Seedance 2.0

Main subject: young Korean woman, early 20s, natural everyday appearance, faded charcoal-grey sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, black cord necklace, black wavy hair in a messy side ponytail with wispy bangs. Realistic skin texture, minimal makeup, warm and approachable personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video.
Location: Authentic Korean residential neighborhood during a calm late morning. Narrow concrete alleys, low-rise homes, small terraces, potted plants, laundry lines, bicycles, utility poles, overhead wires, mature trees casting moving shadows, quiet residential atmosphere. No stores, advertisements, cafés, crowds, or commercial activity.
Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion.
Camera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading.
00:00–00:02
Outside a small house entrance. She sits on a low concrete wall adjusting her ponytail with both hands raised. A light breeze moves loose strands of hair. She smiles naturally while the camera struggles to hold focus.
00:02–00:04
The camera follows her into a narrow alley lined with potted plants and concrete walls. She notices a stray cat approaching and crouches down. Framing drifts off-center as the operator tries to keep up.
00:04–00:06
She gently pets and feeds the cat. Autofocus repeatedly shifts between her face and the animal. Morning sunlight flickers through leaves overhead.
00:06–00:08
Small front yard beside her house. She hangs laundry on a clothesline while fabrics sway in the breeze. Exposure changes as clouds briefly pass overhead.
00:08–00:10
On a quiet terrace with a ceramic coffee cup. She sits comfortably watching the neighborhood, occasionally brushing hair behind her ear. Loose handheld side angle with natural camera drift.
00:10–00:12
Close side profile. Someone off-camera greets her. She turns, raises her hand, smiles warmly, and casually says, “Annyeong.” The camera catches the moment slightly late.
00:12–00:15
Walking slowly down a tree-lined residential lane holding her coffee cup. She notices the camera, gives a small genuine smile, then looks away and continues walking. Recording cuts abruptly to black mid-motion as if the camcorder was switched off.

Audio: Natural ambient sound only — morning birds, distant motorcycles, light wind, leaves rustling, faint neighborhood

A high-end cinematic commercial featuring a consistent male throughout. Photorealistic style, 4K resolution, shallow depth of field, realistic lighting, and shadows.

0–2s: In a crowded, noisy subway. Chaotic environment with people pushing and moving. Slight

一名男子一邊用手指比劃，一邊大聲從 1 數到 10

Gritty, raw handheld 35mm film aesthetic with natural film grain. Harsh, direct sunlight creating high-contrast shadows. Handheld tracking shot (3rd person POV/Over-the-shoulder). Atmosphere: dusty, coastal wind, realistic physics.

Audio: Heavy

Brad Pitt 同 Tom Cruise 暫時放下恩怨，聯手對付共同的敵人——好像是什麼機械人之類的東西

[Video Specifications]
Duration: 10 seconds (note: timeline extends to 12s in content)
Aspect Ratio: 16:9 Landscape
Type: Comedy Twist
Visual Quality: Live-action realism, cinematic quality, natural skin texture, real urban environment.

[Core Contrast]
The first half establishes a grand, solemn, and oppressive Xianxia (fantasy) epic atmosphere.
The second half suddenly shifts to an awkward, quiet, and embarrassing reality comedy.
The twist must happen abruptly without prior hints; overall absurd but logically clear, maintaining a light-hearted, harmless comedic tone.

[Scene]
City main road on a sunny day.
Road includes two-way motor vehicle lanes, non-motorized vehicle lanes, and sidewalks.
Pile of loose discarded cardboard boxes next to the sidewalk, varying sizes, capable of scattering around when the character falls into them, creating exaggerated but safe comedic effects.

[Character]
Sword Immortal Sister: @Image1
Strictly maintain consistency with the reference image's face, hairstyle, clothing, body type, and character features. No face swapping or style changes throughout.

[Key Continuity]
The silver longsword remains suspended under the Sword Immortal Sister's feet in the first half.
The large blue truck only passes through the adjacent motor vehicle lane, must not contact or hit any characters, swords, or bicycles.
The Sword Immortal Sister falling into the cardboard pile is a safe, exaggerated comedic performance; no injury, bleeding, pain, or real traffic accidents.
All actions maintain spatial continuity; characters and props must not teleport.

━━━━━━━━━━━━━━

[00:00-00:03]
[Shot 1: Epic Entrance]
Ultra-low angle looking up, camera quickly follows backward.
The Sword Immortal Sister rides a floating silver longsword, speeding across about 2 meters above the city road.
Hands behind back, chin slightly raised, cold gaze, arrogant expression, as if overlooking the mortal world.
Long hair and skirt hem blown backward by airflow; movements stable, elegant, and imposing.
Sunlight creates sharp reflections on the silver blade; leaves faint silver qi trails as it cuts through air.
Sound Effects: Grand Xianxia music, whistling wind, low sword hum.
Opening Subtitle:
"When the Sword Immortal enters the modern traffic system for the first time"

━━━━━━━━━━━━━━

[00:03-00:07]
[Shot 2: A Compliment Makes Her Float Away]
Switch to side tracking shot on non-motorized lane.
Cyclister enters frame riding a bicycle, looks up at the airborne Sword Immortal Sister, eyes widen instantly, then excitedly pedals faster to chase.
Cyclister shouts sincerely admiringly:
"Whoa! Sister, you look so cool!"
Cut to close-up of Sword Immortal Sister's face.
Upon hearing the praise, her previously cold mouth corners briefly rise, then she forcibly suppresses them.
She pretends to be calm, brushing her hair, but secretly glances down at the Cyclister below, clearly becoming smug.
The silver sword beneath her seems to cooperate with her showing off, drawing two smooth small S-shapes in the air.
Sound Effects: Xianxia music continues, adding slight smug "hmph" sounds and sparkling audio effects.

━━━━━━━━━━━━━━

[00:07-00:10]
[Shot 3: Reality Strikes Suddenly]
Switch to fixed side full shot.
Sword Immortal Sister has eyes closed, chin slightly raised, enjoying the Cyclister's admiration.
A huge blue truck suddenly speeds past from the adjacent motor vehicle lane.
The truck does not hit any characters, but creates an extremely exaggerated strong crosswind as it passes.
The Sword Immortal Sister's hair, skirt, and facial expression are simultaneously messed up by the wind.
Her smug smile vanishes instantly; eyes widen abruptly, pupils shaking.
The silver sword beneath her starts swaying violently left and right.
She tries to regain the master's posture, but hands flail clumsily in the air twice.
Then, her body floats sideways like a piece of paper blown away by the wind, along with the sword, towards the pile of cardboard boxes by the roadside.
Sound Effects: Truck's low horn blast, fierce wind sound.
As the truck passes, the grand Xianxia music stops immediately.

━━━━━━━━━━━━━━

[00:10-00:12]
[Shot 4: Fairy Falls to Mortal World]
Quick cut to front view of cardboard pile.
Sword Immortal Sister dives headfirst into the pile of discarded cardboard boxes in an exaggerated but safe pose.
Cardboard boxes scatter instantly in all directions.
One large box covers her upper body; two smaller boxes slowly land on her head and shoulders.
The silver sword spins out of control twice in the air, its qi disappears completely, then drops beside her like a regular metal plate.
"Clang!"
The scene becomes suddenly silent.
Only the sound of rolling cardboard boxes and a lonely crow call in the distance remain.

━━━━━━━━━━━━━━

[Performance Focus]
The Sword Immortal Sister must be extremely aloof, elegant, and confident in the first half, possessing the pressure of a true Xianxia expert.
When encountering the crosswind, her expression must clearly complete four stages of change:
Smug → Confused → Terrified → Dazed.
The Cyclister must show sincere admiration in the first half; upon seeing the fall, she freezes in shock first, then starts trying hard to hold back laughter.
The Cyclister must not show mockery or schadenfreude from the beginning.

[Camera Rhythm]
Establish Xianxia epic quality quickly in the first three seconds.
After the compliment, retain at least one second of the Sword Immortal Sister's facial reaction so viewers can clearly see her secret smugness.
Do not hint at the truck's arrival via sound, shadow, camera movement, or character gaze beforehand.
Immediately cut the Xianxia music after the truck passes, using sudden silence to enhance the comedic contrast.
Freeze immediately after the last line of dialogue ends; do not drag or add extra plot.

[Avoid]
Do not let the blue truck hit characters, bicycles, or the sword.
No serious traffic accidents, injuries, bleeding, pain, or dangerous realistic visuals.
Do not change the character's face, hairstyle, clothing, body type, or identity features.
Do not let the silver sword turn into a skateboard, broom, surfboard, or other object.
No clipping issues, distorted limbs, abnormal fingers, extra limbs, or reversed joints.
Do not let characters or props teleport within the same shot.
No anime character texture, game CG texture, plastic skin, or obvious AI fake faces.
Do not film the twist as a disaster movie or thriller.
No explosions, rollovers, collisions, or other dangerous scenes.

Main subject: young Korean woman, early 20s, natural everyday appearance, faded charcoal-grey sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, black cord necklace, black wavy hair in a messy side ponytail with wispy bangs. Realistic skin texture, minimal makeup, warm and approachable personality. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video.
Location: Authentic Korean residential neighborhood during a calm late morning. Narrow concrete alleys, low-rise homes, small terraces, potted plants, laundry lines, bicycles, utility poles, overhead wires, mature trees casting moving shadows, quiet residential atmosphere. No stores, advertisements, cafés, crowds, or commercial activity.
Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion.
Camera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between sun and shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading.
00:00–00:02
Outside a small house entrance. She sits on a low concrete wall adjusting her ponytail with both hands raised. A light breeze moves loose strands of hair. She smiles naturally while the camera struggles to hold focus.
00:02–00:04
The camera follows her into a narrow alley lined with potted plants and concrete walls. She notices a stray cat approaching and crouches down. Framing drifts off-center as the operator tries to keep up.
00:04–00:06
She gently pets and feeds the cat. Autofocus repeatedly shifts between her face and the animal. Morning sunlight flickers through leaves overhead.
00:06–00:08
Small front yard beside her house. She hangs laundry on a clothesline while fabrics sway in the breeze. Exposure changes as clouds briefly pass overhead.
00:08–00:10
On a quiet terrace with a ceramic coffee cup. She sits comfortably watching the neighborhood, occasionally brushing hair behind her ear. Loose handheld side angle with natural camera drift.
00:10–00:12
Close side profile. Someone off-camera greets her. She turns, raises her hand, smiles warmly, and casually says, “Annyeong.” The camera catches the moment slightly late.
00:12–00:15
Walking slowly down a tree-lined residential lane holding her coffee cup. She notices the camera, gives a small genuine smile, then looks away and continues walking. Recording cuts abruptly to black mid-motion as if the camcorder was switched off.

Audio: Natural ambient sound only — morning birds, distant motorcycles, light wind, leaves rustling, faint neighborhood

A high-end cinematic commercial featuring a consistent male throughout. Photorealistic style, 4K resolution, shallow depth of field, realistic lighting, and shadows.

0–2s: In a crowded, noisy subway. Chaotic environment with people pushing and moving. Slight

一名男子一邊用手指比劃，一邊大聲從 1 數到 10

Gritty, raw handheld 35mm film aesthetic with natural film grain. Harsh, direct sunlight creating high-contrast shadows. Handheld tracking shot (3rd person POV/Over-the-shoulder). Atmosphere: dusty, coastal wind, realistic physics.

Audio: Heavy

Brad Pitt 同 Tom Cruise 暫時放下恩怨，聯手對付共同的敵人——好像是什麼機械人之類的東西

[Video Specifications]
Duration: 10 seconds (note: timeline extends to 12s in content)
Aspect Ratio: 16:9 Landscape
Type: Comedy Twist
Visual Quality: Live-action realism, cinematic quality, natural skin texture, real urban environment.

[Core Contrast]
The first half establishes a grand, solemn, and oppressive Xianxia (fantasy) epic atmosphere.
The second half suddenly shifts to an awkward, quiet, and embarrassing reality comedy.
The twist must happen abruptly without prior hints; overall absurd but logically clear, maintaining a light-hearted, harmless comedic tone.

[Scene]
City main road on a sunny day.
Road includes two-way motor vehicle lanes, non-motorized vehicle lanes, and sidewalks.
Pile of loose discarded cardboard boxes next to the sidewalk, varying sizes, capable of scattering around when the character falls into them, creating exaggerated but safe comedic effects.

[Character]
Sword Immortal Sister: @Image1
Strictly maintain consistency with the reference image's face, hairstyle, clothing, body type, and character features. No face swapping or style changes throughout.

[Key Continuity]
The silver longsword remains suspended under the Sword Immortal Sister's feet in the first half.
The large blue truck only passes through the adjacent motor vehicle lane, must not contact or hit any characters, swords, or bicycles.
The Sword Immortal Sister falling into the cardboard pile is a safe, exaggerated comedic performance; no injury, bleeding, pain, or real traffic accidents.
All actions maintain spatial continuity; characters and props must not teleport.

━━━━━━━━━━━━━━

[00:00-00:03]
[Shot 1: Epic Entrance]
Ultra-low angle looking up, camera quickly follows backward.
The Sword Immortal Sister rides a floating silver longsword, speeding across about 2 meters above the city road.
Hands behind back, chin slightly raised, cold gaze, arrogant expression, as if overlooking the mortal world.
Long hair and skirt hem blown backward by airflow; movements stable, elegant, and imposing.
Sunlight creates sharp reflections on the silver blade; leaves faint silver qi trails as it cuts through air.
Sound Effects: Grand Xianxia music, whistling wind, low sword hum.
Opening Subtitle:
"When the Sword Immortal enters the modern traffic system for the first time"

━━━━━━━━━━━━━━

[00:03-00:07]
[Shot 2: A Compliment Makes Her Float Away]
Switch to side tracking shot on non-motorized lane.
Cyclister enters frame riding a bicycle, looks up at the airborne Sword Immortal Sister, eyes widen instantly, then excitedly pedals faster to chase.
Cyclister shouts sincerely admiringly:
"Whoa! Sister, you look so cool!"
Cut to close-up of Sword Immortal Sister's face.
Upon hearing the praise, her previously cold mouth corners briefly rise, then she forcibly suppresses them.
She pretends to be calm, brushing her hair, but secretly glances down at the Cyclister below, clearly becoming smug.
The silver sword beneath her seems to cooperate with her showing off, drawing two smooth small S-shapes in the air.
Sound Effects: Xianxia music continues, adding slight smug "hmph" sounds and sparkling audio effects.

━━━━━━━━━━━━━━

[00:07-00:10]
[Shot 3: Reality Strikes Suddenly]
Switch to fixed side full shot.
Sword Immortal Sister has eyes closed, chin slightly raised, enjoying the Cyclister's admiration.
A huge blue truck suddenly speeds past from the adjacent motor vehicle lane.
The truck does not hit any characters, but creates an extremely exaggerated strong crosswind as it passes.
The Sword Immortal Sister's hair, skirt, and facial expression are simultaneously messed up by the wind.
Her smug smile vanishes instantly; eyes widen abruptly, pupils shaking.
The silver sword beneath her starts swaying violently left and right.
She tries to regain the master's posture, but hands flail clumsily in the air twice.
Then, her body floats sideways like a piece of paper blown away by the wind, along with the sword, towards the pile of cardboard boxes by the roadside.
Sound Effects: Truck's low horn blast, fierce wind sound.
As the truck passes, the grand Xianxia music stops immediately.

━━━━━━━━━━━━━━

[00:10-00:12]
[Shot 4: Fairy Falls to Mortal World]
Quick cut to front view of cardboard pile.
Sword Immortal Sister dives headfirst into the pile of discarded cardboard boxes in an exaggerated but safe pose.
Cardboard boxes scatter instantly in all directions.
One large box covers her upper body; two smaller boxes slowly land on her head and shoulders.
The silver sword spins out of control twice in the air, its qi disappears completely, then drops beside her like a regular metal plate.
"Clang!"
The scene becomes suddenly silent.
Only the sound of rolling cardboard boxes and a lonely crow call in the distance remain.

━━━━━━━━━━━━━━

[Performance Focus]
The Sword Immortal Sister must be extremely aloof, elegant, and confident in the first half, possessing the pressure of a true Xianxia expert.
When encountering the crosswind, her expression must clearly complete four stages of change:
Smug → Confused → Terrified → Dazed.
The Cyclister must show sincere admiration in the first half; upon seeing the fall, she freezes in shock first, then starts trying hard to hold back laughter.
The Cyclister must not show mockery or schadenfreude from the beginning.

[Camera Rhythm]
Establish Xianxia epic quality quickly in the first three seconds.
After the compliment, retain at least one second of the Sword Immortal Sister's facial reaction so viewers can clearly see her secret smugness.
Do not hint at the truck's arrival via sound, shadow, camera movement, or character gaze beforehand.
Immediately cut the Xianxia music after the truck passes, using sudden silence to enhance the comedic contrast.
Freeze immediately after the last line of dialogue ends; do not drag or add extra plot.

[Avoid]
Do not let the blue truck hit characters, bicycles, or the sword.
No serious traffic accidents, injuries, bleeding, pain, or dangerous realistic visuals.
Do not change the character's face, hairstyle, clothing, body type, or identity features.
Do not let the silver sword turn into a skateboard, broom, surfboard, or other object.
No clipping issues, distorted limbs, abnormal fingers, extra limbs, or reversed joints.
Do not let characters or props teleport within the same shot.
No anime character texture, game CG texture, plastic skin, or obvious AI fake faces.
Do not film the twist as a disaster movie or thriller.
No explosions, rollovers, collisions, or other dangerous scenes.

隨便在畫面上堆一堆廢料，再給我整艘大船出來，所有東西都炸到飛起——總之要夠癲夠爆，至少要攞到 50 個 like

montage, multi-shot 3D animated feature film, Don't use one camera angle or single cut, vibrant glossy CGI render, Pixar-quality stylized animation, expressive cartoon character performance, subsurface-scattered fur and skin, cinematic lighting, sharp focus, high detail texture, depth of field mastery, dappled bright daylight, lush saturated jungle palette

In a lush overgrown jungle temple bathed in dappled bright daylight, three goofy creatures stand among giant mushrooms and mossy ancient ruins. A big shaggy orange horned monster with a rolled bedroll on his backpack bounces with excitement, a small round blue scaly dragon with little dorsal spikes clutches a glowing old treasure map in his clawed hands, and a towering mossy tree-creature with a goofy wide-eyed grin looms behind them. A tiny green creature peeks from the ferns in the foreground. The look is stylized 3D animated feature quality — vibrant, glossy, soft and warm, with playful expressive character animation.

Shot 1: Medium shot with a smooth playful push-in, the shaggy orange monster bounces on his feet and waves both furry arms overhead with a huge toothy grin, green eyes sparkling. Bursting with excitement he says: "Okay — today's the day, I can feel it in my fur!"

Shot 2: Close-up, the little blue dragon holds the old map up close as the parchment glows warm gold under his clawed fingers, his eyes darting across it then snapping wide. He taps the map and whispers: "Wait... the lost chamber — it's real."

Shot 3: Wide shot, the whole trio reacts together as the blue dragon thrusts a claw dramatically toward the overgrown temple, the orange monster gasping with joy and the towering tree-creature beaming behind them, while the tiny green creature pops up out of the ferns with wide eyes. They all gasp: "WHOA!"

Shot 4: Medium tracking shot bouncing along with them, the excited trio surges forward in a huddle, the orange monster sprinting in place and kicking up leaves and petals, the dragon clutching the map to his chest. The orange monster shouts back gleefully: "Last one there hatches a rotten egg!"

Shot 5: Close-up insert, the tree-creature's giant mossy foot slowly lifts off the ground to reveal a glowing golden treasure chest squashed into the moss right underneath it, soft light spilling out around it.

Shot 6: Wide shot, the orange monster and blue dragon screech to a frozen halt and stare slack-jawed at the chest under the tree-creature's foot, a beat of stunned silence, the tiny green creature face-palming in the ferns. The tree-creature gives a sheepish little wave and grins: "...Was it important?"

Total: 15s / 6 shots / 16:9

Larry David 因為用 Seedance 2 而惹禍上身——記住要夠白痴，目標係攞到 50 個 like。

快節奏動作片場景，手提攝影機拍攝，女子發現機師不知所蹤，隨即衝上前試圖控制飛機，鏡頭切換至機外畫面，可見她身處駕駛艙內操控飛機

Act 1: [Video Prompt] Generate a 9:16 vertical short video, approximately 11-12 seconds. Real handheld mobile phone style, like a prank video shot outside a luxury hotel or office building at night. First-person POV of the recorder (off-camera male voice). The camera focuses on a woman, close-up mid-shot, slight hand shakiness, occasional slight movement/tracking, auto-exposure jumps with phone flash and glass reflections, brief auto-focus hesitation. No surveillance POV, no cinematic look, no stabilizers. Scene: Night outside high-end hotel/office with warm yellow indoor lights, glass doors, reflective walls, greenery. Light from phone flash, lobby light, and street lamps. Subject: Young adult East Asian female (reference image provided). Interaction: Refuses a kiss for 100k, then offers to slap for 1 million. Natural, slightly humorous performance. Timeline 0-12s. Subtitles included. Low-light noise and compression artifacts. Audio: Natural ambient sounds, no BGM. Negative: No professional lighting, no CG feel, no random text. Act 2: 15 seconds. Continuation of the night scene. The woman claims her husband is picking her up. A sloppy, overweight man arrives on a shared bicycle as the 'husband.' Comic contrast between the high-end setting and the husband's appearance. Timeline 0-15s: She walks away, male voice follows, shared bike arrives, 'husband' says it's 'eco-friendly' and 'saves parking fees.' Audio: Bike bell, braking, dialogue. Act 3: 15 seconds. Handheld iPhone style continuation. The fat man takes out his phone. A 2D cartoon girl jumps out of the phone onto the street. She performs an exaggerated comedic counter-attack, flying kicking the camera. First-person POV spins 360 degrees in the air and falls. 2D girl warns: 'Don't hit on girls next time.' Timeline 0-15s: Phone reveal, 2D girl appearance, flying kick, aerial spin, landing, final warning. Audio: Phone clicks, wind sound from kick/spin, impact sound, bike bell. Negative: No real violence/blood, don't make the 2D girl look real, no camera stabilization.

Gojo 對戰 Sukuna，這場我們期待已久的世紀大戰

動畫工作室必須將 Sukuna 對戰 Gojo 的一幕動畫化

隨便在畫面上堆一堆廢料，再給我整艘大船出來，所有東西都炸到飛起——總之要夠癲夠爆，至少要攞到 50 個 like

montage, multi-shot 3D animated feature film, Don't use one camera angle or single cut, vibrant glossy CGI render, Pixar-quality stylized animation, expressive cartoon character performance, subsurface-scattered fur and skin, cinematic lighting, sharp focus, high detail texture, depth of field mastery, dappled bright daylight, lush saturated jungle palette

In a lush overgrown jungle temple bathed in dappled bright daylight, three goofy creatures stand among giant mushrooms and mossy ancient ruins. A big shaggy orange horned monster with a rolled bedroll on his backpack bounces with excitement, a small round blue scaly dragon with little dorsal spikes clutches a glowing old treasure map in his clawed hands, and a towering mossy tree-creature with a goofy wide-eyed grin looms behind them. A tiny green creature peeks from the ferns in the foreground. The look is stylized 3D animated feature quality — vibrant, glossy, soft and warm, with playful expressive character animation.

Shot 1: Medium shot with a smooth playful push-in, the shaggy orange monster bounces on his feet and waves both furry arms overhead with a huge toothy grin, green eyes sparkling. Bursting with excitement he says: "Okay — today's the day, I can feel it in my fur!"

Shot 2: Close-up, the little blue dragon holds the old map up close as the parchment glows warm gold under his clawed fingers, his eyes darting across it then snapping wide. He taps the map and whispers: "Wait... the lost chamber — it's real."

Shot 3: Wide shot, the whole trio reacts together as the blue dragon thrusts a claw dramatically toward the overgrown temple, the orange monster gasping with joy and the towering tree-creature beaming behind them, while the tiny green creature pops up out of the ferns with wide eyes. They all gasp: "WHOA!"

Shot 4: Medium tracking shot bouncing along with them, the excited trio surges forward in a huddle, the orange monster sprinting in place and kicking up leaves and petals, the dragon clutching the map to his chest. The orange monster shouts back gleefully: "Last one there hatches a rotten egg!"

Shot 5: Close-up insert, the tree-creature's giant mossy foot slowly lifts off the ground to reveal a glowing golden treasure chest squashed into the moss right underneath it, soft light spilling out around it.

Shot 6: Wide shot, the orange monster and blue dragon screech to a frozen halt and stare slack-jawed at the chest under the tree-creature's foot, a beat of stunned silence, the tiny green creature face-palming in the ferns. The tree-creature gives a sheepish little wave and grins: "...Was it important?"

Total: 15s / 6 shots / 16:9

Larry David 因為用 Seedance 2 而惹禍上身——記住要夠白痴，目標係攞到 50 個 like。

快節奏動作片場景，手提攝影機拍攝，女子發現機師不知所蹤，隨即衝上前試圖控制飛機，鏡頭切換至機外畫面，可見她身處駕駛艙內操控飛機

Act 1: [Video Prompt] Generate a 9:16 vertical short video, approximately 11-12 seconds. Real handheld mobile phone style, like a prank video shot outside a luxury hotel or office building at night. First-person POV of the recorder (off-camera male voice). The camera focuses on a woman, close-up mid-shot, slight hand shakiness, occasional slight movement/tracking, auto-exposure jumps with phone flash and glass reflections, brief auto-focus hesitation. No surveillance POV, no cinematic look, no stabilizers. Scene: Night outside high-end hotel/office with warm yellow indoor lights, glass doors, reflective walls, greenery. Light from phone flash, lobby light, and street lamps. Subject: Young adult East Asian female (reference image provided). Interaction: Refuses a kiss for 100k, then offers to slap for 1 million. Natural, slightly humorous performance. Timeline 0-12s. Subtitles included. Low-light noise and compression artifacts. Audio: Natural ambient sounds, no BGM. Negative: No professional lighting, no CG feel, no random text. Act 2: 15 seconds. Continuation of the night scene. The woman claims her husband is picking her up. A sloppy, overweight man arrives on a shared bicycle as the 'husband.' Comic contrast between the high-end setting and the husband's appearance. Timeline 0-15s: She walks away, male voice follows, shared bike arrives, 'husband' says it's 'eco-friendly' and 'saves parking fees.' Audio: Bike bell, braking, dialogue. Act 3: 15 seconds. Handheld iPhone style continuation. The fat man takes out his phone. A 2D cartoon girl jumps out of the phone onto the street. She performs an exaggerated comedic counter-attack, flying kicking the camera. First-person POV spins 360 degrees in the air and falls. 2D girl warns: 'Don't hit on girls next time.' Timeline 0-15s: Phone reveal, 2D girl appearance, flying kick, aerial spin, landing, final warning. Audio: Phone clicks, wind sound from kick/spin, impact sound, bike bell. Negative: No real violence/blood, don't make the 2D girl look real, no camera stabilization.

Gojo 對戰 Sukuna，這場我們期待已久的世紀大戰

動畫工作室必須將 Sukuna 對戰 Gojo 的一幕動畫化