder compositions, slow push-ins, dramatic close-ups, and an extreme eye close-up for the final reveal. Include natural walking, tail movement, blinking, ear movement, subtle facial expressions, paper handling, coffee movement, door opening, realistic lighting changes, and believable environmental motion. Create a mysterious, emotional, slightly humorous corporate atmosphere with the feeling of an animated thriller or workplace adventure. Keep the storytelling continuous and cinematic from beginning to end. No dialogue, no narration, no subtitles
Generate a continuous video of anthropomorphic rocker cats performing a live song in English. The mood is psychological and phosphorescent. Three anthropomorphic cats stand as a rock band on a small elevated stage. They retain cat heads, ears, fur, and tails while wearing rock clothing and holding instruments. They perform together as a single group. At the start, the cats face the audience in a dim, phosphorescent club: soft green-cyan glows pulse across their fur, instruments, and the air around them. The lead cat steps to the center microphone and begins singing clearly in English while the other two play guitar and drums in sync. Their mouths move with the English lyrics, eyes intense and slightly wild, bodies rocking with the beat. Phosphorescent light trails and glows intensify around them as the performance builds. At the end, they hold the final note and pose together under the glowing lights. Keep the cats fully anthropomorphic rockers, the English singing, the psychological-phosphorescent atmosphere, and the continuous band performance stable throughout. No subtitles appear on screen.
Create a highly realistic cinematic winter video of a peaceful woman staying in a cozy wooden cabin surrounded by a beautiful snow-covered mountain landscape. Start with an intimate close-up of the woman resting peacefully indoors as warm golden sunlight softly falls across her face through the window. Transition to a wide cinematic view of the snowy cabin balcony, tall pine trees, distant mountains, and a warm sunrise glowing over the landscape. Show small birds flying and landing on the snow-covered wooden railing as the woman gently reaches out to feed them. Capture detailed snow textures, natural bird movements, soft winter wind, and realistic sunlight. Then show her inside the cabin preparing a warm cup of tea beside a traditional kettle near the window. Focus on her hands, the steaming cup, the cozy knitted sweater, and the peaceful snowy scenery outside. Follow her as she walks slowly through a snow-covered wooden pathway wearing a warm cream sweater and dark pants. End with a wide cinematic aerial-style view of the quiet snow-covered cabins, pine forest, mountains, and glowing sunset or sunrise in the distance. Use photorealistic textures, natural human movement, realistic lighting, subtle depth of field, smooth camera motion, atmospheric winter details, and authentic cinematic color grading, making the entire video feel like real-life footage rather than AI-generated.
Make a dope polished 30 second video for our Mackenzie Club fox chase event using whatever tools you think are best. tessaract, etc. it should be all code (that's what people on X are saying). Cool music. Hype video. Use Tessaract or Remotion or whatever you think is best. Make it amazing and interesting.
A cute, fluffy baby otter character with soft brown-and-cream fur and a blue scarf stands beside a vintage instant camera in a beautiful sunny lakeside park. The otter gently operates the large camera, looks toward the lens with big expressive eyes, then happily poses and smiles with its tiny paws on its cheeks. The scene transitions to the otter holding a white photo frame showing its own adorable portrait, followed by the otter holding a freshly printed photograph. Bright blue sky, sparkling lake, modern city skyline in the background, warm golden sunlight, soft cinematic lighting, shallow depth of field, realistic fur detail, adorable 3D animated style, smooth natural character movements, subtle camera motion, cinematic composition, wholesome and heartwarming mood, ultra-detailed, high quality, 4K.
Create a 15-second vertical 9:16 cinematic photorealistic live-action video. MAIN CHARACTER: Use the supplied character reference. Preserve exact facial identity, swept-back dark hair, full beard, skin tone, body proportions and black long-sleeve outfit throughout. No identity, hairstyle or clothing changes. ENVIRONMENT: Vast sky above massive white-gray volumetric clouds, distant landscape below, natural daylight, atmospheric haze, strong high-altitude wind. 0:00–1:50 — Medium-wide frontal aerial shot. Man flies horizontally above clouds, arms extended. Smooth tracking camera, wind moving hair and clothing. 1:50–3:00 — Camera slowly pushes closer. Stable free-fall position, realistic cloud parallax, serious focused expression. 3:00–4:30 — Close frontal aerial shot. Face becomes dominant, realistic skin and wind-blown hair. 4:30–5:40 — Extreme close-up of face and upper torso. He looks forward, subtle breathing and natural wind movement. 5:40–6:20 — A large realistic eagle suddenly enters from the RIGHT side, rapidly approaching his face. Powerful wing movement, detailed feathers. 6:20–7:20 — SLOW MOTION: Eagle passes extremely close and its soft wing/feather tip lightly brushes his cheek. Show realistic feather flex, subtle facial wobble, eyes immediately closing and hair reacting to the wing airflow. Gentle, accidental contact, no injury. 7:20–8:40 — Return to normal speed. Eagle remains beside his face. Eyes stay closed briefly, then he reacts naturally. 8:40–9:70 — Tight two-subject close-up. Eagle flies parallel beside him. He opens his eyes and looks toward the eagle with controlled surprise. 9:70–11:00 — He turns his head slightly toward the eagle. Camera shifts smoothly to a three-quarter angle. 11:00–12:30 — Camera pulls wider. Eagle spreads its wings beside him as both fly above the clouds. 12:30–13:70 — Wider aerial shot. Eagle gradually moves away while remaining visible. 13:70–15:00 — Smooth cinematic pull-back. Eagle moves farther away and the man continues flying alone above the massive cloudscape. End on a powerful wide aerial shot. STYLE: Premium Hollywood live-action, photorealistic skin, realistic eagle and feathers, natural hair movement, volumetric clouds, HDR, atmospheric depth, subtle film grain, realistic daylight. CAMERA: Smooth stabilized aerial tracking, gradual push-in, extreme close-up, controlled slow-motion impact, three-quarter tracking, final wide pull-back. Realistic parallax, no shaky camera. AUDIO: Strong high-altitude wind, cinematic tension music building during eagle approach, subtle low-frequency contact sound during slow motion, realistic wing sounds, atmospheric music during final pull-back. NEGATIVE: identity change, different face/hair/clothes, beard change, distorted anatomy, extra
## Unified Generation Settings - Mode: Pure Text-to-Video - Do not upload reference videos - Do not upload reference images - Do not upload voiceovers or any audio - Aspect Ratio: 9:16 Vertical - Suggested Duration: 10 seconds per segment - Output: Visuals only, silent - Post-production: Original Doubao narration and subtitles will be re-added locally - Highest Priority: Absolutely no text, subtitles, titles, calligraphy, seals, plaque text, watermarks, logos, UI, pseudo-characters, garbled code, English, or numbers from the first frame to the last. --- ## Part 1 | "Seeing Off a Friend" Opening: Farewell Outside the City Generate a 10-second, 9:16 vertical Chinese ancient-style animation. Outside the city walls of the Tang Dynasty, an open landscape farewell scene. Distant continuous green mountains lie horizontally; nearby, clear rivers wind around the ancient city. The city walls, riverbanks, ancient roads, and distant mountains create distinct depth. There are two Tang Dynasty scholars in their thirties in the scene. Li Bai: A slender, natural East Asian male face, dark hair tied up, wearing a blue-gray cross-collar long robe with an off-white inner lining, cloth shoes, possessing a free-spirited and calm temperament. Friend: An East Asian male around thirty years old, wearing a plain brown cross-collar long robe, dark hair tied up, carrying a simple travel bag, accompanied by a brown horse. The camera starts with a wide view of the green mountains, rivers, and city walls, slowly pushing forward. The two scholars walk side by side along the ancient road by the riverbank, about to part ways. A breeze moves their sleeves, leaves, and horse manes; subtle ripples appear on the river surface. Then the two stop by the ancient road, with the path extending towards the mountains in the distance, creating an atmosphere of departure as the friend is about to travel far. The overall emotion is not grief, but implicit, restrained, and free-spirited with underlying reluctance to part. Chinese classical ink wash colored animation style, pale cyan-green landscapes, delicate rice paper texture, cinematic composition, natural lighting and shadows, realistic character proportions, natural and restrained movements, stable and slow camera work. Must maintain the complete 9:16 frame without cropping character heads or important scenery. Pure visual animation. No voiceover. Characters do not speak. No lip-syncing. No music. No ambient sound. No sound effects. Absolutely prohibited throughout: Any appearance of text. No subtitles, titles, poems, author names, calligraphy, seals, plaque text, flag text, scrolls, stone tablet inscriptions, watermarks, logos, UI, pseudo-characters, garbled code, English, or numbers. Plaques on buildings must be blank or completely absent. Maintain a pure text-free screen from the first frame to the last. --- ## Part 2 | Green Mountains and White Water Generate a 10-second, 9:16 vertical Chinese ancient-style animation. Continue the worldview of the farewell outside the Tang Dynasty city. The opening is a grand distant view of green mountains, the ancient city, and rivers. Green mountains lie horizontally north of the ancient city, with spreading slopes, layered peaks, and faint clouds moving slowly among the mountains. The camera pans steadily, gradually revealing a clear river winding past the east side of the ancient city. The river water is bright and clean, reflecting the sky, city walls, and distant mountains, with only slight ripples on the surface. By the ancient road on the riverbank, the two Tang Dynasty scholars appear in the frame at a smaller scale. Li Bai wears a blue-gray cross-collar long robe, the friend wears a plain brown long robe, accompanied by a brown horse. The characters remain quiet, not speaking, expressing the situation of impending separation only by stopping to gaze at the landscape. In the second half, the camera moves slowly along the river, allowing the green mountains, white water, ancient city, and ancient road to form a complete Chinese landscape composition. Pale cyan-green Chinese ink wash colored style, delicate rice paper texture, realistic spatial layers, cinematic feel, steady slow motion, no fast transitions. Pure visuals. No voiceover, no music, no ambient sound, no sound effects. Characters do not speak and do not perform reading lip-syncs. The screen must be 100% text-free. No subtitles, no poems, no calligraphy, no titles, no plaque text, no seals, no scrolls, no stone tablet inscriptions, no watermarks, no logos, no pseudo-characters or garbled code. Any architecture or objects where text might appear must remain completely blank. --- ## Part 3 | Parting Here, Lone Weed Traveling Far Generate a 10-second, 9:16 vertical Tang Dynasty ancient-style farewell animation. By the ancient road on the riverbank, two Tang Dynasty scholars in their thirties stand facing each other. Li Bai maintains his blue-gray cross-collar long robe, dark tied-up hair, and slender natural face. The departing friend maintains his plain brown long robe, dark tied-up hair, accompanied by a brown horse with only a simple travel bag on its back. At the start, the two look at each other quietly by the ancient road. Then they bid farewell with restrained clasped-hands greetings, nodding gently, without hugging, crying, or exaggerated acting. The friend turns around, leading the horse towards the distant ancient road. The camera gradually pulls back. The ancient road extends deep into the mountains. A clean, natural tumbleweed is blown by the wind, rolling or swaying lightly in the wilderness, using natural scenery to imply drifting and traveling far. Do not turn the character into a tumbleweed; do not use magic or fantasy special effects. In the second half, focus on the backs of the friend and horse gradually disappearing, while Li Bai stays closer, watching them go. The mountain wilds are vast, and the figures become smaller, reinforcing the sense of space for a journey of ten thousand miles. Chinese classical ink wash colored animation, pale cyan-green and earthy brown tones, rice paper texture, cinematic composition, realistic character proportions, sleeves and horse manes fluttering lightly in the wind, slow and natural camera movement. Pure visuals, no sound. Characters do not speak and do not lip-sync. Absolutely do not generate any text. Prohibited: Subtitles, poems, titles, calligraphy, seals, plaque text, flag text, scrolls, stone tablet inscriptions, logos, watermarks, English, numbers, pseudo-text, and garbled code. --- ## Part 4 | Floating Clouds for the Wanderer, Setting Sun for the Old Friend Generate a 10-second, 9:16 vertical Chinese ancient-style ink wash animation. The ancient road outside the Tang Dynasty city extends into the distance. The friend has already ridden or led the horse slowly away along the ancient road. Several floating clouds move slowly in the sky. The camera first gently moves upward, following the drifting clouds in the sky, then slowly descends to connect with the back of the departing friend, creating a natural visual echo between the floating clouds and the traveler. Do not use any text or abstract symbols to explain this artistic conception; express it only through the imagery. Then the camera looks back slowly. Li Bai stands alone by the ancient road on the riverbank, wearing a blue-gray long robe, quietly watching his friend disappear into the distance. The setting sun in the west is slowly sinking. Soft golden sunset light illuminates Li Bai's side profile, the river surface, and the distant mountains. Li Bai's expression is calm yet reluctant, without tears, and without exaggerated sad expressions. Finally, a complete picture is formed: floating clouds in the sky, the distant friend, the setting sun, the river, and Li Bai staying behind to watch exist simultaneously in a layered landscape space. Chinese ink wash colored style, combining pale cyan-green with warm sunset glow, rice paper texture, realistic natural lighting and shadows, cinematic feel, slow and smooth camera movement, implicit and restrained actions. Pure visuals. No voiceover, no music, no ambient sound, no sound effects. Characters do not speak and do not lip-sync. Absolutely no text throughout the video. No subtitles, no poems, no titles, no calligraphy, no plaque text, no seals, no scrolls, no logos, no watermarks, no pseudo-characters, no garbled code. --- ## Part 5 | Waving Goodbye, Horse Neighs Long Generate a 10-second, 9:16 vertical Tang Dynasty ancient-style farewell animation. The ancient road outside the city under the setting sun. Li Bai wears a blue-gray cross-collar long robe, standing by the ancient road on the riverbank. The friend wears a plain brown long robe and has already ridden or led the brown horse some distance away. At the start, the friend looks back. Li Bai raises his hand to wave goodbye to his friend; the distant friend also turns back and waves in response. The movements are slow, natural, and restrained. Then the friend continues walking into the distance. The brown horse briefly turns its head back, gently lifting its head, mane fluttering in the wind, expressing the feeling of reluctance to leave the herd through the horse's actions. Here, only show the visual actions of the horse. Do not generate horse neighing sounds, sound waves, or onomatopoeia text. The camera gradually pulls back. The friend and horse get further and further along the ancient road, while Li Bai remains in place watching. The setting sun, distant mountains, river, ancient road, and the two friends gradually separating form the final farewell scene. For the last two seconds, keep the complete scene, with only slight movements of the sunset light, sleeves, leaves, and horse mane. No black screen. No fade out to end card. Do not generate scrolls or ending screen text. Chinese classical ink wash colored animation, pale cyan-green landscapes combined with warm sunset glow, delicate rice paper texture, cinematic composition, realistic character proportions, steady and slow camera movement. Pure visuals, completely silent. No voiceover. No music. No ambient sound. No sound effects. Characters do not speak and do not lip-sync. From the first frame to the last, there must be absolutely no text. Prohibited: Subtitles, poems, titles, author names, calligraphy, seals, plaque text, flag text, stone tablet inscriptions, scroll text, logos, watermarks, UI, numbers, English, pseudo-characters, and garbled code.
Generate a continuous video of anthropomorphic rocker cats performing a live song in English. The mood is psychological and phosphorescent. Three anthropomorphic cats stand as a rock band on a small elevated stage. They retain cat heads, ears, fur, and tails while wearing rock clothing and holding instruments. They perform together as a single group. At the start, the cats face the audience in a dim, phosphorescent club: soft green-cyan glows pulse across their fur, instruments, and the air around them. The lead cat steps to the center microphone and begins singing clearly in English while the other two play guitar and drums in sync. Their mouths move with the English lyrics, eyes intense and slightly wild, bodies rocking with the beat. Phosphorescent light trails and glows intensify around them as the performance builds. At the end, they hold the final note and pose together under the glowing lights. Keep the cats fully anthropomorphic rockers, the English singing, the psychological-phosphorescent atmosphere, and the continuous band performance stable throughout. No subtitles appear on screen.
Create a cinematic 3D animated short film in a cute, high-quality family-animation style, vertical 9:16. Scene: A small adorable green baby lizard-like creature sits beside a tiny chili pepper plant on a warm sandy riverbank. The character has soft rounded features, expressive sleepy eyes, tiny hands and feet, and a cute slightly grumpy expression. The environment is lush and natural, with tall grass, a calm blue-green river, rocks, and warm golden sunlight. The little green creature gently looks at the chili peppers growing on the plant, blinking slowly and reacting with subtle facial expressions. Use detailed soft fur/skin textures, realistic shadows, beautiful cinematic lighting, shallow depth of field, and a warm magical atmosphere. Gradually introduce a cute orange-red baby creature that joins the green character. They sit together near the chili plant and interact with funny, expressive reactions. Their expressions should feel playful and comedic, with natural blinking, head movements, small gestures, and exaggerated animated facial expressions. Then reveal a cute brown beaver/otter-like character approaching from the riverside. Show a close-up of its adorable face, big nose, round cheeks, prominent front teeth, and expressive eyes. It looks curiously at the chili plant and the other characters. The characters begin reacting to each other and laughing together. Keep the animation charming and humorous, with natural body movement and expressive eyes. Near the end, several tiny black fluffy creatures suddenly appear around the chili plant and riverbank. They stare curiously at the group, creating a funny unexpected ending. Camera direction: Start with a medium close-up of the green character and chili plant, slowly push in toward the character, then cut to close-ups of the orange character and the beaver. Use smooth cinematic camera movements, gentle pans, subtle handheld-style motion, and shallow depth of field. Visual style: High-end 3D animated movie quality, adorable stylized characters, detailed textures, soft volumetric sunlight, cinematic depth of field, realistic environmental lighting, vibrant natural colors, polished character animation, expressive facial acting, whimsical comedy, family-friendly atmosphere, ultra-detailed, 4K. Motion: Natural blinking, subtle breathing, head turns, small hand movements, gentle body motion, realistic character interaction, expressive reactions, smooth transitions, cinematic timing. Aspect ratio: 9:16 vertical. Duration: approximately 30 seconds. No text, no subtitles, no watermark.
Every time a new model comes out, everyone asks it to draw 'a pelican riding a bicycle' to judge its spatial capabilities, usually using HTML or SVG for animations. I am tired of seeing standard versions, so I want you to create the most complex, detailed, and beautiful 'pelican riding a bicycle' animation video. You can use any technology; take your time, even if it takes a day.
I asked @claudeai for a 10-second film about a moose living in a code editor. No animation software. Just one HTML file.
make an animated short that felt like Hedgehog in the Fog. I didn’t want to copy Yuri Norstein’s film, so we went with a new story. It runs for 6.5 minutes. All 9363 frames are drawn by JavaScript code written by Opus. No video or image generation models, just canvas. It follows a little mouse in a red scarf. Her grandfather, an old mole, is out fishing when fog rolls over the lake. She goes looking for him with a walnut-shell lantern and a sleeping firefly inside. They have a secret knock to help them find each other: short, short, long. It means "I’m here". Norstein used paper cutouts on layers of glass, filmed frame by frame. I wanted some of that paper texture to come through in code. So the scenes use different styles: torn-paper collage, chalk on black paper, tissue paper underwater. There’s even sand on a light table and a pop-up book. Opus wrote the music too. It found Steinway piano samples in my Logic library and used Python to compose the score around the rhythm of that knock.
A cozy modern apartment kitchen on a warm sunny morning. A young Western woman with loose dark-brown hair, wearing a cream oversized T-shirt and gray lounge pants, sits at a wooden breakfast table. She spreads butter on a crispy slice of toast while a hot cup of coffee sits beside her. Her orange-and-white cat notices the toast and slowly walks toward the table, watching it closely. The cat jumps naturally onto a chair and then onto the table, carefully approaching the breakfast. It reaches out with one paw, pulls the toast closer, grabs it with its mouth, and tries to escape. The woman reacts with surprise and reaches for the toast, then laughs as the cat proudly runs away with its prize. Photorealistic cinematic style, realistic feline movement, natural gravity, friction and momentum, accurate body weight and balance, consistent character appearance, realistic fur and skin, soft morning sunlight, natural shadows, smooth camera movement, realistic facial expressions, authentic everyday-life atmosphere.
Create a 15-second cinematic, ultra-photorealistic fantasy action sequence set in a dense tropical jungle during a violent rainstorm. Show Hulk standing alone on a muddy jungle path, surrounded by towering trees, thick mist, and heavy rain → camera slowly moves toward him as his powerful presence fills the frame → suddenly, a gigantic realistic T-Rex emerges from the dark jungle behind him, shaking water from its massive body → Hulk slowly turns around and looks up at the enormous dinosaur → the T-Rex roars aggressively and charges forward → Hulk braces himself as the ground shakes beneath the creature’s footsteps → show a dramatic face-off between the giant dinosaur and Hulk → end with a wide cinematic shot showing both characters standing in the rain, surrounded by mist and destroyed vegetation. Ultra-realistic live-action VFX, highly detailed skin and muscle textures, realistic dinosaur scales, natural creature movement, realistic rain and water splashes, wet muddy ground, atmospheric fog, dramatic storm clouds, volumetric lighting, cinematic depth of field, dynamic camera movement, subtle handheld camera shake, realistic physics, epic scale, dark green and blue cinematic color grading, blockbuster monster-movie atmosphere, seamless transitions, extremely detailed, photorealistic, 4K cinematic quality. No text, subtitles, logos, watermark, or UI.
a rat-like lady with big eyes looking side eye at the camera and facing perpendicular to it to the right, grinning.... it turns to the camera and transforms into a possum with big teeth
{ "project_title": "UFC Octagon Championship - The Underdog Canine Knockout", "total_duration": "00:20.00", "aspect_ratio": "9:16 (Vertical TikTok / Reels / Shorts Format)", "frame_rate": "60 fps", "visual_style": "Broadcast television realism, UFC Pay-Per-View live event aesthetic, photorealistic CGI character integration, hyper-detailed musculature, dynamic broadcast lighting, genuine arena atmosphere, 8K ultra-sharp resolution", "setting_and_environment": { "venue": "Packed arena (MGM Grand / T-Mobile Arena style) surrounded by 20,000 screaming fans", "octagon_details": { "mat": "Light gray high-friction canvas covered in official sponsors (Monster Energy, Bud Light, https://t.co/XZUEQWQqbR, Prime, Modelo, Toyo Tires), lightly scuffed with sweat and foot skids[cite: 9]", "cage": "Black vinyl-coated steel chain-link fence, padded Octagon posts wrapped with UFC and sponsor foam bumpers[cite: 9]", "lighting": "Overhead high-intensity arena spotlight rig casting realistic hard key lighting and rim lights across the fighters, soft fill light bounced from the canvas, flashing spectator cameras in the dark stands[cite: 9]" }, "officials": "Standard UFC referee in black polo shirt, black athletic trousers, and disposable black nitrile gloves hovering nearby, actively monitoring the action[cite: 9]" }, "characters": { "fighter_a_the_canine": { "identity": "Anthropomorphic Italian Greyhound / Whippet MMA Fighter", "anatomy": "Slender, hyper-lean, sinewy canine torso standing upright on digitized digitigrade hind legs; short smooth fawn-tan coat with glistening perspiration; pointed erect ears reacting to head motion; focused, fierce fighting expression[cite: 9]", "attire": "Custom black-and-gold Venum fight shorts with Monster Energy claw logo on the left thigh; regulation open-finger 4oz UFC fight gloves taped securely at the wrists with red tape; no footwear[cite: 9]" }, "fighter_b_heavyweight_human": { "identity": "Massive Heavyweight Human Fighter", "anatomy": "Gigantic, broad-shouldered Caucasian heavyweight male with thick muscular build, reddish-brown full beard, shaved/short buzzcut head, heavily taped hands with blue corner tape[cite: 9]", "attire": "Standard black UFC Venum fight shorts with white trim; barefoot[cite: 9]" } }, "shot_by_shot_timeline": [ { "segment": "Scene 1: The Feint and the Explosive Takedown", "timestamp": "00:00 - 00:05", "camera": { "type": "Low-angle broadcast track camera moving counter-clockwise around the fighters", "lens": "35mm prime, shallow depth-of-field keeping fighters razor sharp while arena crowd blurs naturally", "movement": "Dynamic shoulder-rig whip as the strike occurs" }, "visual_action": "The bipedal Italian Greyhound bounces lightly on his slender digitigrade paw-pads, bobbing his long neck and weaving with high guard hands raised[cite: 9]. The heavyweight human steps forward throwing an aggressive, heavy right hook[cite: 9]. The canine fighter instantly dips under the punch with supernatural twitch reflex speed, shoots deep for a double-leg takedown, driving his shoulder squarely into the heavyweight's midsection and slamming him against the black chain-link cage wall[cite: 9].", "audio_effects": { "foley": "Sharp mat squeaks, visceral impact thud of shoulder hitting midsection, heavy chain-link cage clatter and vibration rattling against metal posts", "crowd": "Deafening sudden roar from the arena crowd reacting to the speed of the shoot", "commentary": "'Casper doing a good job cutting off the cage! There's the level change! He drives him straight to the fence!'[cite: 9]" } }, { "segment": "Scene 2: Cage Grind and Transition", "timestamp": "00:05 - 00:10", "camera": { "type": "Tight ringside profile shot through the hexagonal chain-link fence", "lens": "85mm telephoto lens focusing through the wire fence with slight lens flare from arena spotlights", "movement": "Slow drift upward, maintaining intense facial focus" }, "visual_action": "The human heavyweight grimaces under the fence pressure, attempting to wrap an overhook and stuff the takedown, his massive frame towering over the slender dog[cite: 9]. The canine fighter displays incredible leverage: planting one rear foot, spinning out to take the heavyweight's back, and breaking his posture downward with rapid collar-ties and knee strikes into the thigh.", "audio_effects": { "foley": "Heavy ragged breathing, visceral grunts of exertion, skin-on-skin squeaks against canvas and cage mesh", "crowd": "Sustained rhythmic chanting and screaming building in intensity", "commentary": "'Beautiful trip! Excellent balance from Casper and he transitions right into top position!'[cite: 9]" } }, { "segment": "Scene 3: The Spectacular Knockout Blow", "timestamp": "00:10 - 00:14", "camera": { "type": "Ultra slow-motion (slomo 120fps) dramatic tracking arc", "lens": "50mm broadcast cinema lens", "movement": "Rapid zoom-in on the exact moment of impact, followed by immediate real-time snap back" }, "visual_action": "As the heavyweight tries to scramble and posture up, the canine slips around the guard, coils his hind legs, and unloads a lightning-fast, bone-crushing overhand right hook flush on the jaw. Sweat and spit spray across the lens in slow motion. The heavyweight's eyes roll back instantly into his head, his legs turn to jelly, and his massive 260-pound frame violently ragdolls face-first onto the canvas, knocking him completely unconscious.", "audio_effects": { "foley": "Bone-splintering impact snap, followed by a thunderous floor thud as the heavyweight collapses limp on the mat", "referee": "Referee frantically blowing his whistle and diving between them waving his arms in pure urgency", "crowd": "The arena erupts in an ear-splitting shockwave of pandemonium, people grabbing their heads in disbelief", "commentary": "'OHHH MY GOODNESS! OH MY GOD! HE SLEPT HIM COLD! HE IS OUT! HE IS COMPLETELY OUT! HE PUT HIM TO SLEEP! CALL THE COPS! CALL THE PARAMEDICS! UNBELIEVABLE!'" } }, { "segment": "Scene 4: The Triumphant Cage Climb & Celebration", "timestamp": "00:14 - 00:20", "camera": { "type": "Wide stadium crane shot pushing up towards the top of the cage rim, looking dramatically upward", "lens": "24mm wide angle capturing the full grandeur of the arena, spotlights cutting through arena haze", "movement": "Dramatic cinematic tilt-up and powerful push-in" }, "visual_action": "While the referee tends to the unconscious giant on the mat, the victorious canine fighter sprints up the chain-link fence in two swift bounds. He balances upright on two hind feet directly atop the narrow, padded upper railing of the Octagon cage. Puffed out chest, head tilted back, he thrusts one gloved fist straight up into the air in pure, triumphant victory as golden spotlights wash over him. Digital UFC lower-third graphic flashes: 'WINNER BY KO - ROUND 1'.", "audio_effects": { "foley": "Metallic clinking of the fence mesh, solid stomp as paws balance on the top padded rim", "crowd": "20,000 fans roaring at deafening levels, horns, whistles, screaming chants", "commentary": "'LOOK AT HIM ON TOP OF THE CAGE! HE IS STANDING ON THE RAILING WITH ONE FIST IN THE AIR! ARE YOU INSANE?! HE JUST KNOCKED OUT A 260-POUND MONSTER! JOE! DC! I AM LOSING MY MIND RIG" } } ] }
Create a realistic, funny, heartwarming handheld phone video of a real-looking black crow and a realistic fluffy gray cat inside a simple apartment hallway. The gray cat wears a small pink bow attached naturally to the top of her head. The bow stays securely in place throughout the entire video. 0–3 sec: The crow stands in the middle of the hallway, looking around naturally. The gray cat appears in the distance and notices the crow. She immediately runs toward him with excited, playful energy. 3–6 sec: The cat reaches the crow. The crow turns toward her and gently spreads both wings around the cat, creating the appearance of a sweet little hug. The cat leans into the crow affectionately. Their interaction should feel spontaneous and physically believable. 6–10 sec: After the hug, the crow starts walking forward down the hallway while the gray cat walks closely beside him. They move together like an unlikely little pair of friends. The crow occasionally looks toward the cat while walking. 10–12 sec: The cat briefly looks up at the crow, then they continue walking away together. Visual style Extremely realistic animals Real crow anatomy, feathers, feet and beak Realistic fluffy gray cat fur and natural movement Small pink bow on the cat's head Ordinary apartment hallway Handheld smartphone camera Slight camera shake and imperfect framing Natural indoor lighting Slightly compressed, 144p/low-quality viral social-media video aesthetic Mild motion blur and phone-camera autofocus No cinematic color grading No CGI appearance No cartoon look No exaggerated facial expressions No human hands Keep the animals anatomically realistic while making the hug physically believable Spontaneous, funny, wholesome internet-video feeling Single continuous shot, no cuts or transitions
Create a 28–30 second vertical 9:16 cinematic 3D animated short film with a stylized family-friendly cartoon aesthetic. The story follows a brave, expressive brown hen trying to protect her chicks from a dangerous hawk. Keep the same character designs, colors, proportions, facial features, and visual style throughout the entire video. Scene 1 — Mountain cliff: At golden hour, a brown hen with detailed layered feathers, a red comb, expressive eyes, and a large rounded body carefully walks along the edge of a high rocky mountain carrying a large beige cloth sack on her back. The sky is filled with soft pink and orange clouds, warm sunlight creates beautiful rim lighting around her feathers, and the camera slowly tracks beside her. She looks tired but determined. Scene 2 — Climbing the cliff: The hen struggles while climbing a steep rocky cliff using a thick twisted rope covered with small green leaves. She holds the rope tightly with her wings and feet while looking upward with a worried but determined expression. Use a dramatic vertical camera angle showing the huge height of the cliff and the clouds far below. Her feathers and the sack move naturally with her movement. Scene 3 — Emotional close-up: Cut to an extreme close-up of the hen's face. Her large golden-brown eyes, long eyelashes, beak, comb, and detailed feathers are clearly visible. She looks directly ahead with a serious, slightly exhausted expression. Use shallow depth of field and warm cinematic lighting. Scene 4 — The nest: Reveal a large nest made from branches on the mountain. Several tiny fluffy baby chicks are inside the nest, happily looking upward. The hen approaches them carrying the beige sack. Suddenly, a large aggressive hawk appears behind them with powerful wings spread wide. The hawk has sharp yellow eyes, a hooked beak, realistic feather details, and an intimidating expression. Scene 5 — Hawk steals the food: The hawk lands near the nest and grabs the large cloth sack with its powerful talons. The hen looks shocked and terrified. The hawk lifts the sack and pours golden grain/food into the nest while the baby chicks excitedly look at the falling food. The hen watches in disbelief, creating a funny unexpected moment rather than violence. Scene 6 — Hen's reaction: Cut to a dramatic close-up of the hen. Her eyes become wide with surprise and frustration, then her expression changes into an exaggerated angry cartoon expression. Her eyebrows lower, her beak opens as if she is shouting, and her wings move dramatically. Use a quick cinematic push-in toward her face. Scene 7 — Hawk confrontation: Show the hawk flying directly toward the hen with its enormous wings fully spread. The hen stands in front of her chicks, raising one wing defensively to protect them. Behind them is a rustic dark wooden barn/farm building with stacked hay bales. The sky has become slightly darker and more dramatic. Use dynamic camera movement and strong wind
Create a cinematic, ultra-detailed animated short film following an anthropomorphic orange tabby cat named Marcus as he begins an unexpected journey into the corporate world. Open inside a warm, cozy home where Marcus sits patiently in the living room while his owner leaves through the front door. Show Marcus preparing for his day, wearing a formal white shirt, dark striped tie, business trousers, and carrying a small briefcase. Transition to Marcus arriving at a massive modern corporate office called Cat Corp. Show an impressive glass-and-steel workplace filled with desks, computer screens, employees, cool blue lighting, and a large illuminated Cat Corp sign. Follow Marcus walking confidently through the office while holding his briefcase and coffee cup, looking slightly serious and determined. Continue with Marcus sitting at his desk surrounded by paperwork, documents, computers, and office supplies. Introduce a sophisticated white female cat colleague joining him for an important business discussion. Show natural interactions, serious expressions, exchanged documents, and subtle gestures as they work together. Move into a dramatic executive office where Marcus stands across from a large gray cat boss sitting behind a luxurious desk. Create a tense corporate atmosphere with nighttime city lights visible through the windows. Show Marcus listening carefully before leaving the office with a more determined expression. Build toward a mysterious ending: Marcus returns home at night, reaches for the door lock, and pauses. Cut to an extreme close-up of his expressive eye reflecting the glowing Cat Corp office, suggesting that something much bigger is about to happen. Maintain strict character consistency throughout: same orange tabby fur pattern, face, eyes, body proportions, red collar, white shirt, striped tie, and business outfit. Preserve the same visual identity for every character across all scenes. Use cinematic 3D animation with realistic fur, detailed facial expressions, believable cat anatomy and movement, realistic office environments, dramatic blue-and-warm lighting contrast, atmospheric depth, soft reflections, polished cinematic textures, and premium animated-film quality. Use smooth tracking shots, wide establishing shots, medium character shots, over-the-shoulder compositions, slow push-ins, dramatic close-ups, and an extreme eye close-up for the final reveal. Include natural walking, tail movement, blinking, ear movement, subtle facial expressions, paper handling, coffee movement, door opening, realistic lighting changes, and believable environmental motion. Create a mysterious, emotional, slightly humorous corporate atmosphere with the feeling of an animated thriller or workplace adventure. Keep the storytelling continuous and cinematic from beginning to end. No dialogue, no narration, no subtitles
Create a 10-second, vertical ultra-realistic smartphone recording inside a rally car driven by a dog. ONE continuous shot at normal speed. CAMERA AND CAR A fixed wide-angle view from high beside the front passenger-side windshield pillar, looking diagonally across the cabin. Keep the dog driving, the cat in the front passenger seat, the raccoon between the front seatbacks, the steering wheel, and the gear lever visible together. The recording device is outside the frame. The viewpoint stays attached to the car, vibrating and jolting with the chassis. A worn rally hatchback with turquoise front bucket seats, a bright-green steel roll cage, a simple dashboard, and ONE tall sequential gear lever mounted on the centre tunnel beside the driver. Ordinary daylight through the windows, natural exposure, slight wide-angle distortion, motion blur, and mild phone-video compression. Real fur, skin, upholstery, metal, and glass. ANIMALS DRIVER: a Chinese Crested dog with a mostly hairless pink-grey body and a fluffy white crest. It sits upright in the driver's bucket seat, secured by a fitted harness. The steering wheel and gear lever are within comfortable reach of its front paws. Its expression is intensely focused on the road. FRONT PASSENGER: a brown tabby cat secured in the passenger seat. Wide eyes, ears angled back, front paws braced on the seat cushion. It looks toward the road and occasionally toward the dog, opening its mouth for loud, protesting meows. REAR PASSENGER: a raccoon secured in the centre rear seat, its masked face visible between the front seatbacks. It braces its front paws against the back of the driver's seat while its head and shoulders bob over the bumps. All three retain realistic animal bodies, paws, faces, and proportions. CONTINUOUS ACTION Start immediately with the car ALREADY travelling very fast along a rough gravel rally road. Roadside trees and banks stream rapidly past the windows. High engine revs, tyre noise, and constant suspension movement establish speed immediately. They get shaken violently the whole way; the entire vehicle is bouncing and jolting—it’s total chaos. The dog makes quick, controlled steering corrections. Its fluffy crest shakes with the vibration. Twice during the recording, the dog keeps its LEFT front paw on the steering wheel, moves its RIGHT front paw onto the same gear lever, makes one short, decisive shift, and returns that paw to the wheel. Each shift produces a mechanical click and a brief drop in engine pitch before the revs rise again. The car pounds across successive ruts and bumps. Strong vertical jolts and brief sideways body roll move all three animals in response to the SAME vehicle motion. Their harnesses re